"Zeppelins Over Denver" lands on The Florida Writer magazine "Celebrations" page

My novel landed on the "Celebrations!" section in the latest issue of the The Florida Writer magazine. Congrats to all the FWA members with new books. Some good summer/fall reading ahead.  

Wyoming Public Radio: "Good morning Wyoming and Central Florida!"

I listen to Wyoming Sounds almost every morning. It's on Wyoming Public Radio. It used to be aired just mornings during olden times prior to 2016 when I retired and began spending mornings writing my historical novel, "Zeppelins Over Denver." "Throwback Thursdays" was my favorite, most of the show dedicated to musicians and bands celebrating music milestones. Wyoming talent was showcased. Grady Kirkpatrick live-casted from Cheyenne Day July 22 at Cheyenne Frontier Days with special guest Jalan Crossland from Ten Sleep who performed that week at a special 250th U.S. birthday bash on the state capitol grounds.

I opened up the WPR site while still abed this morning and heard Grady's interview with Tom Owens. He's a Kansas City author who's written a trilogy on the Kansas/Missouri border wars prior to and during the Civil War. His first volume, "The Chimney," covers the U.S. Army's order to evacuate four counties on the Missouri side of the border so Quantrill's Raiders and Bloody Bill Anderson would have no way to resupply their raiders. The army used a scorched earth policy to move the settlers, kill the livestock, burn the fields and the houses, leaving only a burned landscape of limestone chimneys, thus the title. If this tactic sounds familiar, read about Sherman's March to the Sea, U.S. tactics during the Vietnam War, or Russian tactics during the Nazi invasion of World War Two. 

Owens' follow-up novel, "The Great Wide Open," features members of the Duncan family from the first novel as they travel to locales in the mountain west, including Fort Laramie. I admit that I downloaded both novels for free on Kindle Unlimited. That happened with my novel on its release in May. A mixed blessing. It might get you more readers. It also allegedly boosts your ranking on Amazon. This morning, "Zeppelins" is ranked #667,407 in the literature and fiction category. I believe it inched up a bit. A few more sales wouldn't hurt. 

I contributed to WPR during Wyoming Gives and will do it again. We creators are lucky these days as we can tune in almost any music on our PCs while we write and revise and revise some more. I am doing that this week as I plow through the "Zeppelins" sequel, "Patrick of the Mountains," set in 1922 Colorado, in Denver and in a mountain town adjacent to Rocky Mountain National Park. The sequel is due out in 2027. The Ridgeway Press of Michigan published the first book and it is enjoying some modest success among friends, family members, and devotees of historical fiction. 

Ridgeway Press is currently upgrading its web site with a little help from me. Ridgeway was co-founded by poet, performer, and Wayne State University prof M.L. Liebler. It's published some intriguing books, including the collected poetry of John Sinclair, war resister, pothead, and manager of the Detroit band MC5 best known for its call from the stage: "Kick Out the Jams, Motherf**kers!" It also features some of the Trump Sonnets by traveling troubadour Ken Waldman and poetry by Zilka Joseph. Take a look at the upgraded Ridgeway web site. There is no bookstore on the site but links send you to Bookshop.org and to Amazon.

The press appreciates those who request the book from your local bookstores, such as Novel Tea Books or Fern & Fable in Ormond Beach, or asks your local library to feature the books in its "Local Authors" section. Find my novel and story collection in the Ormond Beach Public Library. The reading room looks out on the bridge that straddles the mighty Halifax River. This 25-mile long tidal estuary was once called the North Mosquito River for obvious reasons and probably had a name from the local Timucua Tribes before "Arrival." It was renamed during the British occupation of Florida (1763-1784) after the Earl of Halifax, George Montagu-Dunk, who served as head of the British Board of Trade and Plantations; his name was hung on Halifax, Nova Scotia, and the Florida river.

History holds many surprises, does it not?

Buy on Bookshop.org

On the banks of a meandering river in Colorado

Mike near the headwaters.

This photo appeared on a new post on my publisher's web site. Not sure where it was captured but I do thank M.L. Liebler and his staff at Ridgeway Press for finding it. I was just reading about this stretch of the river in Witness to Water: One Photographer's Mission to Defend the Colorado River by Peter McBride. He and his experienced waterman friend kayaked the river from the Continental Divide to the muddy goo at its mouth in Mexico. I never kayaked it. I did camp by it and hike by it and skip rocks on it and, stashed snugly in my sleeping bag, listen to its soothing sounds.

I camped many times at Timber Creek campground in RMNP. It used to be a first come-first served campground but might not be any more. You could cruise up from Denver, travel over Trail Ridge Road, and still find a place to camp at dusk. We also liked the Long's Peak site. Because it was the jumping-off point for climbers of Long's Peak, I sometimes was awakened at 2 a.m.by the shuffle of Raichle boots on gravel as climbers moved out to be up and down the peak before afternoon storms. One thing you learn in Colorado is that hikers best be up and starting down the peaks by noon to avoid the daily lightning barrage. This was brought home when I read Denver Post headlines yesterday about a teen that was struck and killed and four others injured by lightning on the summit of Mount Blue Sky (formerly Mt. Evans). 

I love my birthplace of Colorado. I just could not figure out a way to stay there. I lived there through birth and part of fourth grade and then Dad's jobs took him to Washington state and Kansas and back to Denver and then on to Florida. I attended school in four different states from fourth through eighth grades. Educators would tell you those are crucial years in a kid's development. All that disruption could lead to a career as a writer or worse. That's exactly what happened. 

I returned to Colorado for work after I graduated from University of Florida and applied to every newspaper in Florida with no results. I met a girl (THE GIRL, as it turned out) who grew up in Africa, Europe, and Georgia (the state). We decided to traipse off together, and found gainful employment in Denver, 1978-88, and then grad school at CSU in Fort Collins, and finally found a career as an arts administrator and editor in Cheyenne, Wyoming. Now I'm back in coastal Florida.

I am glad for my 23 years in Colorado and 33 in Wyoming. Both states are in my blood that now, on summer afternoons, moves turgidly like that sticky mess at the poor dying Colorado River which no longer reaches the ocean.

Time to take a long look at the "Local Authors" section in the public library

Just a small slice of the Local Authors section

The photo shows just a slice of what awaits readers in the Ormond Beach Public Library's Local Authors section. Some of these writers have a long tenure in the area. Some are sort-of newcomers, former residents and library patrons who moved on to other jobs in other places but returned to the area recently.

I am one of the latter. 

Pleased to be here. In 1964, my father moved us from Denver to Central Florida to use his fine accountant’s skills to achieve what JFK said in '61: "We choose to go to the moon in this decade."

This wasn’t our family's first move. Our tribe had wandered the West while Dad double-checked the figures on nuclear missiles that lurked in many silos. I was set to enroll in my third school in my third state (KS, CO, FL) in one year. I attended Our Lady of Lourdes eighth grade then moved on to four years at Father Lopez Catholic High School, the old campus that's now a weedy vacant lot at Mason and Nova in Daytona.

After a few years at a non-Florida university and traveling, I returned to Daytona and graduated from DBCC (Daytona State) and earned an English degree from UF where I first took my writing seriously. Then I lit out for the territories.

It takes time, this writing biz. Some times you're an overnight sensation. Other times it takes decades until you publish your first novel. That's me -- 75 when The Ridgeway Press of Michigan published my first novel, "Zeppelins Over Denver," now available for free on the shelves of your local library. Ridgeway is a small press so it doesn’t feature on-line shopping. You can buy a copy on Venmo (see the sidebar, find @hummingbird-minds) or Amazon or your local bookstore. It's your choice. You can write me a check and I will sign the book, put it in a plain manila envelope, and take it to the local P.O. 

Buy "Zeppelins" on Bookshop.org

"Zeppelins" joins my first book of stories, "The Weight of a Body," on the Local Authors section. Select "Weight,” settle into one of the comfy chairs, and read a story inspired by my formative years in Daytona. It's called "Raymond Custy's Garden of Worldly Delights." It is set in the 1960s beach town of Tomoka Beach which is located near Daytona. It may or may not be based on real-life characters. You just never can tell with fiction. 

In the mood for a Bulgarian gardening book?

I stumbled upon Bulgarian writer Georgi Gospodinov. His latest book is “Death of the Gardener.” I’d been reading books about gardens. First, I listened to the memoir “In Kiltumpur: A Year in an Irish Garden” by Niall Williams and Christine Breen. Then I read on Kindle “First waiting for the impending frost on a North Carolina garden. It features an Frost,” which is a magical-realist YA romance by Sarah Addison Allen about apple tree that blossoms in winter and throws its apples at people he/she/it doesn’t like. Allen also wrote “Garden Spells” which is on my list of Books I Discovered On Kindle That Surprised The Heck Out Of Me (BIDONKTSTHOOM). Allen’s new book will be out in the fall. She writes on her web site that she’s been battling cancer. Cancer comes into a household and changes everything.

Gardening is more than a metaphor for me. I am, or was, a gardener, with Sungold tomatoes and pole beans out back and petunias and four o’clocks in the front. I once tripped and fell head-first into the front garden. It was getting toward autumn and I might have been there until the first frost arrived if the local preacher hadn’t been walking his dog nearby. He is a small man, a cardiac patient too small rescue me from the garden. He roused my tiny wife and she roused our burly neighbor Marco and they set me upright on the porch. My wife asked the obvious question: “What were you doing?” My reply was typical: “Getting a closer look at the coneflowers.” At the time, she was undergoing chemo for breast cancer. She needed a laugh, or so I thought.

But back to Gospodinov’s book. It’s magnificent. A short book about the death of his father the gardener in the town of Y is Bulgaria. It is rich with empathy and sadness but laced with humor. Wit, you might say, humor that doesn’t call attention to itself. The best writers have the gift.

I cried, though, as his father faded away. G is unrelenting of the portrait of his father, a young man who went to the Balkan War and then was a failed entrepreneur and then an aging magnificent gardener at his modest house in Y. The writer gets me to care so much for this simple human who lived a dynamic family life despite his many failures during life under the Bulgarian commissars. There’s no pity here just plenty of attempts to understand. The writer attaches no blame to his father’s stern ways. Most importantly, there is no exploration of how this complicated man completely fucked up his life. You know, those Tales of a Dysfunctional Family that once filled the U.S. book charts.

There are plenty of those in the U.S. In my 21 years of writing and blogging, I may have written some. I apologize, Dad and Mom, as I had yet to have the grumpy wisdom of an aging father.

What does it take to write like Gospodinov of Bulgaria  and Williams of Ireland? I had to write a million words before I had the skills to write with any sort of wit and wisdom. Just to understand what propels their writing took me seven-and-half decades. I am so sad sometimes about my status as a disabled old man, a man who survived a widowmaker heart attack at 62 and a bout with septicemia at 73. A few months after I fell into the petunias, I underwent a spinal fusion that was supposed to help me walk again but did not. I still require a walker or scooter to get around. Poor pitiful me, as the ironic Warren Zevon song goes. Woe, woe, woe is me.

As I read Gospodinov, I kept thinking of my family members, ones that I had criticized in my mind and in print, usually in fiction. The fog began to clear. I thought about the richness of people’s lives, the sorrows and the joys.  Why are we what we are and what imprint do we leave? What can I write about that only I can grasp? My purview is mine alone.

I ponder all of these things. And write.

Gospodinov’s appreciation of his parents’ generation was summed up in James Woods’ New Yorker review of the book (11/10/25 issue):

In 2023, [Gospodinov’s novel] Time Shelter won the International Booker Prize. In the new book, that good fortune is autofictionally transformed into this: “In May the novel I had dedicated to my mother and father won a big prize. On that London night, one of those few quickly jotted-down phrases in English was about the two of them, now quietly crying with joy in a little south-eastern town, I said, ‘Indeed, our pretty phrases stand upon their stooped shoulders.’” 

Stooped shoulders? That’s on my mind as I write today.

In the local library stacks, find a book or two by Shay

Several weeks ago, I dropped off two of my books to the Volusia County Library in Ormond Beach. My favorite library now than I’m a Volusia County resident again, this time in Ormond Station in Ormond Beach. During my early years in the area, 1964-78, I lived in Ormond Beach, Holly Hill, and various locales in Daytona. I asked the friendly woman at the desk if the library was interested in stocking copies of my two books. I am a local author now, have been since August 2024 when Wyoming got shut of me.

The Ormond branch does such a great job of featuring local authors and now I’m part of the collections. It includes my historical novel, “Zeppelins Over Denver,” and my first collection of short stories, “The Weight of a Body.” Several of the stories are set in a place a lot like Daytona (Go Green Wave!) and there’s also a scene in another story set in Gainesville where I graduated from UF in 1976 (Go Gators!). The others are set in Colorado, Wyoming, and Maine. I spent decades of my working life in the Rocky Mountain states and visited Maine a few times.

I naturally did a library search for myself and came up with my books and mention of a few others with “Shay” in the listings. I have met several women during the last decade or so by the first name of Shay. I don’t know if it’s a thing or not. I doubt if I would recognize a thing if it was staring me in the face.

There was one listing that caught my eye. From the Harlequin Western Romance Anthology 2017 comes this reference to a romance with a Shay in it:

THE COWBOY'S TRIPLE SURPRISE The Hitching Post Hotel by Barbara White Daille Bachelor cowboy Tyler Buckham is stunned to learn Shay O'Neill is pregnant with triplets. Even though he wants to do right by Shay, the thought of being a daddy has him running scared.

That’s a pretty good teaser and I may check out the anthology to see how it ends. I also am intrigued by the title. In Cheyenne, where I lived and worked for 31 years, there was a landmark hotel called the Hitching Post Inn. It was a cross between an old roadside motor inn and a sprawling bunkhouse. It was a big gathering place, a local favorite for weddings, arts events, and political rallies. If you wanted to catch one of the state legislators on neutral ground, the Hitch saloon was the place. I wondered: does the author have Cheyenne roots? Probably not. The term “hitching post” is very western and I’ve probably been in a dozen places with that name during my travels in the west.

I looked up Daille and she lists her home as “the Southwest” so that probably means Arizona and there is a Hitch out in the desert somewhere and probably doesn’t refer to my Hitch which was torn down a few years ago and replaced with an extended stay hotel.

I encourage local readers to check out my books from the library and write a review on the site if you’ve a mind to. Now excuse me as I go out and prowl the Local Authors and Large Print sections at my favorite library.

Journey into "Raymond Custy's Garden of Worldly Delights"

This is the opening of a story included in "The Weight of a Body," my first story collection. It was first published by Ghost Road Press at its tiny office on Evans Avenue off I-25 in Denver.  I dropped by on a summer day in 2005 to pick up the first copies hot off the press. I was dying to show off the books. I delivered the first copy to my uncle. I owed him a visit. His reading was mostly focused on the Denver dailies sports pages -- he was an athlete and a coach -- but he congratulated me and said he'd read it. I then drove back the 95 miles to Cheyenne to share the news with my family. My favorite story is set in a Florida beach town where I spent some of my youth. It has some basis in fact. I did grow up as the oldest kid in a big Irish-Catholic family. My brother and I walked to the beach to surf. My father was a reclusive sort but who can blame him?

I share this as a teaser to my story collection. I have another one in the works but the first one still has some zing. That's the author speaking. Anyway, to read more click on the cover image in the right sidebar.  The collection goes for $14.99 but if you're as dedicated a Kindle reader as I am, you can get a bargain. Check it out.

Raymond Custy’s Garden of Worldly Delights

            In June of 1967, when I was almost 16, my father checked out for a year. Locked himself in his room. Threw away the key. No messages. No contact of any kind. It was as if he died or decamped to Tahiti, only worse, because I could walk down the hall past that locked door and hear London Philharmonic symphonies blasting from the hi-fi. A cough might erupt from behind closed doors; the whisper of slippered feet. Sometimes a thin blue stream of cigarette smoke escaped from the room and formed a cloud in the hallway. If I was alone, I would stand in the midst of the cloud and inhale, hoping that the smoke might be the bearer of some singular message from my dad, the hermit.

            This hermit lived surrounded by eleven children, one wife, two dogs, a cat and a cage full of hamsters. On the brilliant June day my father bolted the door, the family queued up to coax him out. My mother went first. "Raymond Custy!" she yelled. "You come out of there right this minute!"  She waited, arms crossed, bare feet tapping on the wooden floors. I could hear the cars passing on the street, on their way to the beach. I could even hear the slap of the waves on the sand two blocks away.

How a book does -- and doesn't -- get published

Part of my life as a blogger is updating readers as to my whereabouts (I've always wanted to blog this word). Most of the time, I'm in my home office at the PC, typing madly. There are big windows to watch passersby pass by, most of them neighbors in Tomoka Station, Fla. There are lots of kids in my neighborhood, many new arrivals being pushed around by proud parents. Kids on bikes, some motorized but most the old-fashioned pedal kind. Groveside is a new branch of a five-branched development. I see many service trucks: lawn services, fencing companies, contractors building various add-ons: fancy stoves and refrigerators to replace the boring ones the houses came with. Toilets, too, as we got basic toilets  but tall and big and disabled people needed something better.

I have a lot to see, many things to distract me from the jobs at hand. My main job now is promoting my new book. It is no easy task. Best-selling writers have big-time publishers in NYC, companies that handle a book's editing, production, distribution, and publicity. That's what all writers wish for, an advance and a contract for a book to write and revise and then transmit to the publisher. Then it's on to the next book. Or maybe a croissant and a cup of Java. 

That was what the world was like when I first started writing in the 1970s. When I finally penned a sci-fi postapocalyptic novel of my own in the 1980s, I went to a writers conference and sought an agent. I became a pest. Finally, Ray Powers of the Marje Fields Agency said send me a few chapters and quickly disappeared. The next week, I polished some intro chapters on my manual typewriter and a short plot description and sent it off to Ray. He told me to finish the manuscript and send it. 

I will bet you a chest filled with doubloons (or maybe bitcoins) that he thought I would never finish. Many writers don't, you know, especially when they find out how hard a task it really is. But I had a secret weapon. I was born to write and was always hard at it. I don't know why this is. It's beautiful. It's a curse. I am happiest when writing in a journal or pounding away at my keyboard. I have tried to escape into the military, academia, the corporate world. But I keep returning to writing. 

My novel, "Zeppelins Over Denver," took me ten years to write, revise, and find a publisher. My critique group guided me along the way. I got an M.F.A. in creative writing. My CSU profs and fellow student writers were terrific and brutal. I was on a mission from God, as the Blues Brothers put so well. How else to describe it? In the end, though, that's what it takes., You have to possess a missionary zeal to do this. You have to write and quit writing and write more and despair and then write more. In the end, I finished a found an iconoclastic press in Detroit run by a friend, poet/prof/performer M.L. Liebler.

The Ridgeway Press of Michigan publishes books that others don't and I'm one of them. Thank you Ridgeway and M.L He's published tons of books of poetry and essays. His most recent is a memoir with this title: "Hound Dog: A Memoir of Rock, Revolution, and Redemption" from University of Wisconsin Stevens Point's Cornerstone Press. Did you know that university presses publish many wonderful books? Go buy one today. 

Meanwhile, if you're interested in my book, you will have to go to Amazon and look me up on my author page at http://amazon.com/author/michaeltshay. I am at work on an author's page on BookBub which should be the place to go once I'm finished with the design. 

One more thing: I don't make much money from an Amazon purchase. And Ridgeway is not set up for buying books. But you can find me on Venmo at @michael-shay-28 or 307-241-2903. Send me $35.22 and put the mailing address and who to sign it to in Notes. Then, I will put it in a padded envelope, take it to the p.o., send it on its way and pray that it gets there in these times that USPS seems to run with all the efficiency of the governmental agency in Terry Gilliam's "Brazil." Keep your fingers crossed. As you probably know, Amazon is run with the efficiency that we used to expect from USPS. Packages go right to my door. The delivery man even rings to bell and scampers back to his Amazon Prime truck and drives away at a prudent speed. 

I decided to look up Amazon Founder and Blue Origin mastermind Jeff Bezos on Wikipedia. I was surprised to find that he was born in Albuquerque (I was conceived in Albuquerque!) to a teen mom and a Danish unicyclist (my father sold Armour meats and my mom was a registered nurse). During his high school years in Miami, Bezos attended the Student Science Training Program at the University of Florida, my alma mater (English major, class of '76). A local newspaper reported that in his graduation speech, Bezos "hoped that humanity would eventually move heavy industry and large populations into space while preserving earth as 'a huge national park.' "

Think about that when you order an air fryer at deep discount from Amazon. Or a book.

Via Audible, I spend a year in an Irish garden

On my June 1 post, I talked about buying on Audible "In Kiltumper: A Year in an Irish Garden." I mentioned that I don't listen to many audiobooks as my vision remains fine and I love reading. There's a little message inside my head that says: "Audiobooks are for endless drives across Wyoming." During my 25 years at the Wyoming Arts Council, I made many drives across the 98,000-square mile state and listened to cassettes, disks, and, briefly, on one overlooked Spotify intro subscription in a state auto. 

So many great memories of Janet Evanovich (perfect to distract a keyed-up driver on I-80 winter drives), a dozen Wyoming-based mysteries by C.J. Box and Craig Johnson, an odd Chuck Palahniuk novel on the way to Sheridan (weird scene in a swimming pool), and one perfect summer drive to Jackson with geological landmarks discussed in John McPhee's "Rising from the Plains." Kurt Vonnegut's "Galapagos" got me all the way from Cheyenne to Salt Lake City. 

So here I am, taking a break from the printed page and listening to the wonderful voices of Niall Williams and Christine Breen on Audible. Twelve months in an Irish garden. I am transfixed. My Irish roots and life-long gardening interests are both addressed. In "March," an Irish priest dropped by the narrators' little patch of land in County Clare, and conducted mass in the garden. Neither Niall or Chris are active Catholics (more the fallen-away variety) but both agree and it's glorious. 

But there was something about it.

Quote from Chapter 4, April

"The moment of spring sets everything within me tremoring."

I've felt it in Wyoming. 

March is filled with wind-whipped snowstorms. April's beginning can be much the same. But there is a day when I step out to sun and calm. I look at the garden. A few bulb plants bloom. It's still six weeks before I put seedlings in the ground. 

But it's the light of those early April days that transform me. Every day the light stretches out to those long summer days. On June 21, the western sky is still lit at 10. I love and fear that day as days start to get shorter until it's dark at 4:30 in late November, even at Halloween the kids gets started going door to door before 5.

I have felt the tremoring Williams describes. Here in Florida, it is calmed by the coming of heat and humidity. By June 6, the tremoring has given way to sweat and sunburn.

Want a signed copy of "Zeppelins Over Denver?"

Title: Zeppelins Over Denver

Author: Michael T. Shay

ISBN: 9781564390905

Price: $30 list, $35.22, signed and mailed

Print length: 426 pages

Format: Paperback

Publishing date: May 5, 2026 by The Ridgeway Press of Michigan

How to order: Venmo $35.22 (book plus USPS Media Mail shipping) to Hummingbird Minds Press on Venmo (307-241-2903); put address and name for signing in notes. It also is available on Amazon and at your favorite bookstore. My new favorite is Novel Tea Books in Ormond Beach, a place with comfy chairs and a distinctive selection of teas and munches. It is accessible for those of us in walkers, rollators, and e-scooters. I suggest using a rollator for the ramp in the back and for the quaint spaces inside. There's also a cool front porch with only two steps that can be managed easily.

BTW, when Ingram Spark was uncertain about pub date, I did a test order with Ann Patchett's Parnassus Books in Nashville (I'm reading one of her "Friday Favorites" now) and Books & Books in Miami, originator of the fantastic Miami Book Fair. It took about ten days but books arrived safely. 

Zeppelins Over Denver is a historical novel set in 1919 Colorado 

July 1919. Irish immigrant Patrick Hott and U.S. Army nurse Frannie Lee meet on a train going west through Colorado. He's a lung patient headed for the West's healing climate and she's off to an assignment at a new army hospital outside Denver. As they strike up a conversation, neither realizes that the train is hours away from a disaster that will upend their lives and bring them together to face new dangers as America tries to forget The Great War and race into the "Roaring Twenties." Inspired by his maternal grandmother's war diary and years of research, Shay gives readers a new look at Colorado's post-war boom that also saw the rise of the KKK, a "Red Scare" prompted by fear of Bolsheviks, and labor strife fueled by the infamous Ludlow Massacre

 Michael Shay’s work has appeared in High Plains Literary Review, Nomad, Colorado Review, Owen Wister Review, Poetry Hotel, Flash Fiction Review, WyoFile, Silver Birch Press, Working Words: Punching the Clock and Kicking Out the Jams from Coffee House Press, and Blood, Water, Wind, and Stone: An Anthology of Wyoming Writers. He was co-editor of the Pronghorn Press anthology Deep West: A Literary Tour of Wyoming. He’s a graduate of Father Lopez High School, Daytona State College, and University of Florida. He earned an M.F.A. in creative writing from Colorado State University. Michael worked as an arts administrator for 25 years, promoting the literary arts for the Wyoming Arts Council and the National Endowment for the Arts. He and his family live in Ormond Beach, Fla.

Contact: michaelshaywyo@gmail.com; hummingbirdsminds.blogspot.com; Michael Shay on Facebook

Writers talk books on a rainy May evening in Ormond Beach

The rain waited until I rolled myself inside the Novel Tea Book Shop in Ormond Beach. In Central Florida, we’ve been waiting for rain since last summer and it seems to be returning. Two days ago, the wide-eyed forecasters on the Weather Channel predicted a Tuesday deluge to cross the state. The clouds appeared but the rain was more a whisper than a monsoon. But yesterday, it came down.

I was in a comfy chair inside Novel Tea for the Wednesday evening Writers Haven. It was billed as a chance to hang out with other local writers to exchange tips and stories, the kind we were working on and the kind you tell about writing’s daily travails. An interesting group arranged around the snack table and living room-style reading room. Me, a novelist and short story writer; a striving sci-fi writer; a guy with copies of the cover of his dark fantasy novel due out this summer; a young woman writing a film script; two romance writers; a writer/editor for two local motor-sports magazines (an illustrator, too, as he’s the shop’s artist-of-the-month); and a woman “between projects” chosen by staff to be the moderator.

I sipped an Earl Grey Moonlight iced tea. The tea was Earl Grey with orange, blue sunflowers, and natural flavors. I drank it and chipped away at a monster chocolate chip cookie that I shared with my son Kevin. I shared the story of my new historical novel set in 1919 Colorado, as foreign a land to Floridians as Florida is to Coloradans (do I have that right or is it Coloradoans?). I had copies with me. Four were signed copies to my sister-in-law Nancy and her three adult children. I slipped her the books while nobody was looking and she slipped me the cash which I could use on any number of novels or teas or giant cookies. I also slipped a copy of my novel to Stephanie Gonter, one of the shop’s co-owners. I brought along my book of short stories. I am on a mission to monetize my writing journey, no easy task for us small-press-published authors.

One of the more interesting conversations was on A.I. Many self-published authors are avoiding A.I. writing yet they also employ A.I.-designed covers. Angel Lowden, the store’s other co-owner, worked the counter. She said that she and other booksellers are on the lookout for A.I. covers and usually won’t accept them in their book stock. The cover is hugely important these days and she suggested getting a professional to do the job. My daughter Annie designed the “Zeppelins” cover. She’s an artist and marketing ace and gave her dad a special deal.

Novel Tea is everything an indie should be. It’s located along a leafy street on the main floor of an old two-story house. It features a big front porch with easy chairs. Inside are overstuffed chairs and many, many books. There is a food bar and a bar-bar that serves beer and wine. Some in the gathering jumped right into happy hour. I am a teetotaler these days so Novel Tea’s specialties and their huge array of leaf teas add to the allure of its name. The play on words is nice too. I noted the shop features an array of craft brews including those from Ormond Brewing Company which is on the other side of the tracks on the line that serves Ormond Station. In reality, there is no train to Ormond Station but me and my neighbors are working on it. The shop’s next big event is June 3 with Boozy Books at the brewery. Here are details from the web site:

Our Summer Boozy Book Fair returns on June 3rd from 5 PM to 9 PM at Ormond Brewing Company.

Browse books from Novel Tea Book Shop, shop local authors and artisans, and enjoy a relaxed evening with a drink in hand. Whether you’re building your summer TBR, looking for a unique gift, or just want a fun night out, this is your spot.

We’ll have:
Local authors and book signings
Handcrafted goods from local vendors
Books for all ages and interests
Ormond Brewing featuring your favorite brews

Come out, support local, and celebrate the start of summer with us.

Free to attend. Bring a friend. 

It’s wonderful, really. Support local. Stephanie stressed that she and her partner are always looking for fun new ways to sell books and teas. I am now local but didn’t sign up in time for Boozy Books. Next time…

Note on accessibility: From the street, Novel Tea appears inaccessible for those of us using walkers, rollators, and e-carts. But it's very accessible. Parking on the east side of the building is ample (mind the cats!) and there is a ramp inside the entrance located near the artist studio. Staff will rearrange chairs to accommodate.

Wrong shipping date confuses book buyers and me too

I was flummoxed (yes, flummoxed) to see my historical novel "Zeppelins Over Denver" listed for pre-order on Amazon.com with a shipping date of Nov. 19. On the product page, a May 5, 2026, pub date is listed and that is correct. At the same time, I was holding a copy of "Zeppelins" in my hands, wondering why an entity such as Amazon, which can speed a supply of Dude Wipes to me overnight, wants readers to wait until almost Thanksgiving for my first novel. I have alerted the site's problem-solvers and hope for a quick solution. I mean, the book is worth waiting for, might even make a great holiday gift, but I may be an old man before that comes around. Pause for fact check: I am an old man now, typing this with the same four fingers I used on typewriters and keyboards since the 1970s when I was putting my first words to paper. Yes, paper. So, if you are anxious to read a novel set in 1919 featuring characters out of The Great War in Europe, leave a comment and I will sell you a copy and mail it the old-fashioned way. 

"Zeppelins Over Denver" now available to pre-order

On April 24, I guesstimated that "Zeppelins Over Denver" would be out by summer. You have to be careful with these things as publishing tends to take time and you don't want to get readers' hopes up unnecessarily. 

"Zeppelins" is now on pre-order (May 5 official pub date) at your favorite bookstore or even from your least favorite big-box outlet that places book bins somewhere among twelve-packs of underwear and rows of gleaming BBQ grills. 

My goal is to get the book into local stores and those in my old stomping grounds of Wyoming and Colorado. It's a bit tricky because the book is set in Colorado, specifically Denver, in 1919. I'm now officially a Florida resident, a return to my roots and the comfort of family. My Colorado roots go back to 1919 when all of my grandparents decided Denver was the place to be. 

My grandmother Florence decided to extend her tenure as an army nurse in France to the new army hospital in someplace called Aurora. There she met and married my grandfather Raymond, a cavalry officer from Iowa who left the war with lung problems so they shipped him to the hospital that eventually became Fitzsimons Army Hospital. Cavalry officer met nurse and there you go. 

My Irish immigrant grandfather Martin left sweltering Chicago after having a lung surgically removed due to empyema. The surgeon urged him to recuperate in a drier clime, Arizona, for instance, or maybe Denver. He chose Denver. Grandmother Agnes, the first postmistress of a tiny town near Cincinnati, jumped into a Model T with her sister and two gal-pals and drove the rugged road to Colorado. She and her sister decided to stay while the others returned to the banks of the Ohio. Martin and Agnes met at the Hibernian Club and one thing led to another and here I am.

That's just background. The setting is important to me as I was born in Denver, did some of my growing up there, returned after college to work, left Denver to go to grad school up I-25 at CSU, and then moved north to Cheyenne to work for the Wyoming Arts Council for 25 years. Retirement party with great homemade pie on a Friday in January 2016. On Monday morning, I sat and started writing this book.

Co-worker at retirement party: Hey Mike, whatcha gonna do after retirement? You can't just sit around, you know. 

Me: I'm gonna sit around and write a novel. A historical novel.

Co-worker: That's nice. Give me another slice of that pie.

Ten years later, I'm in Florida and I have a book. Easy as pie.

Stay tuned here for more updates. 

"Zeppelins Over Denver" due out by summer

Just finished reviewing the galley proofs of my first novel. My first published novel. I’ve been writing for a long time, since I was in my 20s. I actually started earlier, as a kid writing letters that were rarely answered. My first readers were disinterested friends and family members. Maybe that’s where I learned how to hold an audience. Most of my early writing had an audience of one. I discovered journaling and keep up that written practice with this blog. I registered with the original Blogger from Pyra Press in 2001 and posted my first weblog in November 2005. I began blogging regularly in January 2006.

But back to the novel. The title is “Zeppelins Over Denver” and it will be out in May from The Ridgeway Press of Michigan in Detroit. Publisher and friend M.L. Liebler helped me get the ball rolling and I am forever grateful. Small presses rule! Big presses are great too but they have spent a lot of time ignoring me. C’est la vie! I was learning how to write all of this time, from the early 1970s until now. I’m still learning. Always will be.

“Zeppelins” is a historical novel set in 1919 Denver. Its origins lie on the yellowing pages of my paternal grandmother’s diary from her time as a U.S. Army nurse in France, 1918-19. She kept one diary in her lifetime and it was lost for decades, existing only as a rumor that faded with each passing year. It was rediscovered in my sister Molly’s basement in Tallahassee. She’s a nurse like our mother and my father’s mother. Eileen, another sister who also was a nurse, took the diary and transcribed it. She asked me for editorial assistance. As writer and editor, I gladly provided it. I whipped it into shape, working more as a conservator than a fiction writer. I corrected spelling and punctuation. I changed no contents, censored nothing. It was lovely just the way it was.

Eileen asked me to put together a little book for the family. Along the way, I researched the service of army nurses in the Great War and the Great War itself. I thought I knew at least some of the history. I had read war novels such as “All Quiet on the Western Front,” “The Good Soldier Schweik,” “Soldier of the Great War,” and “Winter Soldier.”  I had read “The Guns of August” by Barbara Tuchman and Paul Fussell’s excellent “The Great War and Modern Memory.” I’ve read the poetry: Wilfred Owen, Siegried Sassoon, and Robert Graves. I have read some of the celebratory war poetry, too. Joyce Kilmer’s “Trees" was my father’s favorite poem. I wondered if Dad had contemplated the shattered trees in the Bulge battlefield in the Ardennes in 1944. Kilmer’s reputation lives on at Columbia University’s annual Alfred Joyce Kilmer Memorial Bad Poetry Contest. The Columbia Daily Spectator once ranked the contest as number one among the “Best Columbia Arts Traditions.”

The more I read, the more I realized how little I knew. I dug deeper. In the end, I decided to absorb everything I knew and let it come out in what I see as a historical novel colored by the darkly humorous war novels of Joseph Heller, Juroslav Hasek, and Kurt Vonnegut Jr. And there you have it. Ten years of work poured into almost 400 pages. I hope you enjoy it. If you are inspired by the characters, some of them will return in the sequel, “Patrick of the Mountains.” The draft manuscript is complete and it will be published once the edits and revisions are complete. I have roughed out a plot for a third novel but we will see where that goes.

In praise of Large Print books: "Seeing is Believing"

Wichita, 1962. I read Tom Swift and Hardy Boys books in bed with my Boy Scout flashlight. It was after the parents’ call for “lights out” and a brighter light might have awakened my brother who would want to talk about trains. He spent many hours with his model trains, vowing that one day he would pilot locomotives across the prairie. Instead, he learned the air traffic controller trade in the USAF and spent his career assisting pilots through the crowded skies.

I am about to turn 75 and I need more than a Boy Scout flashlight to read at night or any other time. Kindle, you might say, with its lit screen and adjustable type. Done and done. I love my Kindle. I’ve read some smashing books on it. Big ones, too. In 2022, I read “The Dark Forest” by Cixun Liu, the second book in the “Three-Body Problem” series. A long one at 528 pages. It was a slog sometimes, but the highs outnumbered the lows. Made me watch the first part of the Netflix series and make sense of it. Part Two coming up! 

I always miss holding an actual book. Something magical about sliding a book from a library shelf and opening it to that first page. The feel of it, the smell, the look. Lately I’ve been exploring the Large Print section at the Ormond Beach Public Library. It features lobby racks of new LP books in a section dedicated to donors. In the stacks, the library features aisle after aisle of LP books and CD books for the audible (and Audible) oriented. LP can stand for large print and also LP as in Long-Playing records. LP, record, or album – all terms we used for our 1970s purchases from Peaches. We played those Zeppelin disks long and often and appreciated their albums of songs which live in our bones. We annoyed our children by singing them badly and loudly on car trips. For them, LP might mean Loud Pops.

During my many decades at libraries, I paid little attention to the Large Print sections. They’ve grown as Americans age, especially our large cohort of Baby Boomers. Us. Me.

In the Ormond Beach Public Library’s “Miscellaneous Large Print” section, I saw a red trade paperback that outshone the others and plucked it out. It was “These Precious Days,” a collection of essays by Ann Patchett. I recently read (on Kindle) my first Patchett novel, “The Dutch House” and loved it. Beautiful writing, compelling characters, and a story I wasn’t sure about sometimes. But by the end, I was impressed with the tale of the Conroy family and their creaky old house outside Philadelphia. The writer made me pay attention to the characters as the story unwound and that takes skill. I will read more.

I just did. I checked out Patchett’s essays and read them. With an essay collection, the reader can pick and choose.  “A Talk to the Association of Graduate School Deans in the Humanities” was not my first choice. A bit dry, perhaps, nothing like “The Paris Tattoo” or “Eudora Welty: An Introduction,” Welty one of my favorite writers.

When I got to it, her talk to the humanities deans grabbed me. She wrote about her days as a grad student at the Iowa Writers Workshop. It was around the same time I went to the grad school MFA program at Colorado State University in the last half of the 1980s. There was a generational difference (she 22, me 37) and a gender one. But our experiences were similar in several ways. She had some great teachers and mentors but also some not-so-good ones. She scrambled to make ends meet and so did I. Her fellow students could be annoying but you put a bunch of creatives in cramped quarters and you get conflict. She sums it up: “My MFA showed me the importance of community.” That was my reason to do it and I did find community.

Patchett’s essays are marvelous, as marvelous as her novels (see my comments on “The Dutch House”). I was impressed by the cover art, a painting of the author’s dog Sparky by artist Sooki Raphael. The title essay is about Patchett’s friendship with the artist. It’s long, as essays go (88 pages), but it’s the heart of the book. Feel free to cry.

I was pleased to see that Patchett’s essay collection was issued by Harper Large Print, an imprint of HarperCollins Publishers. Harper Large Print had a farewell message for me and other LP readers:

“Light and easy to read, Harper Large Print paperbacks are for the book lovers who want to see what they are reading without strain. For a full listing of titles and new releases to come, please visit our website: www.hc.com.”

This final thought in all caps: “SEEING IS BELIEVING!”

Read a presidential book on NO KINGS DAY 2025

My presidential bookcase, No Kings Day

John Fabian Witt’s new book asks if the American Experiment can be saved

Beginning Oct. 16, I will be reading John Fabian Witt’s book “The Radical Fund: How a Band of Visionaries and a Million Dollars Upended America.” I ordered the book after reading his guest essay in Monday’s New York Times, “How to Save the American Experiment.” The graphics caught my eye, a drawing of a big red hand pushing down on a platform and a group of people pushing from below. The Big Red Hand looked like it belonged to a marble statue or a giant, ponderous and huge. During other times, the resisters might be labeled “the people” or “the masses,” The Masses being one of the leftist mags of the 19-teens (later New Masses).

In any case, Witt’s essay grabbed my attention. How do we save the American experiment? I’ve been asking that very question since Trump took office for the second time. I have good days and bad. This essay gave me some hope.

Witt captured me when he talked about how a messy war and a pandemic bred a decade of strife that ended in a failed economy and then to a surprising resurgence.

Yes, the 1920s. A time of race riots and red-baiting and the Insurrection Act. Unions pushed workers to organize and the workers protested and were clubbed by guys that acted a lot like 2025 ICE Storm Troopers.

Hard times followed by harder times followed by a global war that birthed the U.S. as a global power. Until it lost its way.

I am obsessed with the 1920s. I just finished writing a historical novel set in 1919 Colorado. It will soon be published by Michigan’s Ridgeway Press. Its characters come to Colorado to start anew after war and sickness and failed dreams. They come to reinvent themselves. Colorado, Denver in particular, has always been a place for people to find themselves. Find gold, too, whether it be the actual metal or penny stocks or pot farms or the fresh powder of mountain ski slopes. As a native Denverite, I admire the magic but know the shortcomings. Historians such as the late David Halaas and Tom Noel have helped me delve into the past. I was a childhood fan of the Denver Public Library and spent many adult years in the Denver History Museum and the Denver Museum of Nature and Science. A wonderful place. I don’t live there any more. Why? I’m, an American. I move on. It’s what we do. I’m now back to Florida. As you know from late-night comedians, Florida has its own problems.

Witt’s message is not so much “move on” but dig in, into those entities that make a difference. He writes about Charles Garland, a millionaire who used his fortune to fund the American Fund for Public Service or the Garland Fund. It was overseen by muckraking writer Upton Sinclair and ACLU founder Roger Baldwin. They funded entities that pushed for civil rights, a living wage, and, in the 1930s, Social Security. Woodrow Wilson’s presidency petered out and led to the totalitarian tendencies of Harding and then to rich-boy Democrat Roosevelt who surprised us all, both hard-right Wyoming ranchers and big-city liberal labor agitators.

America, the Arsenal of Democracy, helped win the war and reaped the fruits of its labor and good fortune to bring prosperity in the 1950s and its most annoying demographic cohort, the Boomers. Say what you will about us but we helped the good times roll and now, well, we face the same political shitstorm as our offspring.

So, I write scathing letters that seem to fall on deaf ears. I support organizations such as the ACLU and the Florida Democrats and Wikipedia which is now under attack by the MAGA crowd. I support the independent WyoFile in Wyoming and the Independent Florida Alligator at UF, my alma mater. They are all under attack and need us. Protests are great but pointless if you don’t act and then vote in 2026 and 2028.

As the actor astronauts in “Galaxy Quest say: “Never give up…and never surrender.”

Fiction writers bring new life to dusty historical figures

Last night I finished reading "The Secret Life of Emily Dickinson" by Jerome Charyn. A beautiful novel, wonderful historical fiction. Charyn has made waves the past couple decades with his unorthodox takes on historical figures: Dickinson, the notorious Orson Welles/Rita Hayworth relationship, famous recluse J.D. Salinger, and Johnny One-Eye in the American Revolution. There are hundreds of other lives worth a second or even third look by someone of Charyn's skills. ,

Historical fiction is my new reason for living past 74. I've written two HF novels, the first will be out later this year from The Ridgeway Press in Michigan. I'm editing the second now. In the process, I've grabbed as many books off the HF shelf as I can muster. I was floored by "James" by Percival Everett, "Booth" by Karen Joy Fowler, "Horse," by Geraldine Brooks, "Gone, the Redeemer" by Scott Gates, and "Clark and Division" by Naomi Hirahara. 

All this innovative HF isn't without its detractors. Some traditionalists say that writers are playing fast and loose with the facts. Some say that facts are facts and that the timelines of history should be respected. They're valid points. Some HF writers are dogged with the facts. And so are some HF readers. Some writers also have hordes of researchers to help their work, as was the case with James Michener as his career progressed. He was so intent on research that he has a library named after him, the James Michener Library at University of Northern Colorado in Greeley. I've devoured Michener's novels most of my life, first "Hawaii," recommended by my mother, and onto "Centennial," the first novel I bought when I moved back to Colorado after college, and on to "Chesapeake" when I lived in Maryland.

But I also love the art of fiction and don't mind it being bent and twisted for a good yarn. I loved the real underground railroad in Colson Whitehead's "The Underground Railroad" and I was totally caught up in Jim's journey in "James" even when the story veered away from Twain's "Huckleberry Finn" which, of course, was also fiction. 

This reminds me of arguments about creative nonfiction during my days as an M.F.A. student. Annie Dillard was taken to task for some inventions in "Pilgrim at Tinker Creek." It led to a prize-winning book so I'm willing to forgive and forget. Others aren't. Remember that CNF stands for "creative" nonfiction.

It may be that I'm too old to care about literary minutiae. Or that I'm too pissed-off about MAGA savageries to mind when a writer invents something lovely to read.

A bit of both

Author Michael Connelly delves into Florida experience for next streaming series

Michael Connelly, best-selling author and UF and Independent Florida Alligator alum is now writing about his days as a reporter in Daytona Beach in the 1980s. He’s also writing about his time covering crime in Fort Lauderdale which includes forays into the South Florida cocaine wars.

I met Connelly in the first part of this century at the Los Angeles Times Book Festival. I came to town for the Wyoming Arts Council to meet with colleagues at WESTAF, our regional arts organization. Now Creative West, it keeps track of the MAGA attacks on the arts funding world through its Action Center. 

I waited in a long line to meet Connelly at the L.A. Bookfest at UCLA and he signed two books because I wore my Gators cap. The Gator connection led him to take a book tour detour to Wyoming a few years later and many fans turned out.

The first Connelly novel I read was "The Poet" (1996) because it was a mystery about poetry (I thought) and it's set among the two Denver newspapers I once worked for. From 1978-82, I was writing in-depth articles about prep football, college hockey, and the Coors Classic cycling race. After that, I was managing editor and columnist for Up the Creek weekly which had its origins covering rec softball leagues and wet T-shirt contests at Glendale singles bars. I still have clips if you’re looking for something to read about the halcyon days of the 80s.  

In The Poet, Jack McEvoy is a crime reporter for The Rocky. When his twin brother Sean, a Denver homicide detective, is murdered. McEvoy pursues the story. He finds  his brother’s murder was staged, and uncovers a pedophile ring which leads to other murders committee by a serial killer known as The Poet because he features Poe in his killings. I was impressed. I read more and now have quite a collection. The book won 1997 awards from the Mystery Writers of America and the Independent Mystery Booksellers Association. 

When I moved to Denver in 1978, the RMN and Post were battling for readers. The Post won the fight.  

When I met Connelly in L.A., I asked if he ever made it to Wyoming. His answer, as I suspected, was no. I asked if he might take a 100-mile detour from his next Denver book stop if we could find funding for a presentation, reading, and book signing in Cheyenne, Wyoming’s oft-neglected capital city. He put me in touch with his agent and the YMCA Writers Voice chapter wrote a grant and brought him to town. An SRO crowd came to the Y’s meeting room where an arts exhibit arranged by my wife Chris was on display. A great time was had by all. Barnes & Noble sold a lot of books.

That meeting room is now forever empty. The Cheyenne Family YMCA closed its doors for good yesterday. No more swimming pool. No more creaky weight machines. No more Writers Voice.

I send whatever I can to arts organizations in Wyoming, Florida, and elsewhere. I will report on some of those entities in the coming months. The anti-arts savagery shown by Trump and his minions have taken a big bite out of the creative industry. Not surprising since arts and arts education were prime targets of Project 2025.

I hear from poet and performer M.L. Liebler in Detroit that “all of our programs getting money from the NEA has collapsed.” Medical research funding has also been hit: “All research on cancer has been halted.”

If androids dream of electric sheep, why are there no sheep in my dreams?

I discovered Philip K. Dick and his mind-blowing novels at just the right time. In November 1975 I was a non-trad student at the University of Florida. Non-trad because many in my 1969 high school graduating class had claimed their diplomas and were now looking for work in all the wrong places. Meanwhile, we laggards and slow-learners were on campus with a younger crowd and a passel of Vietnam veterans. And the Krishnas -- can't forget them and the Krishna lunch. 

I spent many of my waking hours at the library where I gobbled up novels I missed reading in high school and copies of Rolling Stone, Esquire, The New Yorker, and any other pub that featured great writers -- Hunter S. Thompson and Joe Eszterhas among them -- and Esquire carried Harry Crews' Grits column and its annual dubious achievement awards. I learned snark from the witty DA awards and writing through Crews in print and in person in his creative writing class. 

A profile of PK Dick arrived in the Nov. 6, 1975 Stone. Great graphics by G.K. Bellows showed the author, book in hand, with an alien invader coming through his window. The header: "The True Stories of Philip K. Dick: Burgling the most brilliant sci-fi mind on Earth -- it is Earth isn't it?" Paul Williams wrote the piece. Was this the same Paul Williams from TV and film? No, it was Paul Williams, founder of Crawdaddy, who RS called "the first rock critic" and who died in 2013. He also loved sci-fi.

So I had to look up the RS piece. I printed it out and the type was too small for these tired eyes. So I enlarged the e-piece and read the whole thing. I remembered most of it from '75. I found as many PK Dick books as I could, in libraries and second-hand bookstores, and wrapped "Ubik" and "Do Androids Dream of Electric Sheep?" into the folds of my brain that also held Shakespeare in Elizabethan English, Chaucer in Middle English, and Samuel Taylor Coleridge's dreamscapes, all from my UF classes. All in books. 

Williams notes in his final paragraph that some PK Dick movies were being discussed. "Blade Runner" came out in 1982, just a few weeks after PK Dick died. It blew our minds. It wasn't Dick's novel but it was beautiful. There now is a Director's Cut and a Final Cut as well as sequels. And many movies based on other novels. 

What is PK Dick thinking out in the Bardo? You may have to go to Colorado to get an inkling of that. Dick's ashes were interred in a Fort Morgan, Colo., cemetery next to the grave of his twin sister who died at six weeks. She is the basis of the "phantom twin," a recurrent theme of his. Fort Morgan was in the middle of the Dust Bowl in 1928 so I assumed the worst about the sister's fate. Go to Fort Morgan on a winter's day in January. Stand outside in the winter gales and think of the many things that could doom an infant in 1928-29. 

Dick, who lived most of his life in California, including mystical Marin County, is buried on the prairie. Only 112 miles from my one-time home of Cheyenne, Wyo., the setting of Hawthorne Abendsen, the author of "The Grasshopper Lies Heavy," an alternate history of World War II (the Allies win!) in "The Man in the High Castle." Dick had the mountains and prairie in his bones which made the Rocky Mountains the best place for the opposition to the Japanese and German conquerors on the coasts.

Dig up that '75 Stone article and find out about the author's situation in a tumultuous year, 1971. There's a mystery at the story's center: why did someone burgle Philip K. Dick's house in San Rafael, blow up his 1,100-pound asbestos-and-steel safe, home to his precious manuscripts, and flood the floor with water and asbestos? All sorts of wild things were going on in 1970s California. Dick posits possibilities and Williams follows leads to no avail. 

The answer is out there somewhere.