Michael Connelly, best-selling author and UF and Independent Florida Alligator alum is now writing about his days as a reporter in Daytona Beach in the 1980s. He’s also writing about his time covering crime in Fort Lauderdale which includes forays into the South Florida cocaine wars.
I met Connelly in the first part of this
century at the Los Angeles Times Book Festival. I came to town for the Wyoming
Arts Council to meet with colleagues at WESTAF, our regional arts organization. Now Creative
West, it keeps track of the MAGA attacks on the arts funding world through its
Action Center.
I waited in a long line to meet Connelly at
the L.A. Bookfest at UCLA and he signed two books because I wore my Gators cap.
The Gator connection led him to take a book tour detour to Wyoming a few years later
and many fans turned out.
The first Connelly novel I read was "The
Poet" (1996) because it was a mystery about poetry (I thought) and it's
set among the two Denver newspapers I once worked for. From 1978-82, I was
writing in-depth articles about prep football, college hockey, and the Coors
Classic cycling race. After that, I was managing editor and columnist for Up
the Creek weekly which had its origins covering rec softball leagues and wet
T-shirt contests at Glendale singles bars. I still have clips if you’re looking
for something to read about the halcyon days of the 80s.
In
The Poet, Jack McEvoy is a crime reporter for The Rocky. When his twin brother Sean,
a Denver homicide detective, is murdered. McEvoy pursues the story. He finds his brother’s murder was staged, and uncovers a
pedophile ring which leads to other murders committee by a serial killer known
as The Poet because he features Poe in his killings. I was impressed. I read
more and now have quite a collection.
The Poet won the 1997 Anthony Award, presented by the Mystery Writers of America and the Dilys Award, presented by the Independent Mystery Booksellers
Association.
When I moved to Denver in 1978, the RMN and Post were
battling for readers. The Post won
the fight.
When I met Connelly in L.A., I asked if he ever made it to
Wyoming. His answer, as I suspected, was no. I asked if he might take a
100-mile detour from his next Denver book stop if we could find funding for a presentation,
reading, and book signing in Cheyenne, Wyoming’s oft-neglected capital city. He
put me in touch with his agent and the YMCA Writers Voice chapter wrote a grant
and brought him to town. An SRO crowd came to the Y’s meeting room where an
arts exhibit arranged by my wife Chris was on display. A great time was had by
all. Barnes & Noble sold a lot of books.
That meeting room is now forever empty. The Cheyenne Family
YMCA closed its doors for good yesterday. No more swimming pool. No more creaky
weight machines. No more Writers Voice.
I send whatever I can to arts organizations in Wyoming, Florida,
and elsewhere. I will report on some of those entities in the coming months. The
anti-arts savagery shown by Trump and his minions have taken a big bite out of the
creative industry. Not surprising since arts and arts education were prime
targets of Project 2025.
I hear from poet and performer M.L.
Liebler in Detroit that “all of our arts programs getting money from the
NEA has collapsed.” Medical research funding has also been hit: “All research
on cancer has been halted.”
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