There is a world of difference between a 125,000-word novel and a flash of 50 words

Spending my days and nights with a close reading of the formatted text for my historical novel, "Zeppelins over Denver." Much of my adult life was spent writing and editing so this is just another in a long line of projects. But, the process is different with a 125,000-word novel. If that seems like a lot of words, it is. But they were composed one sentence, one paragraph, one page at a time. I write and revise short stories, which is a slightly different task. A short story may be 5,000 words. In 2025, flash fiction has taken over the litmags and I am pleased that I've publish a few in print mags and online. It's a neat exercise to write a story that's a page long and not pages. Some very talented writers taught me the way. The always-busy Meg Pokrass has shown me and others the way. I recently had a piece rejected by 50-Word-Story that I thought was pretty good for a 50-word-story. I had revised it from a 250-word story but maybe that was the problem. Sometimes a 250-word story just wants what it wants. 

Back to the novel. The story must be compelling and the characters memorable. The writing must be crisp. And very importantly, the text must be error-free. This is the challenge with a 125,000 word novel in this day of self-publishing. Traditional publishers used to employ editors and fact-checkers. They still do, I suppose, but I don't know for sure because I've never been published by one. I did have a st6oory reprinted in a Coffee House Press anthology, "Working Words: Punching the Clock and Kicking out the Jams." ML Liebler was the editor. I've also had a creative nonfiction piece published in a Norton anthology, "In Short: A Collection of Brief Creative Nonfiction." But my historical novel is not being published by a traditional press. Thus, the work must be done by the writer. That takes time and attention to detail, lots and lots of details. Since my book is historical fiction, this writer must pay attention to period detail in the case of 1919 Colorado. What did people wear and how did they speak? What models of automobiles were on the road? What was it like to fly a biplane? Many questions that I try to answer as best as I can. 

An editor must pay attention to detail. But it is inevitable that mistakes will slip in. One must forgive oneself in the end. Nobody's perfect. We try to be. AI is available. My MSN Word keeps bugging me about the CoPilot AI program. No thanks, I keep saying. Will that ever become a necessity in the publishing world? My daughter uses ChatGPT when writing her college papers. The professor says it is OK as long as it is noted. Good grief. I might have used it when tasked to compare and contrast the Early and Late English Romantic Poets. In fact, I may just go to CoPilot and propose this very topic, see what the bits-and-bytes say. It might be fun. 

Not sure how the late Dr. Alistair Duckworth might respond. 

Oh yes I do: Off with his head!

In Percival Everett’s historical novel “James,” the whole world relies on the naming of names

I spent the past couple weeks with James. I knew him in my youth as Jim, Nigger Jim, from Mark Twain’s “Huckleberry Finn.” On the eve of the Civil War, Jim and Huck go on a spree down the Mississippi. In Percival Everett’s novel, “James,” Huck’s name remains the same while Nigger Jim becomes Jim and then, at long last, becomes James. No accident that these are the last lines of the book:

“And who are you?”

“I am James.”

“James what?”

“Just James.”

I guess that I should issue a spoiler alert, that the main character is speaking at the end of the novel. But you don’t know where he is or what he’s doing. You don’t even know if it’s not an imagined scene, something from the always creative mind of Everett. So I’ll leave it at that.

James is a slave on a journey, sometimes with his white pal Huck and sometimes not as he and Huck get separated. We revisit a few of Twain’s characters, the Duke and the Dauphin among them (I’m thinking of you Jason Burge, The One True Dauphin of Mississippi) and others are new creations.

But as the Kindle pages turned, I was less interested in Everett’s Twain trail as I was by what Everett was doing with his own creation. It’s crystal clear early on when James is still in Hannibal talking to other slaves about proper diction. And it’s hilarious. Slaves know how to speak white man’s English (I would say proper English but this is the South) but they also need to master slave’s English. A hilarious scene, one that caused me raucous laughs that awoke the family. Slaves must dumb down their language to make sure white people are not offended by the possibility of a smart Negro. Even language is a slaveholder’s weapon. That scene really nails down what’s at stake in “James.” If you are a slave, everything you do must conform to the white man’s image of you and the owner’s sense of mastery over you. To challenge that leads to death.

As a slave, James sneaks into Judge Thatcher’s study to read. He knows Voltaire's "Candide" and John Locke even appears to James on the trail for verbal sparring matches. This journey is so much fun that you almost forget the stakes. But not quite. As I read, I thought deeply about slavery and its continuing hold on America. We are in the midst of a fascist coup by the same white men who gave us slavery and the KKK and Auschwitz. Massa Ron DeSantis gloats over his concentration camp in the Glades and plans to open more. Trump’s White Nationalist Stephen Miller plots the creation of a white nation, one without those pesky people of color.

But back to the book. It’s clear why it won the National Book Award and Pulitzer Prize. A work of genius. I cringed in spots but I fear that not cringing would make me unrecognizable to me and to James, Just James.

A couple things about Everett. He grew up in South Carolina, educated in Florida and Rhode Island, but went West as soon as he could, as the saying goes. He spends time and writes about the West of Wyoming and New Mexico. I look forward to reading “Walk Me to the Distance” and “God’s Country.” There’s a funny Twain quote that might have come from Everett. “I’ve only been as far West as California.” It sounds like Twain but I can’t find confirmation that he said it. He traveled in what we know as the real West: Wyoming, New Mexico, Nevada, the gold-mining fields of California. But the quote has been used sarcastically by those in the inner West who say “California ain’t West.” Twain knew it. As you see in Everett’s books, he does too.

In the “James” acknowledgements, Everett writes this:

“Finally, a nod to Mark Twain. His humor and his humanity affected me long before I became a writer. Heaven for the climate; hell for my long-awaited lunch with Mark Twain.”

Always read the acknowledgements. You find gold nuggets there.

Post #4,000

The Irish keep defining dark comedy in books and movies

Blame my errant imagination.

As I read "Glorious Exploits," a new novel by Irish writer Ferdia Lennon, I kept hearing Roddy Doyle. Not that Lennon is copying Doyle's distinctive Irish patter, but the way the two main characters spoke and approached life conjured Doyle's Barrytown Trilogy, specifically "The Commitments." Jimmy Rabbitte's mission is to bring the soul music of Sam Cooke, Wilson Pickett, and Otis Redding to 1990 working-class Dublin. The mission is doomed from the start but boy is it a fun ride. 

In "Glorious Exploits," unemployed potters Lampo and Gelon want to stage a Euripides play in 412 BCE in  Seracuse, Sicily (Syracuse now. in both Sicily and N.Y.). They decide to enlist a cast of starving Athenian warriors whose invasion has been defeated and the captured, starving, warriors imprisoned in a dismal rock quarry. Why starving Athenian players? Because the duo's favorite poet is Euripides of Athens and these Athenians are the only ones in Seracuse and they just happen to know The Master's latest work that includes Medea and The Trojan Women. Their quest is doomed, of course. But boyo, it's a fun ride, no bollix.

Irish writers tingle my Irish genes. I have never been to my grandfather's country nor to his rural county of Roscommon. But I've read their best writers and they live in me. Doyle, Yeats, Maeve Binchy, Flann O'Brien, James Joyce all tell wonderful stories grounded in Irish wit and lore. The Irish story is riven with heartache. The latest Irish-set movie, "The Banshees of Inisherin," focuses on a long male friendship that breaks up for unfathomable reasons and leads to tragedy in 1923. There are laugh-out-loud moments, a dose of charm, memorable Celtic music, and then the ending when doom shows up. Meanwhile, the Irish Civil War, where neighbor kills neighbor, wages across the newly-formed country. These two friends' relationship is doomed. But the telling is marvelous. 

It's the voice, nurtured over the centuries. Lennon has found it. In an interview, he says that he wanted to make sure that the book did not have that Merchant Ivory voice of serious dramas of the Classical Age. He succeeded. Lampo and Gelon are  Sicilian-Irishmen on a lark, spending most of their time chatting over flasks of suspect wine at Dismas's place. Must hand it to Lennon. Many sickening things going on in Seracuse. Wine is the only answer. But the author describes in detail the wine they drink and you will thank Dionysus for the local Tiki Bar (we have several here in Ormond Beach). It's illuminating to hear lines of Euripides from the lips of emaciated Athenians, all wearing leg shackles, dressed in ill-fitting costumes and gowns. There is a performance and I won't tell you how it ends once the curtainless stage is cleared. And there is a surprise ending which is very sweet.

I have to admit that the book's cover grabbed me. It's a traditional bust of the historian and philosopher Herodotus with googly eyes. 

Lennon was the subject of a Q&A interview in the Aug. 31, 2024, Observer. I include an excerpt here because it speaks to Ireland’s rich literary tradition and info about how contemporary Irish writers are supported by their Arts Council. I worked with writers for 25 years at the Wyoming Arts Council and for two years assisted with creative writing fellowships at the National Endowment for the Arts in D.C. It’s instructional in a time when the NEA, the NEH, and the Institute of Museums and Library Services are under the gun by Trump, Musk, and their techie minions who wouldn’t know James Joyce unless you wacked them on the head with a hardcover edition of “Ulysses.”

The Guardian's book critic wrote a review of "Glorious Exploits." Header: "Uproarious am-dram in ancient Sicily." I had to look up am-dram and it's British slang for amateur drama, those plays put on by your local community theatre.

From the Guardian:

Q: How do you explain the current wave of successful Irish novelists? 

A: I remember that when I was a student, James Joyce’s house was five minutes up the road: just seeing that plaque, there’s something nice about having that literary history celebrated around you. On a practical level, the structures in Ireland make it easier for writers. An Arts Council grant helped me write this book. I wasn’t in any way established, but you could submit a work in progress to a panel of your peers and if you’re lucky, you might get money that will give you a couple of months that could be the break. I feel part of the burgeoning moment in Irish literature has to do with the financial crash. A whole generation was devastated, in Ireland maybe more than most. There were no jobs, so you felt freer to do what you wanted, even if it made no money; I started writing in Granada [in Spain] while unemployed.

Discovering obscure maladies just one of many reasons to read John Dufresne’s “My Darling Boy”

Reading contemporary fiction has many rewards.

First, you get a whopping good story.

Second, when the writer knows their stuff, you feel it in your bones. This writer can write!

Third, you never know when you might run across a mysterious malady that might be one that you could have, really, personally. Alerted, you check it out.

Since Dufresne obviously delights in the odd, let’s talk about Dupuytren’s Contracture. In “My Darling Boy,” protagonist Olney Kartheizer mentions this malady of the hands as he contemplates a character in a story he might write for an imaginary family.

I thought, “I might have that.” As Johns Hopkins describes it on its web site:

Dupuytren contracture (also called Dupuytren disease) is an abnormal thickening of the skin in the palm of your hand at the base of your fingers. This thickened area may develop into a hard lump or thick band. Over time, it can cause one or more fingers to curl (contract) or pull sideways or in toward your palm. The ring and little fingers are most commonly affected.

Hopkins includes a video and photos. The contracture makes it hard to cut steak, hold hands with a loved one, and write a thank-you note. People over 50 from a Northern European background (it’s sometimes referred to as “Viking’s hand”) are the most susceptible. I viewed the video and thought, “I definitely have that.” So I’m calling my primary care physician to refer me to a hand doctor.

Dufresne is a writer who does his research so it’s hard to imagine he just pulled this out of thin air. There’s a reason to mention an infirmity that makes it hard to write or type with all fingers. It’s hard to write, period.

After many novels, story collections, and writers’ self-help books later, Dufresne has his craft well in hand.  

“My Darling Boy” is funny as hell and it will break the heart of any parent. It broke mine.

Olney’s mission is to rescue his son Cully from an opioid addiction. He might want to swim the Atlantic Ocean or fly to the moon instead. If you have experience with addicted children or any addicted loved ones, the first message you get at an Alanon meeting is “you have to let them fail.” That comes from AA too. At some point, there is nothing you can do that won’t take you down too. Tough love, I guess.

Olney won’t listen. He may be made of sterner stuff (offspring of Vikings?) but he isn’t. He loves Cully. Olney’s job at the Anastasia (Fla.) Daily Sun has been downsized from staff writer to book reviewer to copy editor to obit writer and then out the door. He is divorced and Kat, his wife, is remarried and in another town. He is the Elwood P. Dowd of Anastasia, stopping to talk with strangers and befriend them if possible. They become his cohorts in the search for Olney that takes him through the underbelly of Florida. And if you don’t think Florida has an underbelly, you ain’t looking out the window as you crisscross the state. Seedy motels, junkies on street corners, abandoned mini-malls with weed-choked lots. Oh, and street corner kiosks for time-shares. All there if you look. I always looked for underbelly when I traveled across Wyoming. I found plenty (no time-share kiosks in Rawlins though).

Dufresne has so much fun noticing. Maybe that’s why his work is included in the “Miami Noir” anthology (1 & 2) edited by Miami resident Les Standiford, a Ph.D. grad in creative writing from UU and once a seasonal park ranger in the Beehive State. Dufresne can be noir but he has so much fun with word play. The proprietor of a rundown motel uses malapropisms which wordsmith Olney shows mercy and only occasionally corrects.

The names of his small towns are wonderful. Melancholy is where his ex-wife lives and is the scene of much of the novel’s second half. At book’s end, Olney and his pal Dewey are off to find Cully. They come to a crossroads along one of those pine-straddled secondary roads. One way takes them to Gracious and the other to Whynot. come to a crossroads for Gracious and Whynot. Guess which one he takes?

Dufresne’s not Southern-born but he got here as quick as he could. He teaches creative writing at Miami’s Florida International University. He keeps company with Florida’s riotous writers. He shares the pages in “Naked Came the Manatee” with “Florida’s finest writers,” so says the New York Times Book Review. In it with Dufresne are Carl Hiaasen, Elmore Leonard, Edna Buchanan, Dave Barry, and Carolina Hospital.

I read Dufresne stories before I tackled this novel. Dufresne’s name often comes up with other Southern Gothic fiction writers such as Lewis Nordan who grew up in Itta Bena, Miss. I once worked with Nordan and, after hearing him speak to a group of writers, realized I had to read all his books. He blends the tragic with the hilarious which doesn’t seem possible until you read “Wolf Whistle,” a novel of the notorious Emmett Till murder. Read it and see.

But first, Dufresne’s “My Darling Boy.”

Git along little dogies -- and watch out for that six-foot gator behind the palm tree

When I moved from Florida to Denver in 1978, I wandered down to the local bookstore and bought “Centennial” by James Michener. It was published in ’74, two years before the Centennial State’s centennial. That tie-in helped boost the book into the bestseller lists. Michener had a history at UNC. He taught there from 1936-40 when it was called the Colorado State College of Education. He donated all of his papers and research material to UNC and it became the Michener Special Collection. The library was named for Michener in 1972.

When I moved to Wyoming in 1991, I picked up John McPhee’s “Rising from the Plains.” In it, McPhee, with the help of legendary Wyoming geologist David Love, Tracked the amazing millennia of land masses rising from and falling into the plains. On one of my first work trips around the state, I listened to the audiobook and found myself on site at the Red Desert and the Snowy Range and the big caldera that is Jackson Hole. Never looked at them the same again.

I’m writing this because I now have returned to Florida from Wyoming which, as I remind people who seem a bit confused by its whereabouts, I say it’s the big (almost) square state just north of another square state, Colorado, where both pot and membership in the Democratic Party are legal.

But I digress. When I arrived in Florida in August just before back-to-back hurricanes, I vowed to read a book by a Florida writer about an era of the state I knew nothing about. So, naturally, I chose a book about Florida cowboys and their cattle drives. Head ‘em up and move ‘em out – and watch out for the snakes and the gators and malaria-carrying skeeters.

“A Land Remembered” from Pineapple Press of Palm Beach is an excellent novel by Patrick D. Smith. It tells the story of three generations of the MacIvey clan from 1858-1968. In the early years, they face starvation, gator attacks, ambushes by Confederate deserters, and all kinds of wild weather. They round up stray cattle with bullwhips and the crack of the whips give them the name “Crackers.” They assembled herds, drove them to the west Florida port of Punta Rassa near Punta Gorda, and faced all sorts of adventures along the way. They eventually moved from cattle to citrus to land developers, each with their successes and pitfalls. They lost friends and family to raging bulls and rustlers. But all of that land that the family bought in what’s now Dade County became very valuable once air conditioning entered the picture.

It's a fantastic tale, the book worthy of the kudos heaped on it. I couldn’t avoid making comparisons to books and movies of cattle drives in the West, especially Wyoming and Colorado. I worked for 30 years in Cheyenne and learned a lot about the history of the cattle biz in the West. Cheyenne Frontier Days is in its second century and that history is featured in the CFD Old West Museum, the Wyoming State Museum, and many works of art around the city.

“A Land Remembered” is a great novel and opened my eyes to Florida history I knew little about. The MacIveys make their home on the Kissimmee River near the town that’s mostly known as the neighbor to DisneyWorld, SeaWorld, and all those other amusements of Central Florida. Kissimmee hosts an annual rodeo and an excellent museum, the Osceola County Welcome Center and History Museum at 4155 W. Vine St. There you can view dioramas of some of the scrawny cattle rounded up from swamps and scrubland, the outfits worn by Florida cowboys (no Ray-Bans but they could have used them), and info on the various predators that threatened cow and cowboy. The Seminoles also played a part in the trade and Smith does a great job describing their culture in his novel.

I think my next move will be to the Ormond Beach Public Library and see if I can find a Florida-based book targeted by Moms for Liberty. There should be scores to choose from. I’ve been here for two months and don’t yet have a library card or whatever they use for library access these days. I do have access to Libby on my Kindle but Libby is not the same thing as spending hours scanning the new books section. I have found so many treasures there.

Long, hot summer is the perfect time to explore an active Hawaiian volcano in "Eruption"

I just finished “Eruption” co-written posthumously by Michael Crichton and prehumously by best-selling author James Patterson. It’s a wild ride to the imagined 2025 catastrophic eruption of Hawaii’ s Mauna Loa. I learned so much about volcanoes and about Hawaii. The book includes a map of the big island but I kept a big Hawaii map handy so I could follow the action. I looked at many videos of volcano eruptions around the globe that are mentioned by volcanologists in the book.

I have read some good books on volcanoes. Simon Winchester’s “Krakatoa: The Day the World Ended, Aug. 27, 1883.”  This is a nonfiction thriller about the world’s worst eruption witnessed by humans. Curl your toes it will. “Rising Fire: Volcanoes and our Inner Lives” by Colorado’s John Calderazzo explores the physical and spiritual aspects of volcanoes. He also wrote a companion children’s book. There are dozens of children’s books on the subject. Also, Harry Turtledove writes alternative histories and this one explores a future Yellowstone eruption: “Supervolcano: All Fall Down.” The map on the cover makes it clear that Cheyenne, Wyoming is toast. Thanks, Harry. We have a forest of nukes on one side and a supervolcano on the other. Yellowstone was in the news this week about a dramatic steam eruption not far from Old Faithful. Nobody killed or hurt but it left one hell of a mess.

While the volcano is the center of the action in “Eruption,” a slew of interesting characters move the story along. Dr. John MacGregor  (“just call me Mac”) is the crotchety focus of the story. Mac kind of loses his starring role when army generals show up to manage the toxic weapon cache stored in Mauna Loa’s ice cave. Sorry, this is a bit of a spoiler but a key element of the story.  It’s worth reading the book just to find out what kind of doomsday weapon the U.S. could devise if they had Dr. Strangelove as the designer.

The book is organized into short scenes – there are 109-plus chapters. They are short, punchy chapters. This rhythm kept me reading even though the narrative sometimes got bogged down into arcane details of vulcanology. That’s OK by me but some readers may be tempted to skip over the middle chapters to get to the eruptions.

Almost as interesting as the novel’s proceedings in its back matter. Michael Crichton was just 66 when he died from cancer in 2008. He was an author, screenwriter, and filmmaker who, according to his very long bio was “the only writer in history to have a #1 book, #1 film, and #1 television series at the same time, and he did it twice.” I might be a bit skeptical had I not participated in the reading, moviegoing, and TV watching of Crichton’s work. I read his first novel, “The Andromeda Strain” in 1971, ate up “Jurassic Park,” and now it is 2024 and I have read his last one, or at least the last one to carry his name. He left behind a mountain of research on volcanoes and the people who study them. Also, neat details of Hawaii’s volcano-carved islands. It was up to family members and James Patterson to piece together his notes and plan for the book. “Eruption” the movie is in the works and the web is buzzing with the casting of Keanu Reeves in the lead role. The acting and special effects should be spectacular.

Purple Mountains Majesty, 1919

In my novel manuscript, “Zeppelins over Denver,” three sisters from Ohio travel west in the summer of 1919. Their first goal is to negotiate the rough roads to the Rocky Mountains and drive to the summit of Pikes Peak to see what inspired Professor Katherine Lee Bates to write the poem that became the famous song “America the Beautiful.” This excerpt is from Chapter 10. 

Colleen looked to the west. She was grateful for the hat brim that shaded her face from the afternoon sun. Wispy white clouds had gathered to the west but they didn’t look like the dark storm clouds of her home. Colorado’s July sun was relentless. A different sun than the one she was accustomed to. It came up lazy in Ohio, sometimes shrouded in river mists, and the trees were always a barrier. Here, it erupted from the east, announced itself as a glowing orb that shot out fingers of light to illuminate every living and non-living thing. The air seemed to crackle with the light.

Colleen noted that there was something funny about the clouds. They didn’t move. She sat in her flivver and watched for the landscape to change but it did not. And then she noticed the clouds’ irregular shapes that seemed to be propped up by a horizon which was darker than the sky above.

“The Rocky Mountains,” Colleen said.

“Where?” asked Pegeen.

Colleen pointed.

Ireen got out of the car. She looked west and shaded her eyes with both of her hands. “Those clouds…”

“Are not clouds.”

Pegeen hit the ground. Colleen switched off the motor and got out. “See,” she said as she joined her sisters. She pointed. “Those things that aren’t clouds are patches of snow and ice – glaciers. All the tall mountains have them.”

“In July?”

Colleen laughed. “All year,” she said. “Those mountains will be all-white in January. This whole place will be one big snow field.”

“Blessed be,” said Pegeen. “How do you drive in that? You’d need a sleigh.”

Colleen hadn’t thought of that. “Maybe they plow the roads.”

“Or people just stay home,” Ireen said. She looked over at Colleen. “Can we go up there? Do they have roads?”

“Of course they have roads,” Colleen said. “There are gold and silver mines all over those mountains.”

“Still? Even in these modern times?” Ireen asked.

“Yes. But we want to go up there to see what it’s like. I bet it’s grand.”

“Beautiful.”

“Just like Mrs. Bates' song.”

They stood and watched. Cotton ball clouds drifted overhead. A gentle wind rattled the cottonwood leaves. A hawk screeched.

Look for "Zeppelins over Denver" this fall from Hummingbird Minds Press.

Silas House's "Southernmost" takes the reader way way down south

Pain pours from  "Southernmost," the latest novel by Silas House. Most of it comes from Asher Sharp. He's a fundamentalist Christian preacher in rural Tennessee who yearns to do the right thing but brings down a cascading series of disasters. The river floods and he rescues a gay couple and invites them to his church. The congregation is scandalized. All hell breaks loose when same-sex marriage is legalized and the couple asks Asher to marry them. A strict gimme-that-ol'-time-religion preacher would refuse. But ten years before, Asher drove his gay brother Luke out of the church and out of town and he's regretted it ever since. He asks permission from the church council. Absolutely not, they say. 

From the pulpit, Asher blasts this narrow-mindedness and his angry tirade is filmed and goes viral and gets him in trouble. His wife turns on him as do church members and almost everyone in town. Lydia, his wife, uses the video to persuade a divorce court judge that Asher is too unbalanced for joint custody of their nine-year-old son, Justin. This loss is too much for him. He kidnaps his son and travels to Key West to ask forgiveness from his brother whose last communication from him carried a postmark of Key West, the "southernmost" city in the U S. Thus the title of the novel.

Asher does his best to keep a low profile and moves into an enclave populated by an engaging group of Florida Keys misfits. It becomes Asher's de facto congregation but that's not how he sees it. He just wants to safeguard Justin and apologize to Luke. Along the way, Asher learns key lessons in love and friendship and forgiveness. 

Almost anything can happen. Key West has a free-and-easy reputation. There is a price to pay for kidnapping -- just what will that be? House keeps us guessing to the end. Meanwhile, we get a deftly told tale at turns heart-breaking and delightful with a cast of intriguing characters.

I had never read this author but knew I was in good hands with its publisher, North Carolina's Algonquin  Books (now part of the Hachette Book Group). Look at their online catalog and try to restrain yourself from ordering new novels by Julia Alvarez and Lee Smith and works by Chuck D and Neil Gaiman. 

A podcast asks: What Should I Read Next? "Florida" by Gainesville writer Lauren Groff

I almost literally ran into fiction writer Lauren Groff outside the Tallahassee Marriott. I was chatting with my sister Molly, the pusher (of my wheelchair) and there was Groff, big as life and very noticeable in her pantsuit of many colors. My sister Molly stopped the wheelchair and chatted with Groff as if they were old friends but just met at the authors' table buying books for me, the Groff fan who attended her session at Word of South, the city's spring celebration of literature and music. "Is this him?" Groff pointed at me. Molly replied, "That's him." Me (a.k.a. him) was pleased that she knew my name and that I was a grad of UF where Lauren teaches writing. "I love your stories."

I was referring to her National-Book-Award-nominated "Florida" with a native Florida panther on the cover. Most stories in the collection are set in Florida (no surprise there) and they are knock-your-socks-off wonderful. I keep the trade paperback on my bookshelf within reach of my Wyoming writing desk where I write this now.

A few weeks ago I reread the opening story "Ghosts and Empties" about a working woman and mother who slips on her running shoes and prowls her Gainesville neighborhood at night. Why? "I have somehow become a woman who yells..." She hooked me right there. That is the joy of any fiction, the opener, one that delivers.

The next story, "At the Earth's Imagined Corners," is even better in an entirely different way. We leave contemporary Florida for the 1930s and '40s in rural Florida "at the edge of a swamp with unnamed species of reptiles." It's a tough one, filled with rage and unnamed reptiles. "Dogs Go Wolf" features two young girls abandoned by their parents on a Florida island. Uh oh, I thought, fearing the worst. The girls turn their dilemma into an adventure and the ending may surprise.

During our afternoon at the Marriott ballroom, we saw a rendition of "Peter and the Wolf" performed by the South Georgia Ballet Company. Following that, we heard from three experts on what we should read next. After that, Groff was interviewed by Anne Bogel for her podcast, "What Should I Read Next?" We discovered that Groff was set to open an indie bookstore in Gainesville, a "general interest bookstore” that emphasizes banned books, BIPOC authors, LGBTQ+ authors, and Florida authors."

My kind of bookstore. It's located at 601 Main Street, part of the new South Main Station. Groff's husband, Clay Kallman, grew up working at his parents' Florida Bookstore where I bought "gently-used" paperbacks for my English classes. As Groff told the Independent Florida Alligator: “We were hoping to respond to the recent authoritarian slide in the state of Florida right now,” Groff said, “and to respond with celebration of a lot of the books that are currently being banned.”

Amen and hallelujah.

A buried cold case comes to light in Icelandic crime thriller "Reykjavik"

The closest I’ve been to Iceland is the Maine coast. No recent volcano eruptions in Maine. Maine weather can be cold but Iceland has it beat. If you speak Icelandic as do 330,000 of the island’s inhabitants, you may be really good with languages but have few people to converse with in Portland or Kennebunkport. Both places offer great seafood and rugged terrain. They share another facet of life: fiction, mainly atmospheric thrillers. Maine claims Stephen King. Iceland claims Ragnar Jonasson.

If you watch Netflix, “The Valhalla Murders” may have popped up on your much-watch streaming series list. Valhalla is Norse heaven or their version of it. A majority of Icelanders share Viking DNA and Iceland was once part of Norway. But the Valhalla in the series written by Thordur Palsson -is, to paraphrase one former resident, “a living hell.” It’s a facility for troublesome youth. It’s also home to predatory adults. You won’t be surprised to find out that one of its youthful residents is now an adult and bent on revenge for beatings and torture and rape by staffers. It takes eight episodes for the police to get their culprit. Along the way, you get many views of snowbound landscapes and slate-gray skies; frigid small towns and one big gray city, Reykjavik.

You don’t need me to tell you that the countries of Scandinavia have a reputation for gloom and doom. Norway claimed Iceland until 1944. Vikings were bloodthirsty conquerors (great sailors though). Icelandic sagas feature much bloodshed. You’ve seen Ingmar Bergman movies. There are also the bizarre worlds of Lasse Hallstrom in “My Life as a Dog” with a 12-year-old’s ruminations on a dying Soviet dog in space and “What’s Eating Gilbert Grape” with its Iowa teen protagonist as caretaker of his intellectually disabled brother and morbidly obese mother. Also, Sweden is known for the graphic violence of Stieg Larsson, author of three posthumously published novels that begins with “The Girl with the Dragon Tattoo.” It gave rise to films in Sweden and the U.S. that were not designed for family popcorn night.

The latest energetic crime thriller from Iceland is “Reykjavik” by Ragnar Jonasson and Katrin Jakobsdottir. The title is important as the 1986 scene for most of the narrative. It also is the setting for the city’s 200^th anniversary bash and the famous summit meeting between Ronald Reagan and Mikeal Gorbachev. Murder happens against this dramatic backdrop along with the investigation of a 30-year-old cold case. On the way, we meet a terrific roster of characters and a plot that kept me guessing.

“Reykjavik” was translated by Victoria Cribb. Hats off to her for keeping the author’s pace and vision. Also, all the Icelandic names of people and locations. We get lots of details of everyday life which includes lots of coffee drinking. This story of death hums with life and makes it an enjoyable read. I have a feeling a filmed version is in the works for the streaming services. The author creates scenes that cry out for the cinema. We shall see what transpires.

One more thing: the co-author of Reykjavik holds a master’s degree in Icelandic literature. She wrote her master’s thesis on another Icelandic crime fiction author, Arnaldur Indridason. She now is prime minister of Iceland and previously was the Minister of Education. So there’s that…

Kudos for the books authors and editors who include a pronunciation guide to the characters’ names and also placenames. I’d like to see more of that in translated works.

On stage in Casper: Historical fiction and woodwinds with a Baroque emphasis

So excited to be featured at the Artcore Music & Poetry Series on Monday, Aug. 14, 7:30 p.m., at The Bluebird at the Historic Cheese Barrel, 544 S. Center St., Casper. I'll be on stage with Rara Avis, a quartet of musicians that "explores music for woodwinds with an emphasis on the Baroque." I will be reading a chapter from my newly completed novel, "Zeppelins Over Denver" that explores life in post-World-War-1 Colorado. Here's a bit of a teaser:

Nurse Lee Speaks to the Garden Club

Nurse Frannie Lee clutched the pages of her speech as she sat at a round table with her mother and two sisters at The Old Line State Garden Club in Baltimore. Her mother had talked her into this. As March 1919 stretched into April and then into May, Frannie’s home-bound boredom was showing. As the spring days grew longer, she saw no end in sight for her ennui.  The Army had mustered out its civilian wartime nurses and now she didn’t know what came next. One day her mother suggested a speech to “the girls” at the garden club. This struck Frannie as hilarious since most of the club’s members hadn’t been girls for decades. She and her sisters once referred to them as The Stale Old Ladies Gabbing Club. Now her married sisters both were members.

To be continued...

For info and tickets ($8): https://artcorewy.com/mec-events/music-poetry-rara-avis-michael-shay/

He may be "A Gentleman in Moscow," but he doesn't get out much anymore

In a May 16 post, I was only a few hours into reading Amor Towles "A Gentleman in Moscow." Things seemed especially grim at that juncture so I blogged this:

The Count is charming and it’s great fun to read about him and his situation even though you know it’s going to end terribly. Not as terribly as it did for the Romanovs but still terrible. The ending of Book 1 clued me in on a possible fate for the Count.

It helps to read a novel to the end before commenting. I won't spoil the ending but will say that it was not what I foresaw. Towles has a way of planting clues that may be MacGuffins. Very clever. He's also a great writer with a flair for language that I only see in the best books. When I open a book, I want to go for a ride and Towles takes me on an extraordinary one.

The world is filled with intriguing cities and Moscow proves to be one. But it's not a locale I turn to automatically. "I feel like reading a big Moscow book today, one from the scintillating Soviet era." Most of us know Moscow through one of the long-dead classic Russian writers. Others have been fascinated with its dramatic World War II battles, me included. The real stories behind the battles for Moscow and Stalingrad are gruesome and uplifting. Remember, the U.S. and the U.S.S.R. were allies then.

Alexander Rostov is an aristocrat. Many of them were sent to the gulag or executed during the regime's early years. Count Rostov is threatened with both until it comes to light that he did a favor once for one of the Soviet bosses now in charge. He is sentenced to a house arrest at the Metropol Hotel, the swankiest inn in Moscow. The Count already lives there in a luxurious suite. The bosses move him out into a cramped room in the attic. If he leaves the hotel, he will be shot. So Count Rostov tries to make the best of it. Beginning fiction writers are often told that a compelling character faces a challenge. The story is in how that character reacts. And that's what we have in this novel. He's no longer a world traveler and man about Moscow. His bank accounts have been frozen. He is persona non grata to those Soviets who know which side their bread is buttered on (it's the Red side).

The long journey through the count's life is worth it. Many surprises await you.

Lynda Rutledge takes us on a magical mystery tour in West with Giraffes

I meant to post this as soon as I finished the book. Here it is.

A runaway teen – Woodrow “Woody” Wilson Nickel -- is fascinated with two shipwrecked African giraffes and signs on with a crusty Old Man to transport them from the East Coast to the San Diego Zoo. The year is 1938. The Depression is still loose upon the land and evil lurks overseas. A road trip with giraffes seems like just the thing.

The book opens with a prologue from the year 2025. A healthcare worker in a VA hospital comes across a deceased patient’s old army footlocker. In it, she finds a porcelain toy giraffe from the San Diego Zoo and a stack of writing tablets. It’s the saga of Woody’s trip. The writer intersperses scenes from the journals with a look at Woody at 105 struggling to write it all down. He writes, talks gibberish, fends off hovering healthcare workers, and imagines a giraffe outside the window. The reader roots for him to get down his story and we know he will as the tale depends on it.

During the journey in a specially-outfitted truck, Woody encounters charlatans, circus freaks, hobos in Hoovervilles, and a budding love interest. His mentor, the Old Man, works overtime to keep the trek on track. There’s a love interest, too, in a young woman Augusta (Red) who pretends to be a Life Magazine photographer and accompanies the giraffe convoy in a stolen Packard.

As I’ve written before, I dig road trips, going on them and reading about them. It was rough travel, suited to the realities of 1938. But I loved reading about it. It did drag in some spots – the always difficult middle section of the novel -- and the journey’s ending seemed a bit anticlimactic. But it’s a trip I’d go on again.

 

The land of historical fiction is a great place to visit

I belong to the Historical Fiction Book Lovers Facebook group. I spend a lot of time there suggesting books on various topics. I'm surprised by the number of novels that I've read that are based on historical events or eras. One person in the group asked about Native American historical novels and I rattled off some titles: "Mean Spirit" by Chickasaw writer Linda Hogan, "Children of the Lightning" by Kathleen O'Neal Gear, and "Ridgeline" by Michael Punke. Hogan's 1990 book is about the infamous Osage murders in Oklahoma in which tribal members were murdered for their oil rights. If it sounds familiar, it's also the subject of the the non-fiction book, "Killers of the Flower Moon: The Osage Murders and the Birth of the FBI" by David Grann. The book's been transformed into a movie due out in the fall. In it, the newly created FBI plays a role in exposing one of the grisliest conspiracies in U.S. history. While I knew about the Osage murders, I didn't know that the FBI blew the case wide open and that it helped propel it to bigger and stranger and unconstitutional things. But they're the good guys in this story. 

"Children of the Lightning" is an excellent novel by Wyoming writer Gear. The setting is the Central Florida East Coast and the Natives who made it their home in pre-Columbian times. Gear is not Native but she did her homework. I did some of my growing up in this part of Florida in the 1960s and 1970s. As I read the novel, I imagined Florida without the condos, tourist traps, and air conditioning. A slice of paradise but one with panthers and snakes, alligators and sharks. A wonderful read.

I reviewed "Ridgeline" for WyoFile in 2021. It tells the story of the Fetterman Fight (formerly called the Fetterman Massacre) along the Bozeman Trail's route in Wyoming. It's told from the POV of the tribes and cavalry with one particularly poignant view of the event through an officer's wife's secret diary. Punke wrote "The Revenant" in which mountain man Hugh Glass gets mauled by a bear and has to find his way home through the Wyoming wilds. Leonardo DiCaprio plays Glass but it's the imagined bear that steals the main scene. Grisly and scary. In high school, Punke was a history interpreter at Wyoming's Fort Laramie. He's also done his research on Red Cloud's War and has written a terrific novel. 

As I contemplated these books, I thought about books by Sherman Alexie, Debra Magpie Earling, and Joseph Marshall and poetry by Joy Harjo (Muscogee) and Simon Ortiz of the Acoma Pueblo. We're also seeing a revival of Native American series and movies. "Reservation Dogs" is an all-Native production that evokes the present and the past on the rez. Humorous and deadly serious. "Dark Winds" is another series featuring Navajo cops created by Anglo writer Tony Hillerman. In "1883," the bad guys are the killers from the Wyoming Cattlemen's Association and the guy in the white hat is an Indian who doesn't wear a hat. We writers like to see characters who defy stereotypes. We also like to see the times portrayed as what they probably were and not the whitewashed version as seen in old Hollywood westerns. 

I've read a lot of books. I have to mention one I'm reading now. "West with Giraffes" by Lynda Rutledge is a kooky tale of a 17-year-old hobo (Woody Nickel) in 1938 who volunteers to drive two giraffes from the East Coast to the San Diego Zoo. It's told from the POV of Nickel at 100 in a retirement home who writes his memoir and imagines one of the giraffes outside his window. 

I love the imagination writers bring to history. That's what fiction is all about. So many novels I admire were once just novels and now can be described as historical fiction. Every World War II novel including "Catch-22" and "Slaughterhouse-Five." Novels about the Old West, the Great Depression, even the 1960s and Vietnam. What was new is now old and that pretty much describes me too.

Is it possible to write contemporary epistolary fiction in a world without letter-writing?

I took a chance on reading one of the Amazon Original Stories on Kindle. It was "Evidence of the Affair" by Taylor Jenkins Reid. One of the site's many offerings, I took a chance on it because it was an epistolary story, told entirely in letters. This is a dangerous genre because, number one, letters can be incredibly boring. Number two, it can be very formulaic and limits POV. Number 3, nobody writes letters any more.

That final reason makes it an historical short story because it takes place in 1976-1978. This was back before email and the Internet. People sat down, wrote a letter on paper, put it in an envelope, addressed and stamped in, drove to the post office to mailed it. You then had to wait several days or weeks or even months before a reply came. You sometimes got an instantaneous reply if, maybe you were ending a relationship. A quicker reply might come via long distance phone call and someone (maybe you) might be a few drinks into the night when you took that call and got an earful from a wounded former partner. Let me give you an example. I got a late night call, summer 1973, from my girlfriend in Boston. She broke up with me, saying there was no future in our relationship because she was going to nursing school in Connecticut and I was working at a lumber yard in Florida barely making ends meet and it looked from afar that I had no future. I was upset after saying farewell and wrote a long sappy letter that included an entire Kahlil Gibran poem. Gibran's work is very accommodating for almost any occasion. I did not get a reply.

The epistolary novel has a fine history. In 1740, Samuel Richardson wrote the first epistolary novel I studied in English class, "Pamela." It was immediately parodied by Henry Fielding's "Shamela" in 1741 and later by Monty Python. The most well-known contemporary epistolary novel is "The Perks of Being a Wallflower" by Stephen Chbosky and "The Guernsey Potato Peel Pie and Literary Society" based on letters and telegrams to and from the female protagonist. I liked this book and the TV limited series wasn't bad. 

Reid is known for her romances and this story is one. At first, it doesn't seem so as the two main correspondents in "Evidence of the Affair" find out their spouses are cheating on them. The letters fly back and forth. They unearth letters from the cheaters in briefcases and recipe books. The drama builds and I won't ruin it for you but the ending is more dynamic than I expected and very sweet. 

What is this thing Amazon Original Stories on Kindle? Look them up on Amazon, the keeper of all things (most recent purchase: belts for my vacuum cleaner). You can sign up for Kindle Unlimited and read some for free. I do that, I have to admit, although I paid $1.99 for Reid's story. Sometimes you pay for the print edition and get the Audible audiobook version for free (or vice versa). 

I came across a new collection entitled "Warmer" which is described this way:

"Warmer," a collection of seven visions of a conceivable tomorrow by today’s most thought-provoking authors. Alarming, inventive, intimate, and frightening, each story can be read, or listened to, in a single breathtaking sitting. 

Stories include three by writers whose work I admire: Jane Smiley, Lauren Groff, and Jess Walter. The four others must be pretty good to be in such company. You can read and listen to all seven stories for free. I can anyway. These free stories are designed to get you to buy the authors' books. Sign up for Kindle Unlimited and you get the stories free along with free shipping for vacuum cleaner belts.  

PS: I have republished a story collection on Amazon, "The Weight of a Body." You have to pay for it although it's also a free offering on KU.

Jane Campbell explores the "persecution of remembering" in her Cat Brushing story collection

The cover of Jane Campbell's story collection, "Cat Brushing," shows a ringed hand sweeping across the fur of what must be a very large cat or maybe the gorgeous gray locks of one of the author's elderly women characters. It could be both as you will discover reading her 13 wonderful stories in the POV of women in their 70s and beyond. This is her first book, published in her 80th year, as it says on the book jacket. I'm nine years younger than her which puts us, approximately, in the same age cohort.  

These tales are quite personal, erotic in spots. Am I surprised that women of a certain age have erotic thoughts and sometimes more than thoughts? No, but as a person in this age group, I am impressed by the directness of the stories. It challenges the idea that women of a certain age must be handled carefully lest they fall and break a hip or leave a pot burning on the stove. It's the "I've fallen and I can't get up" woman sprawled on the kitchen floor who would be lost without her handy Medic-Alert bracelet and her male rescuers. Old and helpless.

Fuck that.

In "The Question," the narrator gulps down a dose of morphine and describes the rush that results. I figured she was a goner, in the last stages of cancer, but she's actually a feisty woman who chased after her cat on a winter night and fell on her porch's icy steps. The idea that she likes the buzz of the morphine helps us get to know this woman in a rehab center who has no intention of staying abed. Tests surprisingly reveal she has no broken bones and only sustained a few bumps and bruises. When released, she asks her male nurse if she can have a to-go portion of the opioid. He genially refuses but as we read the interaction between patient and nurse, we find that she knew him in the past and knows his dark secret. 

The writer has a sure touch in turning tales on their head. In "Kiskadee," a woman lies by a pool in Bermuda and hears the melodious song of the Kiskadee, a predatory tropical bird with a big beak designed for killing. Interspersed are memories of her "special relationship" with her father. She recalls years of touching and cuddling, sleeping together, syrupy words from the father. Story's end has a horrible twist which I won't spoil here.

Most of these women recount loves gained and loves lost. The memories are clear and immediate, no brain fog here.

I reread Campbell's second story, "The Scratch."  Nell wonders how she scratched herself, a cut that bled profusely. 

What drawers had she opened carelessly, perhaps knives rearranged, had she handled scissors?

She forgets about phone calls with her grown children. She forgets things even though she writes everything in her diary.

But it's not the forgetting that concerns her most. 

The old barriers behind which she could once shelter... they all tumble down as the years pass. Just as running upstairs becomes a lost art and skipping down becomes impossible, so the capacity to forget is lost. There is a persecution of remembering. Remembering so much. Those midnight hours, dark nights of the soul, where remorse bites hard and the past presses against you.

Nell, in her 70s, forgets how to forget. 

I too, in my 70s, have forgotten how to forget. Memories become crisp and clear, even those I want to forget. This hit me so hard. Since retirement, I've been wondering why old memories come flooding back to me. As an old person, aren't I suppose to forget things instead of them rushing back to me with incredible force? It's not like I'm bored, lazing about in a tepid pool of nostalgia. 

Still, the memories flow. 

As you climb toward retirement, friends and family urge you to be busy when work ceases and you have all the time in the world. People get bored, get sick, get careless. But that's not it at all. Memories can overwhelm your present if you are not busy making more memories. They don't tell you about the "persecution of remembering." We have to leave that up to Campbell and her fictional characters. 

Fiction welcomes us into strange new worlds

Lisa See's latest novel, The Island of Sea Women, could have been set on a distant world. On a little known volcanic island , women have been harvesting their food from the sea for generations. They are called haenyeo. They go into the ocean year-round but only when the shaman says so. These women practice rituals for the sea goddess. They float out to likely spots, breathe deeply, and dive to the sea bed for edible sea creatures. They eat some of the catch but keep most for family and to sell at the market. Many have been lost to wicked currents or injury. They persevere through genocide and famine and family feuds.

Otherworldy, right? Reminds me of the Fremen of  Arrakis harvesting spice and fighting off sand worms. 

But the island of sea women is a volcanic island named Jeju south of the Korean mainland. The women are real and have been diving for generations. See bases her excellent novel on these women.

“Every woman who enters the sea carries a coffin on her back. In this world, the undersea world, we tow the burdens of a hard life."

The story opens with the main character, Young-sook. We experience the culture through her life, from a child during Japan's World War II Korean occupation to 2008 as to old lady who still dives.  Her life is a series of challenges within her haenyeo clan, her family, other islanders, and invaders from Japan (World War II) and the U.S. (Korean War). See's story time travels, jumping from a present-day setting with Young-sook as a clan elder all the way back to her turbulent youth. Jeju now is a tourist hot spot with the usual assortment of clueless visitors. One of them is the granddaughter of her childhood friend Mi-Ja. Now the fully Americanized granddaughter butts into Young-sook's life and wants the real story about the conflict that shattered a friendship and sent Mi-ja off to America. The island people are survivors. Young-sook may be the most stubborn member of her clan. She resents the young woman but ends up opening up her life to her. And to us. 

Think about your image of 21st century Koreans. BTS, BlackPink and K-Pop. The bustling modern city of Seoul. The new Korean cinema, films such as Train to Busan and the Squid Game series, and comedies like Kim's Convenience about a Canadian-Korean family's convenience store. The Korean-made Korean War film Tae Guk Gi: The Brotherhood of War, may be an even more in-your-face war film than Saving Private Ryan. There is also the hermit authoritarian kingdom of North Korea which, to many Koreans, seems like another world. And is. Witness some wonderful novels about the North. My favorite thus far is The Orphan Master's Son by Adam Johnson. It's illuminating how Americans are seen through the eyes of others. Those who know their history would not be surprised. 

The imaginary world helps us see the world in all its glory and horror. 

It's true what they say about Nome: The first winter is hard on relationships

It's not often that you get to read a novel set in Alaska by an writer who almost died in an Alaska plane crash but now tours the U.S. performing his music and reading his poetry and prose. One more thing -- the novel was published in India. Even in our interconnected world, working with a publisher on the other side of the world comes with its own set of challenges.  

"Now Entering Alaska Time" by Ken Waldman recounts the adventures (and misadventures) of a poet and fiddler named Zan. Raised in The Lower 48, Zan travels to Alaska and immerses himself in the folk music scene. He totes his fiddle wherever he goes. He eventually decides to get his graduate degree in creative writing and then embarks on a Nome teaching job where he teaches online classes to students around the state, from the Arctic Circle to softer climes in small towns near Juneau.

The book sometimes reads like a travelogue, so much so that I had to keep a map of Alaska close at hand. As is the case with most U.S. writers schooled in the West, place is crucial. You could say the same thing about writers from the South or the Midwest. But for writers in the West (Alaska included), sometimes we're more concerned with the spaces between than the places themselves. You can assume that those spaces represent the gaping chasms people experience in their relationships. 

That's the thing about Waldman's novel. His characters come together and tear asunder with stunning frequency. About as often as the next plane to Nome. That's how humans get around in Alaska, mainly by plane. Each of these locales (Nome, Juneau, Anchorage, Fairbanks) have distinctive personalities, illuminating to someone like me who's never been to Alaska. But as a writer in Wyoming, I am familiar with the wide open spaces. As literature coordinator for 25 years with the Wyoming Arts Council, I brought in writers from all over to judge our fellowship competitions. More than one of them asked me if writers had to write about the state's landscapes, you know, the mountains, the high desert, cottonwoods, the incessant wind. No, I would say, but all of those are facts of life here, ones you can't ignore. Landscape is a character.

Waldman prose doesn't have to remind the reader that it is cold and dreary during Nome winters. When Zan lands at the Nome airport to start his job, he remembers "the story of the young woman who had originally beat him for the position, flown here, and then turned right around." Later, when he wanders into downtown's Anchor Bar, he chats over drinks with jaded city manager Press Atwater. He warns Zan that Nome's first winter is hard on relationships. Months later, when he and Melinda see Press at his usual perch at the bar, he says: "Say, you two are still talking and it's been, what, two or three months already." He laughs. What else could he do? 

The novel's second half focuses on the relationship between Zan and Melinda. What a wild ride it is. Waldman does a fine job delineating their personalities and the stresses that sabotage relationships. The author paints a more complete portrait of Zan because, well, the novel is based on his own Alaska experience. We sometimes wonder about Melinda's motives, especially as she strays later in the relationship. I won't go any deeper than that because it's a powder keg of a relationship and I don't want to spoil anything. 

Waldman and I met several decades ago at what was then called the AWP Conference. We've worked together several times since. He's on the road most of the time now that Covid is winding down (we hope). The book tells me the roots of the author's itinerant lifestyle. He's still roaming the wide open spaces. It's in his blood. 

"Now Entering Alaska Time" will be available for $18 USD at cyberwit.net after June 1. Waldman has launched a book tour with Alaska dates in Skagway, Haines, Juneau, Talkeetna, Anchorage, Fairbanks, Homer, and Denali Park. After that, he's in Nevada, Utah, Colorado, and Texas. He performed at the first outdoor Anchorage Folk Festival this past weekend and returns June 5 for a folk festival fundraiser. 

Outer Range, set in Wyoming, asks the question: "What is that weird hole doing in my pasture?"

I saw Josh Brolin on Stephen Colbert this past week. He was promoting his new Amazon Prime series “Outer Range.” He said it was part contemporary western and part supernatural thriller. I am all for new takes on old themes, especially if they focus on the West. Streaming services have brought us “Yellowstone,” “1883,” and “Longmire.” Wyoming and vicinity are the setting for a lot of them. They are not filmed in the state (New Mexico and Alberta get the honors) but were created by Wyomingites C.J. Box and Craig Johnson, among others. “Outer Range” is set in fictional Amelia County, Wyoming, making it county number 25 after Johnson’s county 24, fictional Absaroka County. “Longmire” fans convene every summer in the very real town of Buffalo in Johnson County. I just read some interesting and not entirely complimentary stuff about the area in Helena Huntington Smith's 1966 book “The War on Powder River: The History of an Insurrection.”

In “Outer Range,” an evil cattle baron named Wayne Tillerson, most likely a descendant of one of the bad guys in the Johnson County War, is trying to steal prime land from a neighboring cattle baron (Royal “Roy” Abbott) who is burdened with debts, a dysfunctional family, and a bottomless hole the size of a barn in one of his pastures. The hole makes ethereal noises and, if you should fall in it, you will receive visions of the past and future before the hole spits you back out. An American bison, two arrows jutting from his hide, stands by the hole and snorts.

This is not your granddaddy’s ranch.

The most interesting part of the first two episodes is a showdown between Wayne and Royal. In the olden days, a couple shots of red-eye, six-guns and a dusty street would be involved. In 2022, Dwayne is a bed-ridden invalid who wears his cowboy hat in bed. His drink of choice is Clamato juice. Royal confronts him over the land grab. Here’s their exchange:

Wayne: Roy, you’re on my land (sips Clamato juice on ice)

Royal: Let’s be honest here Wayne, no one’s stealing anything but you.

Wayne: This is Wyoming, Roy. It’s only ever been stoled since the day it got its name (knocks back the rest of the Clamato).

Roy leaves, noting that the lawyers will have to figure this out.

I had to rewind several times to get down this exchange. Wayne’s lines may be the best since Owen Wister's Virginian told Trampas, “When you call me that, smile.”

I am a fan of western movies. I gravitate to quirky westerns such as “The Outlaw Josey Wales,” “High Noon,” "True Grit," and “The Man Who Shot Liberty Valance.” I like the classics too. That includes anything by John Ford. Just watched the original “Stagecoach” on Netflix. During the pandemic, I finally watched “Lonesome Dove” and loved it.

I will watch the rest of “Outer Range.” The big hole on the prairie intrigues me. I like Josh Brolin and his gruff portrayals (remember “No Country for Old Men?”). There’s some weird details in the script (Clamato?) and I like weird details. Must be the Irish in me.

Humans -- can't live with 'em, can't live without 'em!

In the film "The Day the Earth Stood Still," versions one and two, an intergalactic diplomat comes to earth, tells humans they are a clear and present danger to the universe and must be destroyed. That gets put on hold once the space envoy experiences the kindness of its people. But it's only a temporary hold. As Michael Rennie (Klaatu) tells humankind at the end of the 1951 film: "Your choice is simple: join us and live in peace, or pursue your present course and face obliteration. We shall be waiting for your answer". Then he and his big-ass robot Gort fly off in their saucer. A similar warning is repeated by Keanu Reeves in the 2008 remake.

But in English author Matt Haig's 2013 novel, "The Humans," earthlings get still another chance. Hotshot Cambridge physicist Andrew Martin unlocks the secret of prime numbers, a discovery that will kick humanity's future into overdrive. The Vonnadorians find out about it and send an hitman from a galaxy far, far away to kill the scientist. Earthlings can't be trusted with big secrets, only small ones, such as nuclear fission and the formula for Kentucky Fried Chicken. If the prime number mystery gets solved and humankind experiences the Great Leap Forward, the universe is doomed. The Vonnadorians are an advanced peaceful race and kill only when necessary, much like Gort does when threatened by the U.S. Army. The alien replaces the scientist in his body. Also, he must eliminate anyone who knew anything about the discovery. That includes Martin's colleagues, beautiful wife, and troubled son.

At first, Martin thinks of the humans as hideous with grotesque features and habits. The more time he spends with them, the more he finds to appreciate: their dog Newton, Emily Dickinson's poetry, songs by David Bowie and the Beach Boys, love, and wine. Through his eyes, the reader gets a chance to see the world anew. It's funny at first -- must humans wear clothes? -- but grows more serious as Martin the Alien abandons his quest and goes over to the other side. There's a hefty Godfather-style price to pay and I won't spoil it by spooling it out in detail.

It's a wonderful novel. I was ready for something humorous and hopeful after reading a series of serious books. Make no mistake -- this is as serious as it gets. Who are we and why do we do what we do? 

Klaatu barada nikto! 

Klaatu issues these orders to Gort. As a kid, I thought it meant "If anything happens to me, kill the human scum." It really meant "if anything happens to me, come and retrieve me and I will decide what to do next." Gort does his duty and Klaatu is freed to issue his warming to Earth. Then they fly off.

Martin the Alien receives telepathic orders from Vonnadoria. He does eliminate the scientist's collaborator. It's just a simple matter of putting his hand on him to make his heart stop. In his left hand are "the gifts," those powers that allow him to travel and communicate vast distances, speak with animals, and accomplish his mission. He briefly contemplates killing the annoying teen son, Gulliver, but saves his life instead. He befriends the dog and takes a liking to Mrs. Martin. Then all hell breaks loose.

Haig caused this reader to look anew at my humanity. Strange creatures we are. Loveable and awful. But it's all we got. For now.