Fiction welcomes us into strange new worlds

Lisa See's latest novel, The Island of Sea Women, could have been set on a distant world. On a little known volcanic island , women have been harvesting their food from the sea for generations. They are called haenyeo. They go into the ocean year-round but only when the shaman says so. These women practice rituals for the sea goddess. They float out to likely spots, breathe deeply, and dive to the sea bed for edible sea creatures. They eat some of the catch but keep most for family and to sell at the market. Many have been lost to wicked currents or injury. They persevere through genocide and famine and family feuds.

Otherworldy, right? Reminds me of the Fremen of  Arrakis harvesting spice and fighting off sand worms. 

But the island of sea women is a volcanic island named Jeju south of the Korean mainland. The women are real and have been diving for generations. See bases her excellent novel on these women.

“Every woman who enters the sea carries a coffin on her back. In this world, the undersea world, we tow the burdens of a hard life."

The story opens with the main character, Young-sook. We experience the culture through her life, from a child during Japan's World War II Korean occupation to 2008 as to old lady who still dives.  Her life is a series of challenges within her haenyeo clan, her family, other islanders, and invaders from Japan (World War II) and the U.S. (Korean War). See's story time travels, jumping from a present-day setting with Young-sook as a clan elder all the way back to her turbulent youth. Jeju now is a tourist hot spot with the usual assortment of clueless visitors. One of them is the granddaughter of her childhood friend Mi-Ja. Now the fully Americanized granddaughter butts into Young-sook's life and wants the real story about the conflict that shattered a friendship and sent Mi-ja off to America. The island people are survivors. Young-sook may be the most stubborn member of her clan. She resents the young woman but ends up opening up her life to her. And to us. 

Think about your image of 21st century Koreans. BTS, BlackPink and K-Pop. The bustling modern city of Seoul. The new Korean cinema, films such as Train to Busan and the Squid Game series, and comedies like Kim's Convenience about a Canadian-Korean family's convenience store. The Korean-made Korean War film Tae Guk Gi: The Brotherhood of War, may be an even more in-your-face war film than Saving Private Ryan. There is also the hermit authoritarian kingdom of North Korea which, to many Koreans, seems like another world. And is. Witness some wonderful novels about the North. My favorite thus far is The Orphan Master's Son by Adam Johnson. It's illuminating how Americans are seen through the eyes of others. Those who know their history would not be surprised. 

The imaginary world helps us see the world in all its glory and horror. 

Meet some quirky North Koreans in Adam Jonson's fiction

Know anyone from North Korea?

I don't. But I feel that I do now, after reading Adam Johnson';s Pulitzer Prize-winning novel, "The Orphan Master's Son."

Johnson is not from either Korea, as evidenced by his name. Nothing in his book jacket bio mentions that he lived in Korea or taught there or even briefly sojourned there. I am sure I can find more info on the Internet. But right now I am content to let a fiction writer weave his magic spell.

Johnson acquaints me with North Koreans, those benighted folks who live in the most backward and isolated country on the planet. Jun Do is the orphan master's son who, at the orphanage, is given the toughest jobs in the place by his father and, in turn, assigns the actual orphans even grimmer tasks. As a teen, Jun Do is spirited away by the government and learns how to be a night fighter in North Korea's many tunnels. Because he has an orphan name, others refer to him that way. His usual response, "I'm not an orphan." Nobody seems to believe him. His response becomes predictable and funny. In fact, This novel is filled with humor, a pleasant surprise since Westerners are supposed to feel nothing but sorrow and pity about North Korea.

I'm only a third of the way through the book. It's one of those that you read late into the night, forgetting that the witching hour has come and gone.

One other aspect of Johnson -- he writes terrific short stories. I first read his work in the short fiction collection, "Fortune Smiles." The title story features two North Koreans who have defected to the South. Such magnificent creations. Only one is fitting in to this new land, the other has all the anti-establishment swagger of Kesey's R.P. McMurphy. This is odd and endearing, since he comes from super-authoritarian North Korea. How did he survive there -- and why does he want to go back?

While you're absorbing Johnson's short stories, read "Hurricanes Anonymous." I was dubious about reading yet another story set in post-Katrina New Orleans. As always, the drama and humor is in the characters and how they face up to the situation. We humans are a strange bunch. It's masterful writer who can help us see a small band of them in new and unusual ways.