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| Tommy Shay and his dog Duke |
In Memoriam: Tommy Shay
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| Tommy Shay and his dog Duke |
I finished watching "Untamed" last night. It's a limited series on Netflix starring Eric Bana, Sam Neil, Lily Santiago, and Rosemarie DeWitt, and a great supporting cast. It's set in Yosemite National Park. Shots of El Capitan and other familiar landmarks are blended into the narrative filmed in British Columbia. We again see a series set in the wild landscapes of the U.S. and filmed elsewhere, usually Canada, Trump's imaginary 51st state. The landscapes are gorgeous to look at and made me miss Wyoming and Colorado. The peaks. the trails winding through forests, the sparkling waters of the creeks. Even the ranger unis made me ache for the West. Rangers were our friends, men and women who welcomed us to the parks, delivered campfire chats, and kept things orderly.
I give high marks to "Untamed," its grim storyline and fine acting. It involved me for some five hours. Child abduction. drug-dealing, missing Native American women, murder, and treachery play roles. That is sometimes offset by sheer grandeur. But one thought I came away with was: is this what we've become? We live harsh lives and are harsh with each other. Was it always this way or is it all grim now?
One more thing. Humans can be more savage than predatory animals. That was brought out in the first episode by fearsome roar of a grizzly at a cabin door. Lions and tigers and bears! But humans remain the deadliest animal. First scene. Climbers scaling El Capitan. It is a long way down, a dangerous business this rock climbing. Just as the top climber bangs a spike into the rocks, he looks up and sees a body falling toward him. The body snags the rope and pulls down the climbers but they don't fall. We see a close-up of the body. It is a young woman, clothes ripped, dead eyes stare up. We know the mystery. Did she jump or was she pushed?
It's worth watching. Some scenes stay with me. One takes place in the morgue where the dead woman's (Lucy Cook) body is being stored while park investigators try to discover her identity. National Park Service Investigative Branch Ranger Kyle Turner (Bana) and his new assistant, former L.A. cop Naya Vasquez, try to solve it. There follows lots of creepiness but the scene that lingers is in the morgue. Turner finds a cellphone hidden in the dead woman's backpack. It needs a photo I.D. to open. He takes it to the morgue and requests a picture of the corpse's face. No dice. The eyes have to be open. The morgue tech puts drops in the eyes to make them open unnaturally. Phone still won't open. The morgue tech says hydrogen peroxide has been known to bring life back to dead skin, warm it so it registers for the camera. He brushes it on the cheeks. Bama takes another photo and it works, the phone is unlocked and we're on the way to a resolution or so we think. I was left with the image of Lucy Cook, dead, again staring up, asking "why did you forsake me?"
The New York Times' Mike Hale reviewed the show. The reviewer's main takeaway was the show's bad timing. So who has time to pursue killers when DOGE cuts leave nobody to clean the bathrooms or break up Yellowstone bear jams? Good point.
An accompanying NYT story tells of the few remaining park employees being tasked by the Trump regime with removing comments that "disparage America" from monuments, trail signs, and printed material. Our sins against black slaves and native peoples are being purged from the public records. If this sounds Orwellian to you, you've read Orwell and you're dead-on. The Know Nothings have won. The South has risen again. And we're all up Shit's Creek, somewhere out in the American wilderness.
Post #3,999
What makes a 49-year-old artist abandon his paints and go to war?
That’s the question I pondered when visiting the Ormond Memorial Art Museum & Gardens.
Malcolm Fraser was a Canada-born professional painter and
illustrator who had graduated from the Sorbonne and attended Heidelberg
University. In 1917, he left the U.S., steamed to Europe, and joined, after
some intense training, the French “Blue Devils” unit at the Front. He was
wounded five times and received France’s Croix de Guerre for his heroics.
Later, he joined the A.E.F., was promoted to captain, and served with the American
Red Cross on the front lines.
Fraser ended up spending most of his time in Ormond Beach. Toward the end of his life, he looked for a place to feature his artwork and one that was dedicated to veterans. A $10,000 endowment by Fraser in 1946 got the ball rolling and led to this impressive place.
Its priorities are clear when you leave handicapped
parking and roll through the jungle. As Credence sang:
Better run through the jungle,Better run through the jungle,Better run through the jungle,Whoa, don’t look back and see.
I roll on my electric scooter and Chris walks. A beautiful space, and peaceful. I can barely hear the traffic zooming by on one of Ormond's busiest intersections. We enter the sheltered labyrinth and follow the lines on its painted multicolored surface decorated with butterflies and hummingbirds. It was designed by by Joan Baliker and the late Carol Bertrand and refreshed by Mack Sutton (artists must be named). This one is within a big gazebo and is a great play place for kids. I think about the outdoor stone labyrinth at my hometown Cheyenne Botanic Gardens, now covered with snow.
Along the walkway is a monument by Mark Chew to veterans of the Korean
War. Its streamlined silver surface reaches for the trees and beyond. It's the shape of a flame but cold as the Chosin Reservoir. Around
the next turn is a bronze for Vietnam veterans by Gregory Johnson. On what looks like an old
kitchen chair sits a helmet and canteen. Dog tags and a uniform shirt hang from
the chair back. Its legs straddle beat-up combat boots.
I linger. This was my generation’s war, not mine physically, but it's lodged in the memories of any guy of draft age from that time (December 1968 passed Draft physical Jacksonville FL, high school deferment; December 1969 Selective Service Draft Lottery #128; Navy ROTC midshipman 1969-71; two months served on USS John F. Kennedy as midshipman, summer 1970; released from the Draft on Jan. 1, 1972). I once read this about those times: "Vietnam sucked the soul out of an entire generation."
Memories remain.
Johnson's statue is homey, I think, the things a grunt might leave behind when he changes into civvies. Or it could be a family's reminders of a GI whose psyche never made it back home. Think of war stories: Krebs in Hemingway’s “Soldier’s Home” or Ron Kovic in “Born on the Fourth of July” or Billy Lynn in Ben Fountain’s “Billy Lynn’s Long Halftime Walk” (whatever happened to Ang Lee’s 2016 movie based on the book?).
We emerge from the jungle and its memories. The sun shines on a colorful "Can Do" sculpture by the late Seward Johnson, part of the public art display on Grenada by the Ormond Beach Arts District. Also on the ground is the "Embracing Peace" sculpture celebrating the famous Times Square kiss on VJ Day. Inside the museum, a bronze plaque lists more than 200 residents who served in WW2 (updated in 1999 to list African-American veterans) and one dedicated to WW1 veterans. A WW1 Doughboy helmet rests in a glass case
by Malcolm Fraser’s photo and bio that greet visitors. This is a decorated soldier, and we are
here to see his artwork.
(To be continued)
Aug. 18 was the last time I posted to my blog on my PC at my Cheyenne writing desk. Chris and I moved out of our house in Cheyenne on Aug. 22. New owners took over and we shuttled down to Denver Aug. 24 and got on a plane to Orlando. My PC was packed in a U-Haul trailer with many of my other valuables and my son and his girlfriend embarked on a road trip to Ormond Beach. We unpacked and Kevin and Luisa stayed with us a couple days and we took them over to the Orlando shuttle and said farewell, for now.
On Sept. 9, I made a detour to La-La Land (a.k.a. Advent Health Hospital) for a medical journey that I partly chronicled via my cellphone at https://hummingbirdminds.blogspot.com/2024/10/homecoming-ormond-by-sea-oct-4-2024.html. I cross-posted it on my Facebook page and my friends said WTF or something like that. I had numbness in my arms and legs and urged Chris to call 9-1-1 and the ambulance took me to the E.R. where I promptly had two seizures and they coded me twice. The very good ER crew intubated me, put down a feeding tube, and stuck with an assortment of IVs. I spent the next four days in I.C.U. none of which I remember. My wife took a picture of me as I was transported and I swear I look like an old man who almost died. Which I was. When I awoke in I.C.U. the next day, I was a bit fuzzy on the month and the day of the week and struggled with my name and birthdate. I would have been scared but I was too high (Fentanyl the E.R. notes said) to be scared.
Read more in my earlier post. I had to relearn how to pick up a spoon and walk. Reality set in and I got very scared. I asked to read the E.R. notes on the hospital's MyChart. A total of 11 staff worked on me, Doctors and nurses and techs and X-ray people. My story sounded like someone else's story They gave me a big dose of antibiotics because they detected a bacterial infection of unknown origin and it caused sepsis which is really bad and sometimes people die of it -- some call it blood poisoning. If it sounds as if I was in a remote region of Indonesia and stirred up some bad juju, I was not. Cheyenne was the most exotic place I'd been and then meandered through construction at the Denver airport (I was nowhere near the giant red-eyed horse or the Illuminati types who haunt the basement), but then I did get on a plane and you know know how many germs one finds there and then I was in the Orlando airport with many sneezing children and spirits from the Pirates of the Caribbean.
But it was none of those. The nearest I could figure was the staph infection I had in a leg wound that was treated with antibiotics and skin grafts were applied. Maybe the antibiotics didn't do their job or the grafts were somehow infected. This is all conjecture. I was a sick puppy who spent 25 days in the hospital, half of that time in the 12th floor Therapy Center which takes only stroke patients, the partially paralyzed, the fully paralyzed and some Dementia patients. I received four to five hours of OT and PT five days a week.
A few days in, PT Adam asked me to see far I could walk with the help of my walker. 5.5 feet was all I could do. Later, he had me try again and I got my Irish up and went 10 feet. He gave me an attaboy and I kept moving the line 5-10 feet a day. I wanted to cry sometimes but I pushed those tears deep inside and used them for fuel for my damaged leg muscles. My last day, I walked 50 feet, rested, and walked 50 more, squeezing out the last few steps.
Chris was with me the whole time although she only spent two nights with me -- the last one during Hurricane Helene which wasn't much of a hurricane at all in our part of Florida. We had to wait for MIlton for that. A big thank you to all of my family members, especially those who yearned to bring me some white shrimp from Hull's Seafood, But I passed as the tasteless hospital food was all I was supposed to eat. The infection or all the drugs took away my taste buds. They are back now after several dosings of hot salsa and Extra Flamin' Hot Cheetos. Damn, those things are hot. I loved the Cheetos TV movie, by the way.
One last thing. I talked to my Evangelical Christian daughter and told her that someone or some presence was holding my hand while I was not fully there. Might have been one of my brothers, Pat or Dan, or my parents. No, she said, God was holding your hand. All you have to do is ask and He will be here for you. I didn't ask, but he might have been there anyway.
I returned home yesterday, Oct. 4. It was day 25 of my stay at Advent Health Daytona Beach. The fresh air was bracing, although the temp was a warm 85. It felt like heaven to me.
Chris was driving. It will be awhile before I’m confident
enough to get behind the wheel. I have my Florida driver’s license and about 58
years experience behind the wheel. I just don’t have my wits about me. I just
got over a nasty case of septicemia or blood poisoning. I read all the
physician and nurses’ notes in my online chart. A potent staph infection from a
leg would had entered my bloodstream and propagated until it caused my body to
seize up and stopped my heart – twice. Due to quick action by my wife Chris,
The ER staff came running, pulled me back from the brink, and I began what I
guess I can call my healing journey. It really was a giant shit sandwich that’s
still going to take a couple months to recover from.
First the good news: Here I am. I need a walker to get
around but I’m getting around, slowly. Seems that when my body got whacked by
microscopic bugs, it forgot how to take one step after the other. I’m one of
the lucky ones. First, I will walk again probably with help. Second, I’m still
on Planet Earth to do so. Maybe that’s first, I still get a bit confused by priority
lists. When I first awoke in ICU, I had no idea where I was nor who I was.
Well, I knew my name but that’s about it.
Nurse: "What month is it?"
Me: "Uh..."
Nurse: "Do you know the month?"
Me: "August?"
Nurse: "Close. September."
The last half of my hospital stay was in the excellent
Advent Health Therapy Center which occupies the entire 12th floor of
Advent Daytona. The staff is first-rate:
physicians, nurses, techs, physical and occupational therapists. When you go to
the twelfth floor, you sign up for OT and PT for four to five hours daily. You’re
assigned exercises to do in your room. The nurses are always there to help and
a more empathetic yet stern bunch would be hard to find. I love them all.
My first task after I got out was to round up a seafood meal
that was on the healthy side and sit down with my wife at home and enjoy. My
choice was the planked salmon dinner at Stonewood Grill & Tavern with
shrimp and scallop skewers on the side. I didn’t so much eat it as swim through
it. A pleasurable swim to be sure, one topped off by Key Lime Pie. It was a big
deal because Chris and I arrived in Ormond Beach on August 24 and were busy
getting organized until Sept. 9 when venomous bacteria came to call. I had not had a
single seafood meal nor had I been to the beach. There was a big old ocean out
there but it might as well have been Wyoming’s Red Desert.
So I’m home. Now what?
Our cat Lacey died yesterday. She was old, 18 or 20, which is ancient for a cat. She was a Holstein variety, mottled black-and-white like the namesake cow. Chris, Annie, and I took her to the vet after she went a week without eating. She was still getting around but losing weight fast. She spent most of her time wrapped up in the cat bed in my home office. We had watched her snuggle up to the heater vent for awhile and we put an electric blanket at the bottom of her bed. She seemed to like that.
Sometimes it's easy to tell when a pet has reached its end. We've had so many. Annie's Shelter dog Coco had a huge tumor on her head and blood tests revealed cancer. She was still pretty young but we knew she was in for months of pain so we took her for one last walk and opted to say goodbye at Avenues Pet Clinic. We spread her ashes in her favorite pond in the park. Not sure if that was legal but we were crying too hard to care.
Annie found Lacey five years ago at the Loveland, Colo., Animal Shelter. It's a really nice shelter, newer than most in the area. Annie, Chris and I had come to find a kitten to keep Annie company in her new Fort Collins apartment. So many cute kittens. Annie didn't show much interest so we passed by until we got to a large cage with one noisy occupant -- Lacey. A very pretty cat with a very loud voice. She came right up and pressed her face against the cage, begging for a touch. Annie obliged. I read the cat's description: "Dipstick, healthy older cat, declawed, female." As Annie played with the old lady cat with the dumb name, Chris and I found other cute kittens that Annie roundly ignored. We knew which cat Annie was going home with.
As it turned out, Annie left Fort Collins shortly thereafter and moved home to Cheyenne. She brought the cat with her, now called Lacey because that seemed to fit her better and it reminded Annie of the Irish Lace she likes so much. Teddy, our big male cat, was not amused. He's an outdoor cat who prowls the neighborhood and everyone knows him. He's a hunter. Annie adopted him as a kitten along with another kitten she named Bubba. Teddy and Bubba grew up together until Bubba disappeared one night and we never saw him again. We thought it oddly coincidental that a big owl made his home at the top of the neighbor's blue spruce around the same time. Owls are hunters too.
Teddy and Lacey did not get along. Teddy ruled the roost and Lacey was old and cranky. Teddy would whack at her with his big paw and Lacey backed up and hissed like a cobra. With no claws and small stature, she had to be vocal and scary. We also found out quickly that she was deaf. To make up for the silence, she filled the house with vocals. You always knew where she was, and maybe that was her point.
When Annie first took her outside on a nice spring day, she seemed stunned. It was all new to her, this outdoors stuff. She wandered through the yard sniffing at everything. She discovered grasshoppers and it was one prey should could snatch without claws. All that summer, she captured hoppers in her mouth and they bounded around our house for months.
Lacey found a home in my office. I write every morning and she seemed mostly content with sleeping at my feet or in her bed. When I rubbed her head, she looked up at me with those big eyes and seemed a bit surprised that I existed.
Annie and I looked into her eyes yesterday as the vet administered first the numbing shot and then the kill shot. It was sad to see the light go out of her eyes. Before her spirit flew, she uttered one more meow.
She had such a beautiful presence in the world. I know I am going to wake up in the middle of the night and hear her. I may hear her over the coming years. I may hear her when the light goes out of my eyes, welcoming me to The Great Beyond, where cats have their voice, their hearing, and their claws, and where I can spend eternity with the pets and people who made this life living.
My daughter Annie invited me to go on the Friday ArtWalk. I used to go every month when I worked at the Wyoming Arts Council. Then I retired and went less often. Then I hurt my spine and needed a walker to get around. Then came Covid and there was no ArtWalk. Then Covid was over and my wife Chris was diagnosed with breast cancer.
ArtWalk was taken over by Arts Cheyenne in 2022 after a ten-year run in the hands of local artist Georgia Rowswell. It's gone from the second Thursday of the month to a First Friday arts event. It includes visits
to local galleries, such as Clay Paper Scissors and new arts venues such as the
Cheyenne Creativity Center downtown. There's new art to see, lots to eat and drink, and music by local musicians.
I hadn’t been to a First Friday before Annie invited me.
She’s an artist too, you see, and just getting involved in the local art scene.
Since most of my professional life was spent as an arts administrator where I
did a lot of arts stuff, Annie depends on me for insight into that world. I
laugh inwardly, not wanting to think about all of the things I don’t know about
the art world. I know just enough.
Last night I realized that my social skills are not as
fine-tuned as when I regularly had to schmooze with artists, writers, gallery
owners, politicians, just plain folks. I was quite adept at small talk and most
of the time I was on hand as a professional from the state arts agency and
people expected me to say something enlightening. I tried. More than once I had
to say I didn’t have an answer and I would get back to them on it. And I did.
That’s how I learned. OJT. There are people born as arts administrators, there are
those who go to college for it, and there are those who learn through trial and
error. I am in this latter category. While in grad school at Colorado State, I helped
arrange readings by writers. I had attended quite a few as a fan and someone
busily writing fiction while I tried to make a living in other ways. I had no
real sense of what it took to put on a reading. I found out at CSU.
I also did my first try at administering the arts. One of
my faculty mentors, Mary Crow, asked if I wanted to serve on the Fine Arts Series.
I was trying to get to class, teach a couple sections of composition, workshop
my own writing, and find way to spend time with my wife and young son.
Naturally, I volunteered. The Fine Arts Series meetings were busy and
congenial. Its members included undergraduates and graduate students. Also CSU
staff including the director, Mims Harris. I stepped into a semester that
featured music and dance performances, an annual poster art show, and literary
events. I volunteered for the latter. Thus began my journey.
Last night, I felt detached from that world. Early in
retirement, I made a choice to spend time with my own writing and not volunteer
for arts events. And then all of those other things happened and I found myself
out of the loop. There was a lot I really liked about the loop. Educating
myself and meeting new people. I liked that. Paperwork? Not so much. Annie has
had a few arts-related jobs and is learning. My son volunteers for the local
theatre and he also is discovering the joys and sorrows of THE LIFE.
I plan on attending more ArtWalks, readings, book signings, and the annual Governor’s Arts Awards gala. I miss it. I continue writing – that’s a priority. But all work and no play make Mike a dull boy. My advice: stay in touch with your schmoozing self. It keeps you engaged and the mind working, a concern for anyone over 70 which is where I find myself. I could play Wordle or assemble 1,000-piece puzzles. That would sharpen my synapses. I could do any number of things in retirement. An Atlantic Magazine Online piece this week asked "Why so many people are unhappy in retirement." The subhead: "Too often, we imagine life to be like the hero's journey and leave out the crucial last step: letting go." I could only read the first graf before the paywell clicked in. But I got the gist. Nobody wants to let go. Our entire life is based on beingness. We are not equipped to grasp nothingness. So we rage, rage, against the dying of the light. Or we sulk. Or lurk on social media. Or watch Fox News all day and experience the sweet rush of having our brains sucked from our heads.
I will choose engagement. I feel alive then and can delay thoughts of letting go for just one more day.
The April 9 New York Times op-ed section featured a piece with this heading: " 'Death Cleaning': A Reckoning With Clutter, Grief and Memories." There were letters from more than 500 responses from the paper's request for personal stories about getting rid of a lifetime of possessions or those of a relative.
Responses were interesting and heartbreaking. Chris and I, both retired, have decided to clean out the clutter of our own lives as we contemplate a move to a retirement community. Her approach is "everything must go" and mine is "almost everything." This reveals the difference in our backgrounds. She is adopted, an army brat with one sister (also adopted) who had to help her mother purge much stuff for many moves. I am the oldest of nine. During our childhood, we moved quite a few times and, in adulthood, we've moved more that Chris's sister and her Navy lifer husband. We've done some purging over the years. Yet, now, we still have an entire household of stuff. We've lived here for 16 years. I look around my writing room and see photos of my kids at various stages and family photos of relatives. Books and papers are piled on every surface. And this is the tip of the iceberg. I have bookshelves filled with books and boxes upon boxes of books in the basement.
When Chris retired a year ago, she embarked on a cleaning binge monumental in scale. Everything must go! And much did. A local nonprofit removed most of the furniture from the basement. We donated three sets of china to Goodwill, sparing boxes of teacups and saucers that went to the local botanic gardens for its Mother's Day teas. We remodeled our upstairs bathroom and redid the kitchen floor. Chris called the junkman who came and removed old lawnmowers and tools from the storage shed, even had them remove an old storage shed that was home to items dating back to the previous owner. She ripped up all of the carpets and exposed our very nice wood floors.
Since I am partially disabled, I was tasked with sorting through books. How I sorted. Our daughter hauled a dozen boxes out the door to the library sales room where she volunteers. Still, many books remain.
I also have two large plastic bins with dozens of journals dating back to 1972. I was going to donate them to my kids, both dedicated readers who like to write, and hope they would find some lasting value in them. I lasted one day reading through my life, gave up, and put the bins back in the closet. It's quite sobering to contemplate a life. Most entries are mundane, even boring. Some are embarrassing. I decided that the journals have to go but not yet, as I have more reminiscing to do. How long will I procrastinate? Until I am unable? Not exactly what I had in mind for my kids. And not what they had in mind either.
I did not have to sort through my parents' goods. I lived far away at the time and my siblings took care of it. My mother died at 59 of ovarian cancer and my grieving father called in my four sisters to go through her things and they did it cordially. I inherited a third of my accountant father's library and all of his clothes as we were the same size. I still wear his Aran Islands sweater. My father bought it in Ireland and rarely has occasion to wear it in Central Florida. I live in Wyoming so the sweater is my friend most times of the year. I wear his sport coats and they will undoubtably go to Goodwill when the time comes.
The books and the journals -- those are the sticking points in our Death Cleaning saga.