Read it now or read it when all the election results are in -- "Trump Sonnets, volume 7: His Further Virus Monologues"

As of 11:30 a.m. on Friday, Nov. 6, we don't yet know the result of the presidential election. We do, however, know the result of Ken Waldman's "Trump Sonnets" series. The seventh book in the series arrived today. Subtitled " His Further Virus Monologues," it returns to the single-sonnet form that Waldman made so readable in his first five books. The sixth, "His Middle Virus Soliloquy," is what it sounds like: a long piece comprised of connecting sonnets, two to a page. A 63-page journey of Trumpist ramblings in poetic form. It's a book that urges you to go on Trump's breathless ride through his fevered mind. He is infamous for his rambling monologues at rallies of true believers.  The author gives shape to that.

I read Book 7 in a review copy. We were smack-dab in the pandemic and the election was weeks away. I read it with the same dread and bemusement that I've read the others. Flashing in my mind like a neon sign was this: We elected this man president of the United States? I would finish a sonnet, ask the question, and move on, enjoying the ride. Then something will remind me of that big question:

From July 24, 2020 sonnet: 

I know when I walk off the eighteenth hole  

on November 3rd, I am second to none. 

I'm very prepared for my second term. 

No president's done more in his first term.

I see him at one of his golf courses. I think Yikes -- this man is president! We all are doomed!

I expect different feelings when I reread volume 7. Who knows when we will get all of the election results? Who knows how the lawsuit-crazy Trump will react -- he's already filed a flurry of lawsuits over alleged voting irregularities. Will we get him out of the White House by Jan. 20? 

But I will feel all warm and fuzzy if he is denied a second term. I've already been enjoying memes on Facebook that belittle Trump and his minions. Yes, we can be sore winners too. And it's OK to take a few minutes to gloat. So, as he read what may be the final installment of Waldman's series, I too will gloat. It's been so long since I've had a chance to do that. I will enjoy myself while I can. President-elect Biden's real work begins next week. Trumpists are still in charge of the Senate and Supreme Court. We all need to get busy.

Waldman is a poet and performance artist so it's not surprising that he has developed a video and stage show to go with the sonnets. The video will get more use in the near future because performing artists aren't performing. Due to the president's ineptitude in dealing with the virus, most public spaces are closed. So don't look for Waldman and his partner Lizzie Thompson to be on the road again until 2021. Some have been cancelled and some have been rescheduled for the new year that all of us look forward to. Get more info at kenwaldman.com or trumpsonnets.com.

M.L. Liebler's Ridgeway Press of Roseville, Mich., published all of Waldman's series. Small presses publish many good books every year. Most poets would have few outlets for their work if it wasn't for places such as Ridgeway. Show them some love and buy a book from a small press directly or through an indie bookstore. You'll be glad you did.

Brando: Very few people care enough to be a witness to life

From Artists Supporting the Arts in Public Schools on Facebook:

Acting -- all of the arts -- is about observation. As Tennessee [Williams] said, it is about being a witness. Very few people can do this. Very few people care enough to do this. The actor, the writer, the artist, the musician witnesses the world and its people -- and then he tells the stories he has remembered, overheard, surmised. Always attempt to be a witness. Remember those you've loved; those who moved you. In almost every performance I've ever given -- and of which I've been somewhat proud -- I've had a piece of my mother, overwhelmed by life, consumed by sadness, poisoned by alcohol, but still reaching out to me and rubbing my forehead until I fell asleep. I take that memory and I implant it in every character I play. I honor her efforts through gangsters and emperors and brutes and saints. The loving hand on the forehead, when the fist of life is bashing her own head. --Marlon Brando/Interview with James Grissom/1990

Gregory Hinton returns to Shepard Symposium for performance of "Diversity Day"

Gregory Hinton is a Montana native who grew up in Cody. He now is the creator and producer of Out West at the Autry, a historic public program featuring a series of lectures, plays, films and gallery exhibitions dedicated to shining a light on the history and culture of the Gay, Lesbian, Bisexual, Transgender & Two Spirit (GLBT2) communities in the American West.

I first met Gregory a few years ago when he performed his play "Beyond Brokeback" at the Shepard Symposium for Social Justice in Laramie. The play was based on online testimonials by GLBT2 people responding to "Brokeback Mountain," the Ang Lee film based on the short story by Wyoming's Annie Proulx.

Gregory's been back in Wyoming several times since, most recently to serve as a research fellow at the Buffalo Bill Center for the West in his old stomping grounds of Cody. This week he's in Laramie for a Shepard Symposium performance of "Diversity Day" in the Wyoming Union's Yellowstone Ballroom on Friday, April 5, 1:30-2:45 p.m. 

This is a one-hour staged reenactment—with voluntary audience participation— of combative public testimony adapted from Missoula City Council Minutes to add anti-discrimination protection for the LGBTQ community, a first in Montana history.  Footage of the original April 12, 2010 hearing will screen silently as testimony is read. A workshop and discussion will follow.

After Mayor John Engen of Missoula declared April 12, 2010 “Diversity Day,” six hours of powerful public testimony was heard prior to a Missoula City Council vote to add sexual orientation, gender identity and gender expression to the city’s existing antidiscrimination ordinance – a first in Montana state history.

'Diversity Day’ offers a frank glimpse into the day-to-day lives of Montana’s LGBT community and those who oppose their call for anti-discrimination protection.”  

"Diversity Day" was first presented at the Kennedy Center American College Theatre Festival – Region 7, (KCACTF-7) in Ft. Collins in February, 2012.  It was then presented in June, 2012 at the West Hollywood Library as a featured event of West Hollywood’s One City/One Pride Culture Series. In association with the National Coalition Building Institute it will be presented in Missoula on April 12th, 2013 and in Billings in association with ACLU Montana the following weekend.  

Hinton has produced and directed stage readings of the AFER and Broadway Impact marriage equality play ‘8,’ both at KCACTF-7 in Ft. Collins and at the Bozeman Public Library.  Written by Academy Award winning Dustin Lance Black, ‘8’ is adapted from the transcripts of the 2010 California Prop. 8 trial where cameras were barred.  

For more information about "Diversity Day" or Out West programming, please contact Gregory Hinton at 323.876.9585 gregoryhinton@earthlink.net

Tickets now on sale for Cheyenne Little Theatre's production of "Rent"

"Rent" casts rehearses title song at Historic Atlas Theatre. "Rent" opens April 5.
Get your tix here.

"Rent" auditions set for Feb. 3-5 in Cheyenne

Auditions for the rock musical "Rent" will be held on Sunday, February 3, 6:30-8:30 p.m., Monday, February 4, 4:30-6:30 p.m., and  Tuesday, February 5, 6:30-8:30 p.m. Call-backs will be Wednesday, February 6, 6:30-8:30 p.m. All auditions held at the Historic Atlas Theater in downtown Cheyenne 

Here's more info from the Cheyenne Little Theatre Players web site:

To audition, we ask that you sing a song from the show "Rent" or another contemporary musical. You may bring your own accompanist or an accompanist will be provided. There will be no cold readings of dialog. We may ask you to sing a song from the show after your initial audition. You will also be learning and performing a short dance. For call-backs, we will be assigning songs from the show "Rent," including duets.  

IMPORTANT!! The Director, Brenda Lyttle, is looking for singing actors who are confident and fearless. "Rent" is an adult show with adult roles, language and situations. The characters must be believable and real. The singing must be strong and confident. This show is set in the Lower East Side of New York City. Racial diversity is crucial. We strongly encourage singing actors of African-American and Hispanic descent to audition.  

Go to this link for more details: Rent Auditions

Local concert promoter shows creativity in booking heavy metal, rock and hip-hop acts

Neat article in this morning's Wyoming Tribune-Eagle about local concert promoter Jake Byrd. At 19, Jake is already a seasoned impresario, a promoter of rock, heavy metal and hip-hop concerts at downtown's Atlas Theatre and other venues. He's brought bands such as Static-X, Alien Ant Farm and Tech N9ne to a city known more for Toby Keith than Psychostick. Not bad for someone just a few years out of high school. And he faces a lack of proper local performance spaces. The Atlas is a funky space, and the Cheyenne Little Theatre makes money from renting it out. But it's a shame there's not a dedicated concert venue in Cheyenne. Meanwhile, Jake keeps bringing in the talent. You have to buy the Sunday paper to read the article, as the WTE lacks a proper web site.

LCCC music ensembles in concert Dec. 1

The Laramie County Community College music ensembles will perform a "Holiday Gala" on Saturday, Dec. 1, 7:30-8:30 p.m., at the Cheyenne Civic Center, 510 West 20th St., Cheyenne.

Says a press release: The LCCC music ensembles will perform favorite tunes to help put you in the holiday mood. Admission is free, and donations will be accepted for the COMEA House.

COMEA House is the local homeless shelter, always in need of donations during the holidays or any time of year.

This proud papa will be there to see and hear my daughter's first solo.

Stephen Vincent Benet's "John Brown's Body" comes to the Wyoming stage

Nobody, with the possible exception of English majors and classics' scholars, reads epic poetry anymore. The Iliad. The Odyssey. Leaves of Grass. Letter to an Imaginary Friend. John Brown's Body.

Stephen Vincent Benet won the 1929 Pulitzer Prize for "John Brown's Body," a 15,000-line epic about America's Civil War. Benet wrote it in Paris in 1926-1928, his trip financed by a Guggenheim fellowship. I've never encountered Benet in my reading about the "Lost Generation" in Paris, those post-World War I expats from all over who gravitated to Paris for a healthy dose of creativity and mass quantities of boozing (absinthe anyone?).

John Brown usually lies a-moulderin' on the page in Benet's now-neglected book. But a Wyoming family with theatrical roots are performing "John Brown's Body" in a staged reading this week. The reading will be performed by Pete and Lynne Simpson and there three children: Maggie, Milward and Pete. The elder Pete is a retired history professor at the University of Wyoming. Wife Lynne is an accomplished actress and director. Maggie is a singer/songwriter, Milward is a musician and theatre guy (and fellow state employee) and Pete  Jr. performs with the Blue Man Group.

Wyoming was far removed from Civil War action. From 1861-65, it was part of Nebraska Territory with very few Anglo settlements outside of military forts. Although there were some Civil War battles in the Rocky Mountains -- New Mexico comes to mind -- none were fought in Wyoming. Slavery was permitted in the territories. But whether the nascent states would be "free states" or slave states" was being argued about regularly in Congress. That struggle came to a head with abolitionist John Brown's raid on the U.S. Army Depot at Harper's Ferry. He was executed for his crime on Dec. 2, 1859. Southern forces fired on Fort Sumter 16 months later, launching the Civil War. The next four years were a horror show for the country. In his epic poem, Benet tried to describe the experience from various points of view. Maybe Ken Burns was thinking of Benet when he filmed his famous Civil War series for PBS. He let the people speak in their own words.

Some of Benet's lines feature John Brown's final words:

Now if it is deemed necessary that I should forfeit my
life for the furtherance of the ends of justice and mingle
my blood further with the blood of my children
and with the blood of millions in this slave country
whose rights are disregarded by wicked, cruel, and
unjust enactments, I say, let it be done.

Let it be done. And it was.

You can see "John Brown's Body, a staged reading," featuring the Simpson family with music by the Cheyenne Chamber Singers, at the Cheyenne Civic Center, Thursday, Nov. 15. Tickets $20 for adults and $10 for students. They are $5 more at the door. Visit www.cheyenneciviccenter.org or call 637-6363.

Read more about Benet and his poem at http://www.historynet.com/john-browns-body-stephen-vincent-benet-and-civil-war-memory.htm

Cheyenne Chamber Singers in concert Nov. 11 at First United Methodist Church

Remember that every act of creativity stymies the Know Nothings amongst us. On Sunday, November 11, 3 p.m., Cheyenne Chamber Singers presents a concert, "Images from the Past," at downtown's First United Methodist Church. Tickets are $15 Adults/$10 seniors & students. FMI: 307-433-1141, www.cheyennechambersingers.com

Multimedia Environmental Concert in Laramie asks "What Can I Do -- to help this planet?"

Vote for Pres. Obama, for one thing.

Here's the event:

"What Can I Do?" Multimedia Environmental Concert
8 p.m., Saturday, November 3
Coal Creek Coffee Company
110 E. Grand Ave, Laramie

This is a 60-75-minute educational keynote presentation featuring the photography of renowned John Fielder, Karl Snyder and Laurie Dameron, video, information and live music. Special guest speaker Erik Molvar, Wildlife Biologist, City Council member in Laramie and Executive Director for Biodiversity Conservation Alliance. 

FMI: www.facebook.com/WhatCanIDoSpaceshipEarth and http://www.youtube.com/watch?v=ml4gzZthi5o

Keith Coombes at Ernie November: "You have to make things happen"

Poster for the Friday show at Ernie November in Cheyenne. Here's the plug on the Facebook event page: "HORDE OF DRAUGAR's CD-Release Party (Killer Death Metal from Cheyenne) with INCINERATED (Brutal Death/War Metal from Cheyenne). All-Ages/Free Show/Bring Donation$$$/Buy Merch/Always Fun/Never Stop/Ernie's Shows Rule."

I am still low-tech when it comes to music. If I still had a turntable, I would probably be buying vinyl. And I wouldn't be alone. There is still a market for turntables and records. Local music store Ernie November is a case in point. Proprietor Keith Coombes still stocks vinyl and it sells.

I order all of my CDs from Keith and Jason, his right hand man. Last February, when I told Jason that Moby Grape founder Peter Lewis was coming to Cheyenne, his eyes grew wide and he said only one word, "Wow." When I mentioned that Peter would be performing with Detroit spoken word poet M.L Liebler who sometimes performed with Jon Sinclair, his eyes grew wide and he asked this simple question: "You mean Jon Sinclair of MC5?" "Yes," was all that I said. Jason dug out a documentary video of MC5, one that I hadn't heard about.

These guys know their music. And their music history.

During lunch today, I dropped by the store to pick up the Bodeans CD I ordered when I was downtown for the Zombiefest. Keith was there, as he usually is, and my CD was sitting in a stack of special orders. Keith's a heavy metal guy, with multiple tattoos and piercings, but he will order anything. And buyers such as me get the good feeling that we are patronizing a local business. Ernie November is a downtown staple. As Keith rang up the sale, we talked about downtown redevelopment. He's excited about Alan O'Hashi's plan to redevelop the Hynds Building and The Hole directly across 16th Street. He likes the idea that 100-some LCCC students might end up living in the redeveloped space. We both agreed that it will add some much-needed energy, not to mention lots of kids who like to buy their music locally. And go to concerts. Keith has sponsored almost 100 shows in his tiny downtown space. He says that it takes him about 20 minutes to move his T-shirts and tie-dye clothing items into the back room and put screens around the incense and candle section. And then he just packs the fans into the store. This Friday, Horde of Draugar is coming to the store. Not my cup of tea, exactly, but he's aiming for a much younger demographic.

Keith was profiled in the June issue of Liberty's Torch, the local Libertarian newspaper. Under the header "Interviews: Capitalists & Creators," editor Brad Harrington conducted an interesting Q&A with Keith. In it, Keith says that he was like a lot of Cheyenne kids, and couldn't wait to leave town after high school because there was nothing to do. But he eventually moved back and took over Ernie November. He soon discovered that there still wasn't a lot of things for kids to do in Cheyenne.

You've got to make your path instead of to wait for it to come along. So that's what we ultimately did. We throw shows in here and we started because there was a lack of venues in town. We've had almost 100 shows in here, with dozens of touring bands from all over the world. If there's a lack of something out there, you have to take charge and do it yourself. Cheyenne's supposed to be just a 'cowboy,' western town, but here I am, the most un-country thing imaginable -- and I'm thriving. You have to make things happen.

Amen, Keith.

Cheyenne Vineyard Church's "Cotton Patch Gospel" has roots in Christian social justice

My former work colleague Randy Oestman left state employment to serve as a minister for the Cheyenne Vineyard Church, 1506 Thomes Ave. Vineyard services are very musical, I am told, which is not surprising, considering Randy's theatre background. Randy and his Vineyard colleagues take the New Testament's social justice message seriously. They minister to Cheyenne's homeless and collect leftover foodstuffs from farmers' markets to distribute to needy families. I buy my eggs from Randy, whose chickens lay the darndest-colored eggs. Randy even practices his theatrical skills in the chicken coop.

In October, the Vineyard Church is producing the "Cotton Patch Gospel," based on a book by Tom Key and Russell Treyz, with music by Harry Chapin, written just before he died in a 1981 traffic accident. Anything with music by Harry Chapin has to be good.

Here is a description of the play from Wikipedia:

Cotton Patch Gospel is a musical by Tom Key and Russell Treyz with music and lyrics written by Harry Chapin just before his death in 1981. Based on the book The Cotton Patch Version of Matthew and John by Clarence Jordan, the story retells the life of Jesus as if in modern day, rural Georgia.

Using a southern reinterpretation of the gospel story, the musical is often performed in a one-man show format with an accompanying quartet of bluegrass musicians, although a larger cast can also be used. A video recording of the play was released in 1988 with Tom Key as the leading actor.

Interesting to note that Clarence Jordan was the founder of the Koinonia Farm,  a ground-breaking Christian social justice community that infuriated its white Georgia neighbors by practicing and preaching equality for all, including African-Americans. During the Civil Rights struggles of the 1950s and '60s, Koinonia was the target of a local economic boycott and several bombings. It was able to survive by shipping all of its goods through the U.S. Postal Service because, as we all know, "the mail must go through." Jordan also was instrumental in the founding of Habitat for Humanity, another revolutionary Georgia organization. Koinonia and Habitat had a big influence on one of its neighbors, Jimmy Carter of Plains. Clarence Jordan's nephew, Hamilton, was President Carter's chief of staff.

"Cotton Patch Gospel" will be performed at the Cheyenne Vineyard Church Oct. 5-6. 12-13 and 19-20 at 7 p.m. Admission is free but please bring grocery gift cards or non-perishable food for the needy. Call for tickets: 307-638-8700.

Unusual magic show about a British lunatic asylum had its roots in Cheyenne

"Battered Bride" by Forrest King

Today's Denver Westword carried a story about an unusual magic show that had its roots in Cheyenne. Denver magician Aiden Sinclair was asked by artist Forrest King to do a magic show in Cheyenne last summer to benefit for the Laramie County Safehouse. You may know Forrest King for his social engaged art. His most famous piece is "Battered Bride" (shown above) that he did in an effort to publicize the plight of the many abuse and battered women amongst us. He's travelled to churches and other venues, artwork in tow, to talk about the issue and to raise funds for Safehouse.

While in Cheyenne, Aiden Sinclair wrote an unusually magic show that revolved around abused women from another time and place. Colney Hatch Lunatic Asylum was housed in a gorgeous British mansion. But what happened on the inside was far from gorgeous. Most of its "patients" were women committed bu their well-to-do husbands because it was easier (and cheaper) that getting a divorce. Most women were fairly young when committed, but they usually died there, because the only person who could release them were their husbands, who wielded all the power.

I'll let Westword tell the rest of the story:

At Aiden Sinclair's magic show, you won't see any bunnies pulled out of hats or ladies cut in half. Sinclair describes From a Padded Room: An Evening in Colney Hatch Asylum, which plays at 7 p.m. Saturday, September 8, at the Tattered Cover LoDo event hall in Denver, as an empathic journey back in time to the very real British asylum and the horrible practices that went on in its halls. Beyond the chilling entertainment, $5 from each ticket sold will go to support SafeHouse Denver, which provides emergency shelter, counseling and advocacy for survivors of domestic violence.

We caught up with Sinclair in advance of the show to learn about the history of Colney Hatch and his mission to raise awareness about domestic abuse.

Westword: How did the show come about?

Aiden Sinclair: The show came about by coincidence. A friend of mine in Cheyenne is a gentleman named Forrest King and he's an extremely talented artist. And the cool thing about him is all of his painting is really driven toward social issues that a lot of people don't talk about at all. So he did this painting that's called the "Battered Bride," and the first time I saw this painting it was extremely emotional. It's one of those things that's really hard to look at, but you can't look away at the same time.

So he had approached me about doing some magic at a benefit that he had, and as soon as he asked if I would do a benefit I said absolutely. It kind of struck me that normally when I perform magic for people the object of magic is the suspension of reality -- it's to take people away from the world and bring them into some imaginative creation that's somewhat impossible. Generally as a magician, for eighteen years I've been very happy to take people away from their problems. This, however, seemed like something that you needed to bring people to, not away from. And I thought it was important that if you have a bunch of people getting together to donate money to a cause, they should really be conscious of exactly what it is that they're donating to and that they're helping people.

So we stopped the show and took it off of production and went into pre-production of this show specifically for this cause. Just to raise money for safehouses. So that was the trick. How do you write a show about domestic violence and still have something that's entertaining, that people would want to sit down and watch?

--clip--

We basically designed the show around this place [Colney Hatch Asylum] and around the tragic tale of what happened to women in those days, and we take people on a very empathic trip back in time. It's not like any magic show that has ever really been done before. There are no card tricks, there are no bunnies out of hats, there is no traditional magic to it. We basically take those patient registries, hand them out to the audience, and we ask audience members to pick a patient. It's a free choice; these books have 500 different people in them, some of them are good, some of them are bad, and you basically will pick a person and become that person in your mind. You'll actually visualize what it would be like to be that person. And it's an extremely emotional experience for folks. It's really a neat show, mainly because it's not physical. It's very cerebral. It's exciting.

The first time we ever did it we presented at an art gallery in Cheyenne. We did four shows over a two day period and they were the most emotionally draining four days I think of my life. About 70 percent of the audience left in tears or visibly shaken. And not in a way that they were scared or anything, it just really struck them. And I wanted the show to have meaning but I was really unprepared for the response that I got, and that has been the consistent response.

To buy tickets for the Tattered Cover event, go to www.fromapaddedroom.com. For more information about SafeHouse Denver and 24-hour crisis help, call 303-318-9989 or visit www.safehouse-denver.org. For info about Forrest King, go to http://www.facebook.com/AlternativeArt.

Soldier-writers bare "The Soul of America" -- and they're coming to Wyoming this fall

Lance Corporal Nicholas G. Ciccone by Michael D. Fay, a portrait drawn during their duty in Afghanistan. Ciccone committed suicide in 2003. Courtesy of the Art Collection, National Museum of the Marine Corps, Triangle, Virginia.

I'm constantly amazed with the creative ways that humans confront their many challenges. Not surprising that many of those responses involve the arts. The arts allow us to express our deepest emotions, such as fear, anger and love. Where would we be without the poetry of love expressed in a Shakespearean sonnet? The anger expressed in a Bob Dylan or Green Day protest song? What about the pain expressed by the warrior in "All Quiet on the Western Front" and "Habibi Hlaloua," a modern dance production about choreographer and dancer Roman Baca's U.S. Marine platoon in Iraq? If they didn't exist, we would have to invent them and, amazingly enough, we are always finding new ways to do just that.

Yesterday I was reading the quarterly magazine of the National Endowment for the Arts. It's dedicated to the military and the arts. Researchers have discovered that writing or creating an artwork about a painful experience, such as trauma experienced in battle, stimulates the same part of the brain -- the right hemisphere -- that is activated with "traumatic recall." This also helps unlock the speech center in the left hemisphere that shuts down when presented with a painful memory. 

This is why veterans such as Ron Capps have found healing in creative writing, and why he went on to found the Veterans Writing Project. Capps has enlisted a slew of talented writers workshop leaders. Some are veterans (Tobias Wolff, Joe Haldeman, Brian Turner) but many are not (Bobbie Ann Mason, Mark Bowden, Marilyn Nelson). Some understanding of the battlefield is a plus, but it's more important to be an effective teacher and a writer who possesses more than the usual quota of empathy. Bobbie Ann Mason wrote a terrific novel about soldier returning home from Vietnam, "In Country." Jeff Shaara never served a day in the military but he puts his readers in the middle of the fighting at Antietam and Vicksburg and, more recently, Normandy and The Battle of the Bulge. You can see and hear some of these writers in the terrific documentary, "Operation Homecoming: Writing the Wartime Experience." Brian Turner is featured in a segment "What Every Soldier Should Know."Vietnam veteran and novelist Tim O'Brien also is interviewed.

Coincidentally, Turner and O'Brien will be in Wyoming this fall. If you'd like to take a free writing workshop with O'Brien (and who wouldn't?), he will be conducting one on Friday, Oct. 5, as part of the Literary Connection at LCCC in Cheyenne. He is one of three workshop teachers that day from 9 a.m.-1 p.m. -- the others are outdoor writer John Calderazzo from Colorado State University (one of my mentors from my CSU days) and Cat M. Valente.

Turner will be featured at the Equality State Book Festival in Casper Sept. 14-15. On Friday at 1 p.m., he will be reading from his work along with the three winners of the Wyoming Arts Council's poetry fellowship competition. On Saturday at 10 a.m., he will discuss the role of the soldier-writer with fellow Iraq War veteran Luis Carlos Montalvan. The panel moderator will be veteran, poet and Casper College professor Patrick Amelotte. Turner also will be signing copies of his books, "Here, Bullet" and "Phantom Noise" throughout the weekend.

How did these writers translate their experiences into written form? Come on out to these events and find out. They're both in the vicinity, as Casper is only a few Wyoming interstate highway miles away from your Cheyenne neighborhood. 

What is your favorite Wyoming arts town?

NPR has put out an open call for nominations, asking North Americans to describe their favorite arts town:

This summer, NPR’s Destination Art series is going off the beaten path to visit small to mid-sized North American cities that have cultivated lively arts scenes. And we want to hear from you! Where’s your favorite art hot spot? What makes it unique?

NPR’s form is simple and easy to fill out, and this is a great opportunity to get one of Wyoming’s great art towns on the national map!

For some background on the series, the first town to be featured was Marfa, Texas (population: 1,966), which rocketed onto the art world’s radar with the arrival of sculptor Donald Judd in the 1970s. Also featured: Columbus, Indiana and Stratford, Ontario. Go to http://www.npr.org/2012/08/01/156306412/whats-your-favorite-arts-town

What is my favorite Wyoming arts town? 

I love Jackson for all of the obvious reasons. The Center for the Arts for its downtown location and for housing an eclectic mix of Teton County arts orgs. The National Museum of Wildlife Art for its eco-friendly design and for its new sculpture walk. The Jackson Hole Writers Conference, one of the best of its kind in the U.S., all organized by a coterie of Jackson writers, led by Tim Sandlin. The conference would have disappeared long ago without the thousands of hours put in by Teton County and Wyoming-based writers.

I like Sheridan for its public art on almost every downtown corner, for its commitment to homegrown art forms such as the saddle makers showcased at Kings Ropes and Saddlery. There is a ton of great artists and writers in Sheridan County, as well as two of the country's foremost artists' residencies: Ucross and Jentel. And one of my favorite mystery writers, Craig Johnson, actually lives in the tiny town of Ucross.

I like Casper because the Casper College English Department and the CC Foundation had the moxie to step up and sponsor the state's first statewide book festival in 2006. We hold our fourth bookfest Sept. 14-15 with a great line-up of writers, both domestic and out-of-state. I love the Nicolaysen Art Museum, housed in a former power plant, for its dazzling array of contemporary art exhibits and for having the vision to make downtown a regional arts destination with its new public art exhibit and its NIC Fest and its outreach to all sorts of entities in Natrona County. BTW, Casper College now has its own on-campus arts district. How many community colleges anywhere can say that?

I like Laramie for Works of Wyoming and the Laramie Plains Civic Center Theatre and its cool downtown and the dedicated arts faculty at the University of Wyoming, the state's only four-year public university. So many fantastic writers teach at UW (Brad Watson, Alyson Hagy, Jeff Lockwood) and have been visiting writers -- a great new crew will be there during the fall semester. Two indie bookstores liven up downtown, which has plenty of good restaurants with great beer. And did I mention -- the trains run through it! 

I like Lander for the Lander Art Center. I like Rock Springs for its renovated downtown theatre. I like Gillette for its public art program and its engaged citizenry. I like my city of Cheyenne for our great library with its many programs, and for its community theatre, one of the few in the region to actually own two performance venues.  

What is your favorite Wyoming arts town? Don't be shy -- speak up!

No hurricanoes for "King Lear" but plenty of rain

Yesterday I joked about watching King Lear rail against "thunderbolts and hurricanoes" while the real thing was happening. The Weather Channel predicted a 60 percent chance of rain with possible flash floods.

The Wyoming Shakespeare Festival Company did perform "King Lear" yesterday evening at the Cheyenne Botanic Gardens during a rapidly escalating storm. The lightning and thunder did arrive before cue -- act one instead of act three -- but it only added to the anticipation. The actors persevered as the rain waxed and waned and finally just poured down. The bodies of Lear and Cordelia and all the rest (living and dead) were soaked by the time the curtain came down about 7:15 on the 13th season performance of the Lander company.

The audience was a bit drier under umbrellas and ponchos. We were appreciative, giving the cast a rousing round of applause before we headed to our cars. Thanks to Diane Springford and her cast for a great performance and a demonstration of what it takes to be part of a traveling acting troupe. The show must go on!

A final note: Botanic Gardens Director Shane Smith introduced the performance and spoke about the upcoming vote Aug. 21 for additions and renovations to the facility. Interesting to note that interior spaces large enough for theatre performances are included in the plan. Although Shakespeare in the rain is an experience not to be missed, it would be nice to have a place to keep performers and audience members warm and dry. A number of people gave up and left midway through the play, which was a shame.

"There's nothing left to do but sing" -- Climbing Poetree performs April 19 at Center for the Arts in Jackson

Performance poetry group Climbing Poetree will take the stage at the Center for the Arts in Jackson on Thursday, April 19, 7 p.m. FREE! Brought to you by pARTners. This is an amazing chance to see art for social justice in action.

Shay & Hernandez co-host open mic

My favorite daughter (O.K. -- my only daughter) and one of my favorite spoken-word performers will be co-hosting an open mic session at the Laramie County Public Library this evening in Cheyenne. Annie Shay and Mikey Hernandez invite you to bring your poems, stories, songs, comedy routines and snappy patter to the library's Cottonwood Room beginning at 6 p.m. Snacks provided! More info at 307-514-1131.

Celtic harp, with narration, enlivens St. Patrick's Day

I'm not going to be in town, but maybe you will be and are looking for something a little less green-beer-oriented on St. Patrick's Day:

"The Story of St. Patrick: Celtic harp with narration and friendly conversation" by Michael Riversong at the Paramount Cafe, 1607 Capitol Ave. Cheyenne, on Saturday, March 17, 5:30-8 p.m. This is an informal family friendly performance by Michael Riversong. Children are especially welcomed. FMI: Michael Riversong, Biblical Bards, http://home.earthlink.net/~mriversong 

Open Mic Night set for March 28 at Laramie County Public Library

Laramie County Community College students Annie Shay (music) and Mikey Hernandez (theatre) have put together this open mic night March 28 at the Laramie County Public Library in Cheyenne. Somewhere along the line, Annie (my daughter) pressed me into service as emcee. Bring your poetry and and prose and scripts and music to the library for a fine time.