Nomads from THE NOMAD gather in Utah Oct. 13

Some of my fellow writers featured in The Nomad Literary Magazine will be reading from their work Oct. 13 at the Utah Humanities Book Festival. The event is 6-7:30 p.m. at the Utah Cultural Celebration Center in West Valley located on the western fringe of SLC. My work is featured in several issues of The Nomad, edited by Rachel White and based in Bountiful. One of my favorite stories set in Wyoming, "George Running Poles," is in the "Breakthroughs" issue. I won't be at the reading as I will be getting myself and my books ready for the upcoming Florida Writers Association conference in Orlando. Would I rather be in Utah? Well, the Wasatch Front is gorgeous in October. Sending my regards to all Nomads.

A breakthrough by any other name

Shawn Rossiter wrote a review in 15 Bytes magazine of The Nomad Literary Magazine’s new "Breakthroughs" issue. During our Zoom "flash-reading" on May 19, editor Rachel White noted that the review was accurate but not entirely complimentary. Here's how it opens:

THE NOMAD’s Issue 4, “Breakthroughs,” is more about the through than the break. There are few explosive moments, not many trumpet blasts. Instead, the issue gathers fiction, memoir, lyric essay, prose poem, and poetry—fifty-four pieces by twenty-seven writers—around breakthrough as passage, as a moving through.

15 Bytes is a publication of the Artists of Utah in Salt Lake City. The Nomad is based in Bountiful, Utah. Rossiter goes on to describe some of the stand-out Nomad pieces. Rossiter had praise for Shari Zollinger's piece which she read at the May 19 event:

Shari Zollinger’s “Found” gives the issue one of its purest formal breakthroughs. The essay enters “psychedelic space” through a microdose on the morning of an eclipse—Alice falling through, the red pill and blue pill hovering at the edges—and searches backward along memory’s “thread-gauzy timeline” for a self left waiting in a Taipei hospital. The strangeness of the piece, its Alice-and-Matrix layering, its eclipse-as-wormhole logic, enacts a consciousness genuinely working at the borders of what language can hold. What is found is not restored intact. Instead, the abandoned self is allowed to burn, scatter, and become movable. “It was okay to let a piece of me die,” Zollinger writes. “It was okay to blow away.” Her author’s note makes the connection explicit: the piece itself emerged from a breakthrough into the lyric essay, “at the crossroads between breakdown and breakthrough.” Form and subject meet as the essay’s fragmented, luminous movement enacts the kind of healing it describes.

That's the key to Rossiter's interest and I thank him for the attention. As a retired arts administrator, I respect anyone's desire to be part of an arts non-profit. It is a constant struggle. Funding comes from a State Arts Agency (SAA) or Local Arts Agency (LAA), sometimes a Regional Arts Organization (RAO), which is Creative West in Denver. Also memberships and subscriptions and any local funding the org can muster. 

The National Endowment for the Arts is in there, either through one of these agencies or directly, with applications to the NEA. For those of us paying attention, all of these entities have been under the gun since Jan. 20, 2025. Funding is tight. Some private foundations have stepped in to relieve shortfalls.

All of this is important. I may not have the exact lay of the land because I've been retired from day-to-day arts-funding functions for 10 years as I wrote and published a historical novel. I also still submit to lit mags via Submittable or directly to places where I know editors, such as The Nomad. Thanks Rachel and her business partner, the traveling poet/musician Ken Waldman, now somewhere in Texas. 

The poets and writers on our May 19 Zoom gathering all have interesting stories to tell. Their ages and backgrounds are revealed on the Nomad web site, and their stories are their own to tell. The challenge is to make it interesting for the reader. In a way, every poem and story is a breakthrough for the author. Every literary magazine is a breakthrough into imagination. 

THE NOMAD Literary Magazine takes a trip from Bountiful to Zoom tonight

Two of my short stories are included in "The Breakthroughs" issue of The Nomad Literary Magazine based in Bountiful, Utah. I've been submitting work to The Nomad since its first issue which became a print book. The project was launched by traveling writer/musician Ken Waldman (I just spoke to him -- he was traveling near Terlingua, Texas, which he said was remote and pretty cool) and Utah-based writer Rachel White. Rachel does most of the editing work as Ken travels coast-to-coast. Ken was a frequent visitor to Wyoming and he always stopped to see me in Cheyenne when I was the literature coordinator at the Wyoming Arts Council. While a trip to Bountiful was just a short jaunt across the Rockies from Cheyenne, I relocated to the edge of the Florida wetlands and couldn't be farther away from my old stomping grounds of WY/CO/UT. It's a good thing we'll be releasing the issue and reading our work on Zoom tonight at 7 p.m. MDT, 9 p.m. EDT. Free. FMI: THE-NOMAD.eventbrite.com

The NOMAD LitMag launches "Breakthroughs" issue tonight in Salt Lake City

Two of my stories are in the new issue. There's a 
sampler tonight at the Sweet Library in SLC. Not
really in my neighborhood anymore but check it
out, you readers around The Great Salt Lake. Some of
us far-flung writers will be part of a Zoom reading
coming in May.

Sunday morning round-up

Beautiful morning. Sun, light winds, no snow.

So what am I doing inside?

Collecting random thoughts on a Sunday morning.

Received a fund-raising e-mail this week from Markos Moulitsas at Daily Kos. Ads and other funding mechanisms not paying the freight these days. So I contributed $10. Not much but it's something to help this feisty 11-year-old blog:

Can you chip in $5 so that Daily Kos can keep fighting?

If every one of our readers this month chipped in two cents, we’d be all set. If every reader chipped in a dollar, we’d be able to finance operations for two years.

Not everyone is in a position to give. So, if you’re fortunate enough to make it through Black Friday with a few bucks in your pocket, please chip in to help Daily Kos keep fighting for the issues that matter to us.

I blog infrequently under Cheyenne Mike at Kos. My average readership is a lot higher there, but it takes time to do blogging well. To do it well, you have to pay attention to your platform. You have to read the posts of others and respond. While Kos is the blog is read most regularly, I seldom have time to do it justice. Go check it out. Engage!

Article in Wyofile (reprinted in today's Wyoming Tribune-Eagle) about a new book by writer Porter Fox with Jackson roots. Deep: The Story of Skiing and the Future of Snow is the story of the rise of the ski industry and how global warming may spell its demise. Interesting to note that three Jacksonites hatched the idea for the book while surfing in Nicaragua. Skiing may be doomed, but the surf will be bitchin' in L.A. and NYC! We'll be surfing, surfing in the streets....

I spent the past year as a literary slacker.  I wasn't reading books -- my heart just wasn't in it. I've been trying to catch up. Nosferatu by Jim Shepard has been sitting on my bookshelf for years. Finally picked it up and dove head-first into a fine story based on the life of silent film director W.F. Murnau. While a World War I German Air Force pilot, he imagined a movie camera that moved with the freedom of an aircraft. Cameras in those days were bulky monsters. Murnau went on to direct ground-breaking films such as Nosferatu, based on a term in Bram Stoker's Dracula -- Stoker's estate sued Murnau for purloining the vampire concept. He kick-started the German film industry after the war (and before Hitler) and made his way to Hollywood where he directed Sunrise, a film included in many top 100 lists.If you don't know Shepard's work, he's a fantastic short story writer. This novel was based on one of the stories included in his first collection, Batting Against Castro.

Most of my reading of Nosferatu took place seated in 21st century airplanes surrounded by young guys playing war games on laptops, I kept thinking that the anniversary of the start of World War I is next year. Some great books written about The Great War. That's another post entirely. What are your favorites?

I'm catching up on old copies of The Missouri Review. One of the best of the literary mags, TMR takes risks and also features some of the best writers. In the winter 2012 issue, "The Unnatural World," I read an essay entitled "Under the Cloud" by pathologist Susan E. Detweiler. It was well-written personal essay about her Cold War experiences. It also contained some fascinating history. While the bombings of Hiroshima and Nagasaki ushered in the nuclear age, many of the stories surrounding the decision to go atomic have been neglected or maybe misunderstood. You would think it was a no-brainer for Japan to surrender after the death of so many of its citizens. It had already lost hundreds of thousands in combat and in the terror bombings of Tokyo and other cities. Surrender, however, was not a part of its warrior code. The U.S. and its allies knew that millions on both sides might die in an invasion of the home islands.

The Japanese may have seen the atomic blasts as supernatural forces outside the realm of modern war-making. So Japan surrendered in the face of another kind of "divine wind."

Fascinating.

Create locally, submit locally, publish locally, see your work in local litmag

The High Plains Register at Laramie County Community College accepts previously unpublished, original poetry, fiction, creative nonfiction, drama, music, and artwork. All LCCC students are eligible to submit; local and greater-Wyoming community submissions also encouraged.

All LCCC student submissions will be eligible for the High Plains Register Award for Best Poem, Fiction, Creative Nonfiction, and Drama Music or Artwork.

Postal (snail) mail submissions must be postmarked no later than October 15, 2012. The deadline for electronic submissions is 5 p.m., October 19, 2012.

Get more info at the HPR's spiffy new web page at http://lccc.wy.edu/life/clubs/HPR

Call for submissions: Veteran Voices, Open Window Review, Issue III

Open Window Review invites you to submit your poetry, fiction, non-fiction, and creative nonfiction for Issue III: "Veteran Voices." This special topics issue of Open Window Review is devoted entirely to writing from, for, and about the experiences of veterans, service members, their friends, families, and their communities. We at Open Window are glad for the opportunity to provide a venue for all kinds of discourse on the military, military life, and conversations on what it means to live in a country at war. Also see the Open Window Review Facebook page for more details and a link to Issue I and Issue 2 (due out later this month)

Categories:

Poetry: Please submit up to three standard-length poems (no more than 12 pages, total)

Fiction: Please submit work in flash-fiction (250-1,000 words); short fiction (1,000-5,000 words); novel excerpts (up to 20 pages, standard.)

Creative nonfiction: Please submit up to 15 pages of creative nonfiction

Non-fiction: Please submit up to 15 pages of straight non-fiction/personal essay/journalism.

Deadline and contact info: Please submit your work, along with a brief, third-person bio (no more than 150 words) and a photo (optional), to Senior Contributing Editor Oscar Lilley at veteranvoices.owr@gmail.com by 10 p.m. on May 31, 2012.

Prizes/Awards: One $100 prize will be awarded to winners in each of the four categories: Poetry, Non-fiction, Creative Nonfiction, and Fiction.

EDITOR'S NOTE: Wyoming poets may also want to submit their work to the Wyoming Arts Council's 2013 creative writing fellowships. Fellowship judge is soldier-poet Brian Turner, U.S. Army Iraq War veteran and award-winning author of "Here, Bullet" and "Phantom Noise." More info at http://wyomingarts.blogspot.com/2012/03/soldier-poet-brian-turner-is-judge-for.html