Nomads from THE NOMAD gather in Utah Oct. 13

Some of my fellow writers featured in The Nomad Literary Magazine will be reading from their work Oct. 13 at the Utah Humanities Book Festival. The event is 6-7:30 p.m. at the Utah Cultural Celebration Center in West Valley located on the western fringe of SLC. My work is featured in several issues of The Nomad, edited by Rachel White and based in Bountiful. One of my favorite stories set in Wyoming, "George Running Poles," is in the "Breakthroughs" issue. I won't be at the reading as I will be getting myself and my books ready for the upcoming Florida Writers Association conference in Orlando. Would I rather be in Utah? Well, the Wasatch Front is gorgeous in October. Sending my regards to all Nomads.

Just call me a visionary

Spent the last couple days on Kindle Create. I set up the docx file of “Zeppelins” so its available as an ebook on Amazon KDP. Took me awhile to get there as the Ridgeway Press released the paperback in late May. I was conjuring ways to promote my book set in 1919 Colorado. It’s a bit strange to be living on the fringes of Florida wetlands but pining for the Rocky Mountains. Doesn’t help that Florida summers are hot and soupy. I spend most of the time in AC. It reminded me of depths of Wyoming winters, spending most of my time in heated spaces. Here people pine for the cool of winter and Wyomingites get spring fever as they wait and wait for the day when the short spring turns into summer. I used to swoon in late March when spring threatened. I mourned June 21, the longest day of the year, in which Rocky Mountain summer would begin to fade. Now I’m all turned around.

It is my good fortune that I can now see the changing seasons. Dr. K removed the filters from my eyes and gave them new lenses. No more cataracts. I’m reading my own novel in its proper form and not in final manuscript form in large print on a high-contrast screen. It’s miraculous, is it not, that this can be done? It was expensive. I spent all of my book-buying funds for the next 25 years which would take me to the nice round number of 100. But what good are books if you can’t see?

I thought little about my eyes until my 40s. I was in a dark restaurant holding the menu at arm’s distance. My work colleague remarked that I needed glasses. Poppycock, I said, or something like it.  She handed me her reader glasses and told me to bring the menu closer. I did. I could see the type. “Gimme back my glasses,” she said, now holding her menu at arm’s length. I bought readers the next day. They’re called this because it’s the reading that begins to blur.

When you’re a kid, you hold books up to your face or even at arm’s length and you can see fine. It helps that the text is short and simple. “See Dick Run. See Dick fall. See Spot bark. See Sally laugh.” Easy, right? But then come chapter books and assigned books and books my parents are reading but hide away. “Not for kids,” Dad said. I learned to read in earnest when I dug those books out of his underwear drawer. They were not necessarily books on the Catholic Church forbidden list. But some had bad words, such as “fug” in “From Here to Eternity.” There also was kissing and groping on the Oahu beach, at least in the movie.

I thank all of the doctors and researchers who brought us to this point. I know Salk and Sabin and Madame Curie are tough to remember when RFK Junior’s scary face comes on Fox. There’s a prescription for that: “Don’t watch Fox!"

I read my book for the first time

After a brisk PT workout and breakfast, I picked up a copy of “Zeppelins Over Denver” and read the first two chapters. That wouldn’t be big news because I imagined and wrote this historical novel. I’ve read, revised, and proof-read every word. It begins this way:

Patrick Michael Hott pulled his cap down on his forehead and slumped into the seat on the east side of the southbound train.

It goes on like that for another 403 bound pages. It’s a good story, even great at times, or so I’d like to think. Today’s reading is new in one way: it’s the first time I’ve read the actual softcover book published by The Ridgeway Press of Michigan and assembled at Ingram/Spark. I wrote the text, read it a dozen times at least. During the past year, as the manuscript went from proposal to acceptance and publishing, I was reading it on my PC in large type on a high-contrast screen. To read the printed page, I had to print it in 18-point Times Roman boldface. My sporty little printer had its hands full.

Cataracts muddied my sight. Everything looked fuzzy. I got prescription glasses but still couldn’t read typescript on the page. Early in the year, my ophthalmologist suggested cataract surgery. I ignored his advice. The book came out in May and I looked at the opening pages, beheld the muddy gray type, and sighed.

I went back for my next eye appointment and the doctor said the same thing. So I signed on, paid the hefty bill, and last week underwent surgery on the first eye, the second session set for Sept. 10.

This morning, I read the first two chapters in book form for the first time. I can see. My eyesight has improved on the left side, improved enough to put away my prescription eyeglasses and pick up the readers I bought off a Publix rack a year ago. I can remove the readers and see the 12-point TR type well enough to read it.

This is miraculous. Angels sang when I picked up my book and read. The type, which mysteriously turned gray during the past year, is now black on the page. Readable. Enjoyable. I look forward to my next visit to the ophthalmology surgical theatre, the surgeon hidden by drapes, the only thing in my eyesight are two tiny lights, my body numbed with chemicals. I know what he’s doing because I saw the video. Microsurgery with tiny tools. Old lens broken up, removed, and new lens inserted. I’ll spend the next day numbed and a bit sleepy, pirate patch over my eye. And the drops, the constant eye drops.

And then I will get back to reading my book. I may not read much further – I know how it ends. But you don’t. Buy it and find out.

Via Audible, I spend a year in an Irish garden

On my June 1 post, I talked about buying on Audible "In Kiltumper: A Year in an Irish Garden." I mentioned that I don't listen to many audiobooks as my vision remains fine and I love reading. There's a little message inside my head that says: "Audiobooks are for endless drives across Wyoming." During my 25 years at the Wyoming Arts Council, I made many drives across the 98,000-square mile state and listened to cassettes, disks, and, briefly, on one overlooked Spotify intro subscription in a state auto. 

So many great memories of Janet Evanovich (perfect to distract a keyed-up driver on I-80 winter drives), a dozen Wyoming-based mysteries by C.J. Box and Craig Johnson, an odd Chuck Palahniuk novel on the way to Sheridan (weird scene in a swimming pool), and one perfect summer drive to Jackson with geological landmarks discussed in John McPhee's "Rising from the Plains." Kurt Vonnegut's "Galapagos" got me all the way from Cheyenne to Salt Lake City. 

So here I am, taking a break from the printed page and listening to the wonderful voices of Niall Williams and Christine Breen on Audible. Twelve months in an Irish garden. I am transfixed. My Irish roots and life-long gardening interests are both addressed. In "March," an Irish priest dropped by the narrators' little patch of land in County Clare, and conducted mass in the garden. Neither Niall or Chris are active Catholics (more the fallen-away variety) but both agree and it's glorious. 

But there was something about it.

Quote from Chapter 4, April

"The moment of spring sets everything within me tremoring."

I've felt it in Wyoming. 

March is filled with wind-whipped snowstorms. April's beginning can be much the same. But there is a day when I step out to sun and calm. I look at the garden. A few bulb plants bloom. It's still six weeks before I put seedlings in the ground. 

But it's the light of those early April days that transform me. Every day the light stretches out to those long summer days. On June 21, the western sky is still lit at 10. I love and fear that day as days start to get shorter until it's dark at 4:30 in late November, even at Halloween the kids gets started going door to door before 5.

I have felt the tremoring Williams describes. Here in Florida, it is calmed by the coming of heat and humidity. By June 6, the tremoring has given way to sweat and sunburn.

THE NOMAD Literary Magazine takes a trip from Bountiful to Zoom tonight

Two of my short stories are included in "The Breakthroughs" issue of The Nomad Literary Magazine based in Bountiful, Utah. I've been submitting work to The Nomad since its first issue which became a print book. The project was launched by traveling writer/musician Ken Waldman (I just spoke to him -- he was traveling near Terlingua, Texas, which he said was remote and pretty cool) and Utah-based writer Rachel White. Rachel does most of the editing work as Ken travels coast-to-coast. Ken was a frequent visitor to Wyoming and he always stopped to see me in Cheyenne when I was the literature coordinator at the Wyoming Arts Council. While a trip to Bountiful was just a short jaunt across the Rockies from Cheyenne, I relocated to the edge of the Florida wetlands and couldn't be farther away from my old stomping grounds of WY/CO/UT. It's a good thing we'll be releasing the issue and reading our work on Zoom tonight at 7 p.m. MDT, 9 p.m. EDT. Free. FMI: THE-NOMAD.eventbrite.com

Writers talk books on a rainy May evening in Ormond Beach

The rain waited until I rolled myself inside the Novel Tea Book Shop in Ormond Beach. In Central Florida, we’ve been waiting for rain since last summer and it seems to be returning. Two days ago, the wide-eyed forecasters on the Weather Channel predicted a Tuesday deluge to cross the state. The clouds appeared but the rain was more a whisper than a monsoon. But yesterday, it came down.

I was in a comfy chair inside Novel Tea for the Wednesday evening Writers Haven. It was billed as a chance to hang out with other local writers to exchange tips and stories, the kind we were working on and the kind you tell about writing’s daily travails. An interesting group arranged around the snack table and living room-style reading room. Me, a novelist and short story writer; a striving sci-fi writer; a guy with copies of the cover of his dark fantasy novel due out this summer; a young woman writing a film script; two romance writers; a writer/editor for two local motor-sports magazines (an illustrator, too, as he’s the shop’s artist-of-the-month); and a woman “between projects” chosen by staff to be the moderator.

I sipped an Earl Grey Moonlight iced tea. The tea was Earl Grey with orange, blue sunflowers, and natural flavors. I drank it and chipped away at a monster chocolate chip cookie that I shared with my son Kevin. I shared the story of my new historical novel set in 1919 Colorado, as foreign a land to Floridians as Florida is to Coloradans (do I have that right or is it Coloradoans?). I had copies with me. Four were signed copies to my sister-in-law Nancy and her three adult children. I slipped her the books while nobody was looking and she slipped me the cash which I could use on any number of novels or teas or giant cookies. I also slipped a copy of my novel to Stephanie Gonter, one of the shop’s co-owners. I brought along my book of short stories. I am on a mission to monetize my writing journey, no easy task for us small-press-published authors.

One of the more interesting conversations was on A.I. Many self-published authors are avoiding A.I. writing yet they also employ A.I.-designed covers. Angel Lowden, the store’s other co-owner, worked the counter. She said that she and other booksellers are on the lookout for A.I. covers and usually won’t accept them in their book stock. The cover is hugely important these days and she suggested getting a professional to do the job. My daughter Annie designed the “Zeppelins” cover. She’s an artist and marketing ace and gave her dad a special deal.

Novel Tea is everything an indie should be. It’s located along a leafy street on the main floor of an old two-story house. It features a big front porch with easy chairs. Inside are overstuffed chairs and many, many books. There is a food bar and a bar-bar that serves beer and wine. Some in the gathering jumped right into happy hour. I am a teetotaler these days so Novel Tea’s specialties and their huge array of leaf teas add to the allure of its name. The play on words is nice too. I noted the shop features an array of craft brews including those from Ormond Brewing Company which is on the other side of the tracks on the line that serves Ormond Station. In reality, there is no train to Ormond Station but me and my neighbors are working on it. The shop’s next big event is June 3 with Boozy Books at the brewery. Here are details from the web site:

Our Summer Boozy Book Fair returns on June 3rd from 5 PM to 9 PM at Ormond Brewing Company.

Browse books from Novel Tea Book Shop, shop local authors and artisans, and enjoy a relaxed evening with a drink in hand. Whether you’re building your summer TBR, looking for a unique gift, or just want a fun night out, this is your spot.

We’ll have:
Local authors and book signings
Handcrafted goods from local vendors
Books for all ages and interests
Ormond Brewing featuring your favorite brews

Come out, support local, and celebrate the start of summer with us.

Free to attend. Bring a friend. 

It’s wonderful, really. Support local. Stephanie stressed that she and her partner are always looking for fun new ways to sell books and teas. I am now local but didn’t sign up in time for Boozy Books. Next time…

Note on accessibility: From the street, Novel Tea appears inaccessible for those of us using walkers, rollators, and e-carts. But it's very accessible. Parking on the east side of the building is ample (mind the cats!) and there is a ramp inside the entrance located near the artist studio. Staff will rearrange chairs to accommodate.

The NOMAD LitMag launches "Breakthroughs" issue tonight in Salt Lake City

Two of my stories are in the new issue. There's a 
sampler tonight at the Sweet Library in SLC. Not
really in my neighborhood anymore but check it
out, you readers around The Great Salt Lake. Some of
us far-flung writers will be part of a Zoom reading
coming in May.

In praise of Large Print books: "Seeing is Believing"

Wichita, 1962. I read Tom Swift and Hardy Boys books in bed with my Boy Scout flashlight. It was after the parents’ call for “lights out” and a brighter light might have awakened my brother who would want to talk about trains. He spent many hours with his model trains, vowing that one day he would pilot locomotives across the prairie. Instead, he learned the air traffic controller trade in the USAF and spent his career assisting pilots through the crowded skies.

I am about to turn 75 and I need more than a Boy Scout flashlight to read at night or any other time. Kindle, you might say, with its lit screen and adjustable type. Done and done. I love my Kindle. I’ve read some smashing books on it. Big ones, too. In 2022, I read “The Dark Forest” by Cixun Liu, the second book in the “Three-Body Problem” series. A long one at 528 pages. It was a slog sometimes, but the highs outnumbered the lows. Made me watch the first part of the Netflix series and make sense of it. Part Two coming up! 

I always miss holding an actual book. Something magical about sliding a book from a library shelf and opening it to that first page. The feel of it, the smell, the look. Lately I’ve been exploring the Large Print section at the Ormond Beach Public Library. It features lobby racks of new LP books in a section dedicated to donors. In the stacks, the library features aisle after aisle of LP books and CD books for the audible (and Audible) oriented. LP can stand for large print and also LP as in Long-Playing records. LP, record, or album – all terms we used for our 1970s purchases from Peaches. We played those Zeppelin disks long and often and appreciated their albums of songs which live in our bones. We annoyed our children by singing them badly and loudly on car trips. For them, LP might mean Loud Pops.

During my many decades at libraries, I paid little attention to the Large Print sections. They’ve grown as Americans age, especially our large cohort of Baby Boomers. Us. Me.

In the Ormond Beach Public Library’s “Miscellaneous Large Print” section, I saw a red trade paperback that outshone the others and plucked it out. It was “These Precious Days,” a collection of essays by Ann Patchett. I recently read (on Kindle) my first Patchett novel, “The Dutch House” and loved it. Beautiful writing, compelling characters, and a story I wasn’t sure about sometimes. But by the end, I was impressed with the tale of the Conroy family and their creaky old house outside Philadelphia. The writer made me pay attention to the characters as the story unwound and that takes skill. I will read more.

I just did. I checked out Patchett’s essays and read them. With an essay collection, the reader can pick and choose.  “A Talk to the Association of Graduate School Deans in the Humanities” was not my first choice. A bit dry, perhaps, nothing like “The Paris Tattoo” or “Eudora Welty: An Introduction,” Welty one of my favorite writers.

When I got to it, her talk to the humanities deans grabbed me. She wrote about her days as a grad student at the Iowa Writers Workshop. It was around the same time I went to the grad school MFA program at Colorado State University in the last half of the 1980s. There was a generational difference (she 22, me 37) and a gender one. But our experiences were similar in several ways. She had some great teachers and mentors but also some not-so-good ones. She scrambled to make ends meet and so did I. Her fellow students could be annoying but you put a bunch of creatives in cramped quarters and you get conflict. She sums it up: “My MFA showed me the importance of community.” That was my reason to do it and I did find community.

Patchett’s essays are marvelous, as marvelous as her novels (see my comments on “The Dutch House”). I was impressed by the cover art, a painting of the author’s dog Sparky by artist Sooki Raphael. The title essay is about Patchett’s friendship with the artist. It’s long, as essays go (88 pages), but it’s the heart of the book. Feel free to cry.

I was pleased to see that Patchett’s essay collection was issued by Harper Large Print, an imprint of HarperCollins Publishers. Harper Large Print had a farewell message for me and other LP readers:

“Light and easy to read, Harper Large Print paperbacks are for the book lovers who want to see what they are reading without strain. For a full listing of titles and new releases to come, please visit our website: www.hc.com.”

This final thought in all caps: “SEEING IS BELIEVING!”

Read a presidential book on NO KINGS DAY 2025

My presidential bookcase, No Kings Day

Fiction writers bring new life to dusty historical figures

Last night I finished reading "The Secret Life of Emily Dickinson" by Jerome Charyn. A beautiful novel, wonderful historical fiction. Charyn has made waves the past couple decades with his unorthodox takes on historical figures: Dickinson, the notorious Orson Welles/Rita Hayworth relationship, famous recluse J.D. Salinger, and Johnny One-Eye in the American Revolution. There are hundreds of other lives worth a second or even third look by someone of Charyn's skills. ,

Historical fiction is my new reason for living past 74. I've written two HF novels, the first will be out later this year from The Ridgeway Press in Michigan. I'm editing the second now. In the process, I've grabbed as many books off the HF shelf as I can muster. I was floored by "James" by Percival Everett, "Booth" by Karen Joy Fowler, "Horse," by Geraldine Brooks, "Gone, the Redeemer" by Scott Gates, and "Clark and Division" by Naomi Hirahara. 

All this innovative HF isn't without its detractors. Some traditionalists say that writers are playing fast and loose with the facts. Some say that facts are facts and that the timelines of history should be respected. They're valid points. Some HF writers are dogged with the facts. And so are some HF readers. Some writers also have hordes of researchers to help their work, as was the case with James Michener as his career progressed. He was so intent on research that he has a library named after him, the James Michener Library at University of Northern Colorado in Greeley. I've devoured Michener's novels most of my life, first "Hawaii," recommended by my mother, and onto "Centennial," the first novel I bought when I moved back to Colorado after college, and on to "Chesapeake" when I lived in Maryland.

But I also love the art of fiction and don't mind it being bent and twisted for a good yarn. I loved the real underground railroad in Colson Whitehead's "The Underground Railroad" and I was totally caught up in Jim's journey in "James" even when the story veered away from Twain's "Huckleberry Finn" which, of course, was also fiction. 

This reminds me of arguments about creative nonfiction during my days as an M.F.A. student. Annie Dillard was taken to task for some inventions in "Pilgrim at Tinker Creek." It led to a prize-winning book so I'm willing to forgive and forget. Others aren't. Remember that CNF stands for "creative" nonfiction.

It may be that I'm too old to care about literary minutiae. Or that I'm too pissed-off about MAGA savageries to mind when a writer invents something lovely to read.

A bit of both

How to choose art for the bare walls of a new house

It began with a June 19 Facebook post by artist Linda Anne Lopez of Winchester, Virginia. Linda and I met several times over the years. She's married to diehard reader and biker Ben Lopez, a longtime friend of my late brother Dan and his wife Nancy. They met in Santa Barbara while going to UCSB. Turns out they all moved to Florida for work and kids and riding motorcycles year-round. 

Ben is the most voracious reader I know and we trade book titles on FB. His most recent: a biography of Rudyard Kipling. My most recent is a novel The Sleeping Car Porter by Canadian author Suzette Mayr. I am now hip-deep in Carl Hiaasen's newest, Fever Beach. Ben sticks mainly to non-fiction and I'm a creature of fiction as that is what I write. And, sometimes, like these crazy times right now, who can tell the difference?

Linda got serious about her art after retirement. Photography was her thing. Along the way she discovered encaustic mixed media and that's what you're seeing here. 

Linda is  a bird-and-flower person which carries a lot of weight with me, a hummingbird admirer and gardener. She describes her specialty as Encaustic Mixed Media. She combines her love of photography with the ancient arts of encaustic. See further explanation below. Find out more at Lindalopezartist.com

And I spent most of my professional career in the art world, mostly in the realm of state arts agencies (SAAs), local arts funding, a stint at the National Endowment for the Arts, and dabs in arts and literary criticism. All of these worlds are being decimated by Trump and his goons but I will leave my political critiques to other posts on Hummingbirdminds and other rabble-rousing sites.

Linda got my attention with this FB post on June 19:

Hummingbird and flowers, encaustic mixed media, 8-by-8 inches, Linda Lopez

It got my attention because it is beautiful and because it features a hummingbird and flowers. I must have it, I told my PC, and contacted Linda. It was for sale and she also had a companion piece, shown in this June 25 FB post by Linda: 

Encaustic mixed media, Linda Lopez, work at left is 9-by-17 inches.

The new home this refers to is mine in Ormond Beach, Florida. They will be the first works of art to go up in our new home in a woodsy place called Groveside at Ormond Station. I plan to turn these bare walls into a gallery of sorts, one that will feature groups of pieces celebrating my wife Chris and me. These two pieces will hang above our dining room table which, strangely enough, matches the color schemes of the art. It will feature work by Florida and Wyoming artists with a Virginia and Colorado artist in the ranks. 

You might ask: Hey Mike, what, exactly, is encaustic? I will let Linda answer that:

Explanation and History of Encaustic 

Encaustic is a wax-based paint (composed of beeswax, damar resin, and pigment), which is kept molten on a heated palette. It is applied to an absorbent surface and then reheated to fuse the paint.  The word ‘encaustic’ comes from the Greek word enkaiein, meaning to burn in, referring to the process of fusing the paint.  

 

Encaustic painting was practiced by Greek artists as far back as the 5th century B.C. The Fayum portraits are the best-known encaustic works. These funeral portraits were painted in the 1st and 2nd centuries A.D. by Greek painters in Egypt. 

 

Modern encaustic painting was made possible by the invention of portable electric heating implements and the availability of commercial encaustic paint and popularized by its usage among many prominent artists. Encaustic paintings do not need varnishing or protection with glass. Beeswax is impervious to moisture, which is one of the major causes of deterioration in a paint film. Wax resists moisture far more than resin varnish or oil. Buffing encaustic will give luster and saturation to color in just the same way resin varnish does. 

 

Encaustic can be used as a traditional painting medium, but it can also be used to create sculptures, with photography (transfers and prints), drawing, and printmaking (monotypes). Painting with encaustic is a multi-step process. First, the paint must be melted. Then the molten paint is applied to a porous surface. The wax is then fused into the working surface, allowing it to form a bond. As a final option, the cooled paint can be buffed to bring up the luster of the wax and resin. Every layer of encaustic wax must be fused. 

Finding a home for Grant’s tome

I’m having a hard time deciding which books to keep and which ones to give away. Why this comprehensive shelf-cleaning now? Is it time for the retirement home and everything must go because the young ones are not interested in any of our treasures? Not exactly. Chris and I are moving and selling our house. It is filled with 18 years of accumulating. I have bought and traded for many books in this time. I would put the count in the hundreds but Chris puts it in the thousands because that’s what it seems like to her.

Some might say I have book clutter. Chris is a reader (she just finished the second Abraham Verghese novel which is even longer than the first). So books are not the problem but their arrangement in the household is up for debate. I have swept clean three bookshelves, keeping only those volumes dear to me. We have moved out most of the bookshelves so the books have nowhere to go except out. Hey, I’m doing my best..

The other day, I filled a plastic bin with the section of the presidential library my father willed me in 2002. In the bin behind me, I see titles about JFK (“One Brief Shining Moment” by William Manchester, FDR (“Commander in Chief: Franklin Delano Roosevelt, His Lieutenants & Their War” by Eric Larrabee, and USG (“Personal Memoirs of U.S. Grant: Volume 1”) with Ulysses S. Grant holding the 1885 copyright and published by the Press of J.J. Little & Co., NY, NY. I also have the trade paperback on Grant’s memoirs (volumes 1 and 2) printed in 1952 by Da Capo Press. 

Buried among these was my slim paperback “JFK: Boyhood to the White House” (Crest Publishing, 50 cents). JFK and this book meant a lot to me. I was 10 at his inauguration and 12 almost 13 when he was assassinated. I had a tween crush on JFK and the whole Kennedy clan. It’s still sad to remember those times.

I am taking the presidents with me. It’s a darn heavy bin because nobody writes a slim biography of a U.S. president. Most are hardcovers which weigh in heavier than paperbacks. It will take a strong back or someone with a hand truck to carry this to our moving trailer. I estimate I will have ten of these monsters to take with me cross-country. My son will drive and I will be on one of those flying machines, you know, the ones with the extremely comfortable and spacious seats. 

I love to fly.

In Florida, I will reveal my presidential cache to family members with the hope they will put them on their shelves because I won’t have room in my new place. They are a legacy, after all, and deserve a place of honor and it will be up to my siblings’ children or grandchildren to decide where they go next. That’s the plan anyway.

I discover Donald Westlake's novels and reminisce about John D. MacDonald's Travis McGee

I found Donald Westlake's Dortmunder books and they are fantastic. Always a caper going on. Always sharp dialogue and lots of humor. Westlake passed away in 2008 but I can see he's in the same school as Carl Hiaasen, Elmore Leonard, Janet Evanovich and Jerome Charyn. Maybe a dash of Don DeLillo too. So far I've read two of the volumes, "The Road to Ruin" and the first Dortmunder novel, "The Hot Rock." It was published in 1970. I didn't look that up until I finished but there were clues placed throughout. The cars they drive, the characters' language, ubiquitous phone booths, no personal computers. Its throwback quality didn't bother me. He had a skillful way of incorporating all of that into the narrative.  

What other crime-adjacent novels of that era would show such wit? I thought of John D. MacDonald, for instance, and his Travis McGee character. McGee probably had too much machismo for these times. He could be funny and ironic. He called himself a "salvage consultant" and lived on his "Busted Flush" houseboat docked at the Bahia Mar Marina. McGee's erstwhile sidekick is Meyer, an economist always ready for a McGee caper. He dwells on a neighboring boat named for his hero, John Maynard Keynes.

I worked at a Florida bookstore in the '70s and I brought MacDonald's novels to my mother Anna Shay (R.I.P Mom) and she devoured them. Me too. Travis and his Busted Flush houseboat. I could always see McGee's houseboat through MacDonald's imagination. Back in the '80s, my brother Dan and I visited Bahia Mar and stopped at Slip F-18. We thought about the McGee we knew from the books. Slip F-18 was declared a literary landmark in 1987, a year after the author's death. 

I did my usual Google search for Travis McGee and came up with an article by Kris Hundley on the Visit Florida site (couldn't find a pub date). The second paragraph about the Bahia Mar Marina set the tone for the story:

There's little room left for a boat bum like Travis McGee. 

She described present-day Bahia Mar in gritty detail.

Bahia Mar touts its ability to accommodate yachts up to 300 feet, even squeezing in a 312-footer recently for a month-long stay. The marina's 3,000-foot dock along the Intracoastal sports one mega-yacht after another. flawlessly polished hulls gleaming, white communications domes looming 50-feet overhead, docked so closely together that the uber-rich could step from one vessel to another without ever touching the ground. Not an inch of precious real estate is wasted.

Bahia Mar must have considered the literary landmark plaque dedicated to MacDonald as "wasted space." It now sits in the marina's office. Hundley wraps up the piece this way: 

A boat bum might seem forgotten among such glitz. But inside the marina office, the woman behind the desk said that not a week goes by that someone doesn't wander in, looking for the slip once occupied by Travis McGee. She is not sure what the fuss is about: she's never read the books. 

Made me want to bang my head against the desk. MacDonald and McGee would have had a few things to say about the wretched excess of 21st century Florida. As a self-described "salvage consultant," McGee usually was coming to the aid of a trusting soul who had been ripped by someone who would own a 312-foot mega-yacht. His price was always half of the recovered loot. When the client objected, his usual response was "half of something is better that nothing." MacDonald also wrote the best-selling "Condominium" which tore into the thoughtless development going on in coastal Florida which has not abated in the 46 years since the novel's original publication. 

During his lifetime, MacDonald got great reviews from the likes of Hiaasen and Kurt Vonnegut. Here's what Vonnegut said about MacDonald's work:

“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen."

I feel a need to reread Travis McGee, see how he holds up in these fast-moving and confusing times.

Mike Miller posted an updated article on Travis McGee on Jan. 28. It was on the Florida Back Roads Travel site. In it, he writes about how he first came upon MacDonald's character when his father visited him in Florida in 1964 and gave him a copy of "The Deep Blue Good-by." His father was reading the latest novel, "Nightmare in Pink." Miller read "Deep Blue" and was hooked. He's read the entire series, some of them twice, and is a devoted fan. Read Miller's essay to understand what makes McGee tick, and why his books are still in print. 

My mother died too young in 1986, a McGee fan to the end. Mike Miller's father died in a St. Cloud, Fla., nursing home in 1986, the same year MacDonald died. Miller Senior's dying message to his son was "Nightmare in Pink." 

Now that's a fan.

Almost as much fun discovering new novels as it is reading them

My sisters sent my wife Chris some Barnes & Noble gift cards to ease her path through chemotherapy. I went right to B&N Online and ordered three novels. Chris requested "Z: A Novel of Zelda Fitzgerald," a NYT bestseller by Theresa Anne Fowler. It sounds fascinating. The book apparently was the inspiration for the streaming series "Z: The Beginning of Everything." I watched it and was a bit disappointed and I can't really say why. I can read the novel (the book is always better!) when Chris finishes.

The story of the Fitzgeralds is high drama by which I mean terribly sad. I wrote a prose poem, "Rockets Over Fitzgerald," after watching Fourth of July fireworks from St. Mary's Churchyard in Rockville, Maryland. It was published in Poetry Hotel. 

I remembered another author with the last name Fowler as I was browsing. Connie May Fowler is a Florida native who writes beautifully, about people and about Florida, about everything really. After meeting Connie at Literary Connection in Cheyenne, I read her excellent novel, "The Problem with Murmur Lee." I ordered for Chris "How Clarissa Burden Learned to Fly." I lost track of time as I read its opening section at the B&N site. It takes me back to summer solstice days in central Florida when the temp is 92 degrees at 7 a.m. and rising. 

The best batch of stories I've read in a long time is "Florida" by Lauren Groff. My favorite may be "Dogs Go Wolf" published in the New Yorker and available on audio at online when you go to the August 21, 2017, issue (I listened for free for some unknown reason). The story is about two little girls who get stranded on on an island and the creative ways they find to survive. Groff's style is captivating. What a story. I look forward to talking to Chris about it, see what she thinks of it. 

A salute to those books that taught me humor, satire, and the absurdity of being human

All this book-banning makes me think of all of those books I read that might meet disapproval now from the GOP Know Nothings. 

When I was in the fourth grade, my father told me I could read any book in his library. I tackled the war books, first, Guadalcanal Diary by Richard Tregaskis, Brave Men by Ernie Pyle and Up Front by Bill Mauldin, which included his Willie and Joe cartoons. He had some boys' adventure books from his childhood, Treasure Island and Ivanhoe. But I was more interested in the WWII books, as my father had been a radioman with an infantry unit in France, Belgium, and Germany. They seemed like boys' adventures to me. I read all of the Life magazines that my grandparents had saved for my dad while he was overseas. I watched war movies with my dad, as did my younger brother. We played war with our friends. 

None of my teachers ever assigned books on 20th century wars. They reached into the heroic past. The Revolutionary War had spawned books such as Johnny Tremayne and tales of Paul Revere and George Washington. The Civil War was acceptable reading as we all grew up knowing that the Yankees were the good guys and the Rebs the bad guys. This was way before we moved to the South and heard the term War of Northern Aggression. So many of the books I read as an English major and later were by writers of the American South. Their Southern Gothic tales owed their existence to the region's tortured history which included the Civil War, whatever you want to call it.

Now in my 70s, I look back on my reading as nostalgic. I also know more about the workings of the world. War can be heroic. It's also nasty, brutish, and final. Soldiers carry their experiences into old age, if they make it that far. There are brilliant antiwar books told from the warrior's POV. And books by observers, such as Red Badge of Courage and Dispatches, Michael Herr's wild book about life among the grunts in Vietnam (Herr got writing credits for Apocalypse Now and Full Metal Jacket). 

Just about every book I ever read could be fodder for the book banners. My non-authorized reading at my Catholic high school included three oft-banned novels that influenced me more than anything I read in class: Catch-22, Slaughterhouse-Five, and One Flew Over the Cuckoo's Nest. They are now considered classics and are read in some high school classrooms when Know Nothings are not disappearing books like Dunbar. They were telling me a truth that I barely knew at 18, that the world is a strange and terrifying place. 

Humor, satire, and sci-fi are great vehicles for getting at the truth. I passed Catch-22 along to my Class of '69 pals and we laughed at the absurdities. The dead man in Yossarian's tent. Major Major Major's name. Orr's pastime of ditching his bomber into the ocean to practice for his escape from war. Hilarious. We only felt a small tremor of the earthquake beneath. We could have watched the absurdity of televised military reports from Vietnam. Body count, Vietnamization, destroy the village in order to save it. It was all right there in front of us but we didn't know. 

Reading good books gave us a bit of a head start on adulthood. Still, you have to live it to really know. You can be an absurdist and still be an engaged human. You can love satire but also fall in love. Humor makes the ride fun even when it's challenging. 

I'd have none of that without the reading.

Book banning in Gillette: A Wyoming story

The American Library Association wrapped up Banned Books Week and now there are no banned books in the land.

Wishful thinking. Know Nothings keep intruding into our book-reading lives. The most recent and newsworthy attempt comes from Gillette in Campbell County. The first salvo came when a few crackpots decided that the library should disinvite an LGBTQ author slated to give a children's workshop. The library received threats. The author received threats. For safety's sake, the author cancelled her appearance and the library moved on to other things. That included fielding challenges for various books, most with LGBTQ subject matter. As staff sorted through the complaints from a cabal of Christian Nationalist zealots, they celebrated Banned Books Week. The county commission held a hearing in which the following exchange occurred (as noted in an Oct. 4 Casper Star-Trib article):

On Sept. 27, during a meeting between the library board and commissioners, Commissioner Del Shelstad suggested cutting the library’s funding.

He said the library shouldn’t come asking the county for more money because in his opinion, “we shouldn’t fund you at all.”

Commissioner D.G. Reardon, who had called into the meeting, asked if he’d heard Shelstad correctly, and if Shelstad meant he wanted to close down the library.

Shelstad said he wanted to cut funding to the library, and ”if that means closing it, then we close it.”

Shelstad received a salvo of complaints and a few days later he back-tracked, sort of:

“I didn’t mean 100% of their funding,” he said. “I said cut their funding. That comes in a lot of shapes and sizes.”

A threat is a threat. He obviously supports and/or is threatened by the naysayers in the county. We know who those people are. Trumpsters. People who go to extremes to “own the libs.” The see any diversity initiative as a threat to their ignorance, which it is. There is a voting bloc of these people and their influence is felt every day at the library, in the media, county commission meetings, and at the polls.

Gillette parent Matt Heath, who spoke up for the library at the commission meeting, summed it up: "hypocrites and bullies need to be stood up against."

Amen, brother. These dogged bullies have always been with us. Trump unleashed them. It is too much to hope they go back into their hidey-holes. We must out-vote and out-talk them. Support your local library. Read a banned book today. And vote, as our complacency as people who value democratic principles have allowed this to happen. Far-right politicians and legislative bodies continue to suppress voting rights and gerrymander the hell out of our states. Misinformation spreads freely.

So get out there, go do that voodoo that you do so well. 

No road trip for me

I decided to cancel my Aug. 3 appearance at ARTCORE'S Music & Poetry Series in Casper. I was on a double bill with musician Lauren Podjun. Writer Gayle Irwin will replace me. I met Gayle through Wyoming Writers, Inc, our statewide writing group.

Why did I cancel? Covid-19. Knowing ARTCORE Director Carolyn Deuel as I do, I am sure that the Bourgeois Pig venue would be as virus-safe as possible. ARTCORE is one of the first local arts agencies in Wyoming. Carolyn has been at its helm for most of that time.

That said, there is one overriding problem. I am a high-risk human during this pandemic. I am 69 and a cardiac patient since 2013. I experienced a widowmaker heart attack and, because I delayed getting help, now walk around with an Implantable Cardioverter Defibrillator or ICD in my chest. This makes me a prime target for the coronavirus. From the beginning, the top three riskiest groups are the elderly, cardiac patients and diabetics. I'm in the first two categories and Chris is one and three. Young, healthy people have caught the virus and died. Often, they also have pre-existing conditions. Any complication can be a deadly one. Young people like to gather and when they do, they pass along COVID-19 and being it home to older parents and other family members.

This doesn't have to be. Wear a mask. Practice social distancing and, if possible, stay home. And wash your hands. Sanitize kitchen and bathroom surfaces.

Wyoming Governor Gordon conducts COVID-19 briefings and has issued a series of orders. Those policies never included a mandatory mask policy which puts us in the company of such Coronavirus success stories as Florida and Texas. In March, the Governor did issue some strict policies that closed many businesses, performing venues, restaurants and coffee shops. He has gradually loosened the restrictions although he had to extend the latest one from July 31 to Aug. 15 due to a spike in infections that put us on the New York Times and Johns Hopkins COVID site hot zone charts. Today, Idaho is on the list due to rising cases. Tomorrow, it may be your state.

When I do get out of my bunker to the grocery store, I note that many people do not wear masks. I do. Employees do. Others don't. We've all seen mask-shaming and no-mask-shaming incidents online. I don't tell people what to do and that's the prevailing attitude in Wyoming. But the science is clear -- masks help protect you and those around you. Social-distancing does too, and that has been suggested to businesses around the state but not required. Grocery stores guide you with floor signs which keep us separated in line. Arrows point out directions for carts to travel, although that's violated regularly. No head-on casualties thus far, as far as I know.

No travel for me. No reading from my new book. That means I have to stay home to rewrite and revise, a major part of any writing enterprise.

So, in a time when getting out of the house is a blessing, I am not getting out of the house. I have lots of books and know where to get more without leaving home.

P.S.: U.S. COVID-19 death toll passed 150,000 today.

Boomers and Millennials live in different worlds when it comes to books

A university professor complained on Facebook that her upper division literature students don't know the name Gerard Manley Hopkins. Never heard of him, never read any of his work.

These youngsters have also never read Gwendolyn Brooks. They don't know Gwendolyn, they also don't know the greatest spoken word poem of all time.

The Pool Players.
Seven at the Golden Shovel.

We real cool. We
Left School. We

Lurk late. We
Strike straight. We

Sing sin. We
Thin gin. We

Jazz June. We
Die soon.

Ms. Brooks recited that poem in a room in the CSU student union one night in 1990. It's hard to find more meaning in 24 simple words. Kind of like the poet herself -- so much talent in a tiny frame. Nobel Prize winner.

Some English majors have never heard of her. Take heart, youngsters. It took me awhile to discover our Ms. Brooks. I had to read up on her as I planned her trip from Chicago to Fort Collins. I'd never encountered her work in any of my undergrad or grad courses. I discovered her by meeting her when I was 39, a late-blooming M.F.A. student.

Better late than never. Probably won't see that over-used phrase in any good poem. And what if you did? At least you'd be reading. That seems to be the problem. Kids are reading but only certain things. Sci-fi and fantasy. Harry Potter. Superheroes. Graphic novels. Zines. Manga. Etc.

Lest I be another Baby Boomer ranting about Millennials, let me say this: "I'm not." I am glad that Millennials continue to read. Some of their reading is online and on smart phones but it's still reading.

Millennials complain about Baby Boomers, those aging humans that are parents and grandparents to new generations. Millennials are tired of Boomers asking for computer advice. Much like the techs in BBC's "The IT Crowd," many are basement dwellers surrounded by high-tech gizmos, When we call them for help, they advise us, "Have you tried turning it off and then back on?" Even worse, sometimes we call them from land lines which youngsters regard as quaint items from another century, which they are.

Other things that annoy Millennials are our tendency to accumulate things, especially old china sets and fine silver. Chris and I have three sets of china gifted to us by various relatives. Chris has art and figurines from Japan, Ethiopia, and German, parents where there army family was based. Should Antiques Roadshow ever come to Wyoming, Chris is ready to haul her treasures to the stage and rake in some cash. Our kids hope she does as they do not want to deal with them when we pass into the other realm. I am told that businesses have cropped up aimed expressly at disposing of all the collectibles Boomers leave behind. 

Books are my treasures. Many of them are in boxes in the basement. My basement-dwelling daughter occasionally brings me a box to go through, saying she will be happy to take the castoffs to the library bookstore. I open the box and cull the castoffs. Unfortunately, I often find an old favorite
or one signed by a writer friend. I insist on going through these thoroughly lest some classic should slip through my fingers. Annie comes along hours later and is flummoxed that I have added just a few volumes to the library pile while  the box remains nearly full. Often I am in my easy chair, reading a book I enjoyed decades ago. She feigns anger, vowing to wait until I die to get rid of all the books. Who cares, I say, I will be in the great library in the sky. All the universe's books will be at my fingertips. I will be able to read them in any language, including Tralfamadorian. That would be heaven.

Hell would be TrumpWorld with no books. We already live in that hell.

Strong mind, strong body -- take your pick

Just added to my reading list: "Blue Dreams: The science and the story of the drugs that changed our minds" by Lauren Slater. I will tackle it once I finish "Lincoln in the Bardo" by George Saunders.

"Blue Dreams" is a non-fiction account of psychiatric drugs and their effects by someone who is both a patient and a psychologist.

"Lincoln in the Bardo" is a novel that explores something that seems a lot like severe depression and PTSD in Abraham Lincoln, who is mourning the death of his 11-year-old son, Willie, in 1862.

Would Lincoln have benefited from a regimen of Prozac or other SSRIs? Perhaps. Maybe he would have recovered from his dark moods more quickly with a couple hits of Molly or LSD.

We'll never know. But psychedlics figure into Slater's book. Party drug MDMA (Molly) has been tested on those with PTSD. It has shown some remarkable and lasting results. As Slater recently described it on NPR's "Fresh Air:" those who take Molly and relive their trauma are able to shift that experience into another section of the brain, possibly the prefrontal cortex, helping remove it from the "fight or flight" amygdala. They can then get a handle on a horrible memory without degenerating into bouts of anxiety or self-harm, even suicide.

Slater wonders if this experimentation may lead to another golden age of drug therapy. The previous golden age brought on by lithium and Prozac may be nearing its end. Slater testifies that medications have helped her stay sane, raise a family and write books. They also have shortened her life.

That's the trade-off. So goes the old witticism: "Sound mind. Sound body. Take your pick." After five stays in psychiatric facilities between the ages of 13 to 24, Slater's doctors discovered Prozac. In a rush of Seratonin-laced good will, she finsihed finished her education, married, had two children and embarked on a writing career.

Then came trouble, in the form of the return of depression  and the start of her use of Zyprexa, which caused her to gain weight and lose her libido.

We patients are guinea pigs. Researcher still don't know the inner workings of these drugs. And their long-term effects. If you are in the midst of a severe depression, you want immediate help. Doesn't happen. Prozac or Zoloft may alleviate the symptoms eventually. Studies have shown that two-thirds  of those with depression would recover just as well with a placebo. That's depressing enough. Add side-effects into the mix and you have to wonder what in the hell we are doing.

I have been taking antidepressants for almost 30 years. I feel better, go off them, and crash. One of my psychiatrists once lectured me: "You have to stay on these the rest of your life. You have depression."

That made an impression. Unfortunately, I don't always listen. I went off my Zoloft six years ago and the walls came crashing down. I was out of work for a month. My psychiatrist at the time, who fled Wyoming for Hawaii one winter and never came back, tried a return to Zoloft and then several other meds. We finally went back to Prozac with a nighttime dose of Remeron. Several months later, I felt better but also was back exercising on a regular basis and eating right, which helped. Also, I was in talk therapy with a therapist and regularly saw my psychiatrist. Still, that summer I was still experiencing bouts of depression interspersed with anxiety. It probably took a good six months for my moods to stabilize.

Six months later, on Jan. 2, 2013, I had a heart attack. I recovered quicker from a "widow maker" than I did from depression. Got more help, too. Add an inept mental health care system to the fact that the docs know so little about the drugs and the human mind. That makes for a killer cocktail of ignorance. At least I have both Medicare and private insurance which enables me to navigate the system without going broke.

But I am not only here to complain. I am here to critique books. "Lincoln in the Bardo" is a wild ride and I'm only on page 98. This is how an award-winning short story writer writes a novel. Truly unique. I am a short story writer working on a novel. I find encouragement in Saunders work.

I have ordered Slater's book. I, too, would like to know what happens with long-term use of these drugs. My life depends on it.