Malcolm Fraser flies with the angels at Ormond Memorial Art Museum & Gardens

What makes a 49-year-old artist abandon his paints and go to war?

That’s the question I pondered when visiting the Ormond Memorial Art Museum & Gardens.

Malcolm Fraser was a Canada-born professional painter and illustrator who had graduated from the Sorbonne and attended Heidelberg University. In 1917, he left the U.S., steamed to Europe, and joined, after some intense training, the French “Blue Devils” unit at the Front. He was wounded five times and received France’s Croix de Guerre for his heroics. Later, he joined the A.E.F., was promoted to captain, and served with the American Red Cross on the front lines.

Fraser ended up spending most of his time in Ormond Beach. Toward the end of his life, he looked for a place to feature his artwork and one that was dedicated to veterans. A $10,000 endowment by Fraser in 1946 got the ball rolling and led to this impressive place.

Its priorities are clear when you leave handicapped parking and roll through the jungle. As Credence sang:

Better run through the jungle, 

Better run through the jungle, 

Better run through the jungle, 

Whoa, don’t look back and see.

I roll on my electric scooter and Chris walks. A beautiful space, and peaceful. I can barely hear the traffic zooming by on one of Ormond's busiest intersections. We pass the sheltered labyrinth and follow the lines on its painted multicolored surface decorated with butterflies and hummingbirds. It was designed by by Joan Baliker and the late Carol Bertrand and refreshed by Mack Sutton (artists must be named). This one is within a big gazebo and is a great play place for kids. I think about the outdoor stone labyrinth at my hometown Cheyenne Botanic Gardens, now covered with snow. 

Along the walkway is a monument by Mark Chew to veterans of the Korean War. Its streamlined sliver surface reaches for the trees and beyond. It's the shape of a flame but cold as the Chosin Reservoir. Around the next turn is a bronze for Vietnam veterans by Gregory Johnson. On what looks like an old kitchen chair sits a helmet and canteen. Dog tags and a uniform shirt hang from the chair back. Its legs straddle beat-up combat boots.

I linger. This was my generation’s war, not mine physically, but it drifts in the memories of any guy of draft age from that time (December 1969 Selective Service Draft Lottery #128, Navy ROTC midshipman 1969-71, two months served on USS John F. Kennedy as midshipman, summer 1970, released from the Draft on Jan. 1, 1972). It’s homey, I think, the things a grunt might leave behind when he changes into civvies. Or it could be a family's reminders of a GI whose psyche never made it back home. Think of war stories: Krebs in Hemingway’s “Soldier’s Home” or Ron Kovic in “Born on the Fourth of July” or Billy Lynn in Ben Fountain’s “Billy Lynn’s Long Halftime Walk” (whatever happened to Ang Lee’s 2016 movie based on the book?).

We emerge from the jungle and the sun shines on a colorful "Can Do" sculpture by the late Seward Johnson, part of the public art display on Grenada by the Ormond Beach Arts District. Also on the ground is the "Embracing Peace" sculpture celebrating the famous Times Square kiss on VJ Day. Inside the museum, a bronze plaque lists more than 200 residents who served in WW2 (updated in 1999 to list African-American veterans) and one dedicated to WW1 veterans. A WW1 Doughboy helmet rests in a glass case by Malcolm Fraser’s photo and bio that greet visitors. This is a decorated soldier, and we are here to see his artwork.

(To be continued)