Showing posts with label Shakespeare. Show all posts
Showing posts with label Shakespeare. Show all posts

Friday, September 09, 2016

The Broncos vs. The Bard

A writer, dead for 400 years, caused me to miss the first half of the Denver Broncos season opener.

I know, where are my priorities? William Shakespeare vs. two NFL teams that battled it out in Super Bowl 50?  Denver, our southern neighbor, was at a fever pitch for weeks leading up to the game. My Colorado hometown may no longer be a cow town but it still bleeds orange and blue every fall. Three Super Bowl championships, multiple Super Bowl appearances (we don't talk much about the first three or the one in February 2014), many league championships and wins over the dreaded Raiders. I was a jock in high school and a sports reporter as a young man. Sports are in my blood.

But so is Shakespeare. My accountant father's library still had his college Shakespeare texts but nothing on finance and economics. I was more interested in reading first-hand accounts of World War II. Dad seemed happy that his eldest child loved reading and books. I think he was a frustrated academic, one who would have been more comfortable surrounded by books than IRS rules and regs. Not a teacher but /probably a researcher, as he wasn't all that good with people.

Shakespeare's First Folio is touring the U.S., courtesy of the Folger Shakespeare Library in Washington, D.C. Actually, six of the first folios are touring and one landed at the State Museum in Cheyenne. Published in 1623, it is kept under lock and key in a climate-controlled glass case watched over by a security guard. The pages are open to Hamlet's famous "To be or not to be" speech. The text is small and difficult to read, not only because of its size but because the language -- Early Modern English -- is arcane to us. Here's a sample:


A bad quarto was basically a bootlegged copy of the script, written hurriedly by an audience member or recalled later by actors. Think of a bootlegged copy of, say, a Grateful Dead concert in the 1970s. The good quarto was a copy of the play taken from the source. The first folio is the 1623 version that featured 36 plays, 18 of which had never before appeared in print.

I didn't have to read the fine print to know the value of what I saw. The first folio saved 16 of Shakespeare's plays from oblivion. They include Macbeth, The Tempest, Henry VIII and Twelfth Night. Forsooth, what would Hollywood have done without the three witches or Prospero's island? I would never had been treated to a nude version of Macbeth's witches at Gainesville's original Hippodrome Theatre. My life would be leff without it. 

If you want to talk monetary value, a first folio was sold at auction in 2001 for $6.1 million. I'll take two! When it was hot off the presses, a first folio went for about a pound. In today's money, that's somewhere between $150-$250.

But it's not the money really now is it? As the State Museum exhibit points out, Shakespeare and his plays have given us phrases that we use every day and countless hours of entertainment at the movies. I believe that I first heard lines from Romeo and Juliet in a Bugs Bunny cartoon. Every state boasts a Shakespeare company, usually one that tours performances every summer. In Wyoming, that's the Wyoming Shakespeare Company out of Lander. I recall a memorable version of King Lear on the Cheyenne Botanic Gardens lawn. Nature provided its own thunder and lightning for the famous storm scene with King Lear and The Fool. Here's Lear: 
Blow, winds, and crack your cheeks! Rage, blow!
You cataracts and hurricanoes, spout
Till you have drenched our steeples, drowned the cocks!
You sulfurous and thought-executing fires,
Vaunt-couriers of oak-cleaving thunderbolts,
Singe my white head! And thou, all-shaking thunder,
Smite flat the thick rotundity o' th' world,
Crack nature’s molds, all germens spill at once
That make ingrateful man!
Now that's a storm. 

Last night was rounded out with a presentation by UW Prof Peter Parolin: "From the Fringes to the Folio: Crossing Borders with Shakespeare in Life, on Stage, and in the Globalized World." Fascinating talk, and I was surprised on how many stayed after the food and wine and entertainment to hear an academic speak. I had not thought about "migration as one of Shakespeare's principal themes." But Parolin has, at length. He accompanied it with  a PowerPoint presentation, his first, which acted as a helpful assistant to the talk. 

I had not thought of migration and immigration as big Shakespeare topics. But crossing borders happens a lot. The Merchant of Venice and Othello are good examples, with their "foreigners" as key characters. Parolin even quoted a brief snippet from Shylock's speech: "In Aleppo once..." The Syrian city has been in the news lately as it suffers the slings and arrows of outrageous fortune -- and the forgetfulness of presidential candidates. 

Thanks to everyone at Wyoming Cultural Resources for bringing the folio to Cheyenne and staging the event. The First Folio will be in town through the end of September. 

I made it back to my Smart TV to watch the second half, in which the Broncos staged a comeback. With 9 seconds left, the Carolina Panthers kicker nailed a field goal but it was negated by a Broncos timeout. The second kick went wide to the left. That kicker was feeling some slings and arrows last night on Twitter. In Denver, they were partying like Falstaff and Prince Hal in 1402. 


Saturday, July 13, 2013

WYO Shakespeare Festival Company explores "the quality of mercy" Saturday in Cheyenne

Shylock, Portia, Antonio and the crew from the Wyoming Shakespeare Festival Company come to Cheyenne Saturday for a production of "The Merchant of Venice." Curtain rises outdoors at 5 p.m. in the Cheyenne Botanic Gardens. It's free -- bring friends, a picnic, folding chair and an umbrella.

The WSFC works out of Lander and tours the state each summer with a different offering of The Bard. Friday evening, the troupe faced severe thunderstorm warnings in Torrington. But nature's elements don't faze the WSFC. Last July, the players were soaked to the bone as they weathered Cheyenne's only serious thunderstorm in the summer of '12. "King Lear" never looked so good or so wet.

The players are led by Diane Springford, who received a Governor's Arts Award for her efforts. The players are volunteers who devote many hours to rehearsals and travel. Have you ever been involved in local theatre? I have, and am continually amazed by the devotion of actors, directors, costumers, back stage crew, set builders, ticket takers, etc. It takes a village to put on a show. The reward? Putting on a great show. It feeds the ego and challenges you in ways you never anticipated. As in any artistic pursuit, there are good performances and bad ones. You get this sinking feeling when you blow a line or miss a cue. A good performance brings applause and euphoria. 

Shylock is a controversial figure among Shakespeare's characters. This intro was on the title page of the first quarto:  
The most excellent History of the Merchant of Venice. With the extreme cruelty of Shylock the Jew towards the Merchant....
Shylock, the Jewish money lender, is seen through the eyes of a playwright in 1596 Christian England. In the play, set in Venice, Shylock can only be redeemed by converting to Christianity. At the time, the Inquisition was still in effect in Italy and most of Catholic Europe.  

I see the play through the eyes of a 2013 American, one who knows about pogroms and the Holocaust. Today's audiences have to push beyond ourselves to experience the lives of these historic characters and to marvel at Shakespeare's language. As Portia says:
The quality of mercy is not strain'd,
It droppeth as the gentle rain from heaven
Upon the place beneath: it is twice blest;
It blesseth him that gives and him that takes...
Mercy.

See you in the gardens this evening. 

Sunday, July 08, 2012

No hurricanoes for "King Lear" but plenty of rain

Yesterday I joked about watching King Lear rail against "thunderbolts and hurricanoes" while the real thing was happening. The Weather Channel predicted a 60 percent chance of rain with possible flash floods.

The Wyoming Shakespeare Festival Company did perform "King Lear" yesterday evening at the Cheyenne Botanic Gardens during a rapidly escalating storm. The lightning and thunder did arrive before cue -- act one instead of act three -- but it only added to the anticipation. The actors persevered as the rain waxed and waned and finally just poured down. The bodies of Lear and Cordelia and all the rest (living and dead) were soaked by the time the curtain came down about 7:15 on the 13th season performance of the Lander company.

The audience was a bit drier under umbrellas and ponchos. We were appreciative, giving the cast a rousing round of applause before we headed to our cars. Thanks to Diane Springford and her cast for a great performance and a demonstration of what it takes to be part of a traveling acting troupe. The show must go on!

A final note: Botanic Gardens Director Shane Smith introduced the performance and spoke about the upcoming vote Aug. 21 for additions and renovations to the facility. Interesting to note that interior spaces large enough for theatre performances are included in the plan. Although Shakespeare in the rain is an experience not to be missed, it would be nice to have a place to keep performers and audience members warm and dry. A number of people gave up and left midway through the play, which was a shame.

Saturday, July 07, 2012

Shakespeare in the Botanic Gardens -- as long as the thunderbolts and hurricanoes stay away

Cassie Marple as Cordelia and Dave Geible as King Lear
Barring a monsoon downpour to rival the storm that’s part of the play, the Wyoming Shakespeare Festival Company performs "King Lear" at 5 p.m. this evening at the Cheyenne Botanic Gardens. Based in Lander, the company enters its thirteenth Summer Season bringing great classical theater with an entertaining Wyoming twist to audiences throughout the state. Last night they performed in Torrington's city park. Saturday's performance occurs north of the Botanic Gardens greenhouse and south of Discovery Pond on the lawn. This event is FREE thanks to Cheyenne, Light, Fuel and Power, Holiday Inn and Davis and Cannon LLP Attorneys. Donations to the troupe will also be accepted.


King Lear during the storm in Act III, Scene II:


Blow, winds, and crack your cheeks! rage! blow!
You cataracts and hurricanoes, spout
Till you have drench'd our steeples, drown'd the cocks!
You sulphurous and thought-executing fires,
Vaunt-couriers to oak-cleaving thunderbolts,
Singe my white head! And thou, all-shaking thunder,
Smite flat the thick rotundity o' the world!

Sunday, August 09, 2009

"Shakespeare in the Rain," Part II

Last night, I witnessed my second "Shakespeare in the Rain" performance of the summer.

In July, we watched the Wyoming Shakespeare Company perform in the rain at Cheyenne Botanic Gardens. The Lander-based troupe continued "Richard II" through a summer shower. More worrying were the lightning strikes flashing all around Lions Park. But the show went on as audience members huddled under umbrellas -- if they remembered them -- or trees -- as we did. Not bright, considering the lightning, but who were we to desert these stalwart thespians?

Yesterday evening, Chris, Annie and I drove over to Pando's Pond (officially City Park) to watch Shake in ChyWy perform "A Midsummer Night's Dream." This is a new troupe, directed by Carey Junior High teacher Angel Katen and performed by local actors, some home from college for the summer. The makeshift "theatre" resides among the terraces at the park's south end. The troupe hung homemade banners along the terrace walkway. No microphones, so the players had to speak loudly over passing trucks and Harleys.

The clouds gathered and thunder rumbled as we picnicked. I bought a root beer float from a booth staffed by the Carey dance team. The performance began and the players complted the first 10 minutes before the sky unleashed rain and a nasty salvo of lightning.

Angel announced: "We're moving to Carey Junior High. Please follow us."

We gathered our picnic and chairs and made a beeline to the car. Drove a mile through the deluge to Carey, meeting up with a daughter of a family friend.

Consider the hubbub part of the performance. A volunteer theatre trouple needs flexibility and persistence. We were in a our seats but a few minutes before the play resumed.

I've seen the play performed a couple of times before. I saw the recent movie and the old black-and-white version. I've read the play, the first time as an eighth-grader at Our Lady Of Lourdes grade school. I couldn't make heads or tails of it back then. Sister Theresa couldn't help as she probably hadn't read it or -- if she had -- didn't get it. She may have been outraged by the queen of the fairies falling in love with an ass who really wasn't.

Who knows? But this version was so much fun and so well-acted. As I sat watching the show, I marveled at the longevity of Shakespeare. New theatre troupes keep popping up. Shake in ChyWy is brand now this summer and the Wyoming Shakespeare Company is only ten years old. One can't go through a season in Wyoming without a half-dozen Shakespeares on the playbill. Hollywood loves The Bard.

I can't really call myself a fan. I love many of the plays, but I don't want to read them again. In fact, I didn't read them all during my time as an English major. But my daughter Annie does. After the show, she borrowed the script from one of the actors. Our friend MacKenzie (Mac), working as a horse wrangler this summer to pay for her next year at University of Tennessee, spends some of her off time reading Shakespeare. What's the matter with kids these days? Reading "Richard II" and "Midsummer" while they could be wasting their time in front of the PC as I am doing right now?

Love that Tom Rush '60s song: "Kids these days/they don't value a dolla'/don't like to chew/but they sure can swalla'."

Forgive the terrible rhyme. It takes dedicated chewing to read Shakespeare on a summer day.

Saturday, July 11, 2009

"Richard II" on the soggy fields of Cheyenne



Attended the Wyoming Shakespeare Theatre Company's production of "Richard II" this evening at the Cheyenne Botanic Gardens. The theatre company hauls its sets and equipment from one end of Wyoming to the other in one horse trailer. No easy feat.

Right about intermission time, the skies clouded up and rain fell. Half the crowd departed, but I was hooked on the story and wouldn't leave. Mac -- a family friend -- and I watched the rest of the show under a tree, not a great idea while lightning shot out of the clouds. But at least we weren't holding golf clubs.

"Richard II" all about kingship. What does it take to be a king -- and when is it justified to unseat a king? Richard II makes some wrong moves, pisses off some of the courtly lords who join the banished Bullingbrook in an uprising. Richard is never more charming than when he's deposed. Alas, he's murdered (must have a few bodies on stage in the tragedies) and then we are left with a feeling that all this didn't have to happen. Actually, it did. Without Bullingbrook usurping the throne, we wouldn't have the magnificent "Henry IV," parts one and two, and the much-quoted speech given by Henry V on the fields of Agincourt on St. Crispin's Day. And most significantly, there would be no scenes between Prince Hal and Falstaff.

Kings tend to get murdered in Shakespearean tragedies. Much mayhem ensues, which makes them so much fun. Summer and Shakespare go together like peas and carrots.