I'm too old and jaded to be a fanboy.
Maybe that's why I dislike standard comic book hero movies. They're like fireworks displays. Lots of pop and sizzle, but what are you left with? I like movies that have substance or are just downright weird. "Logan" had substance. "Deadpool" was weird and profane.
The new "Wonder Woman" has substance and weirdness. I really liked it.
Who would have thought that World War I could be so topical? A century after the U.S. blundered into The Great War, many of its themes have come back to haunt us. How does a country blunder into war? Can you say Vietnam and Iraq? Who uses poison gas? Can you say Saddam Hussein and Bashar al-Assad? What country bombs civilians? Bet you can't name just one.
Here's another question: If Wonder Woman finds and kills Ares, the ancient God of War, will war cease to exist?
You will get no spoilers from me. But "Wonder Woman" is traditional in that it places a quest as its central theme. Diana (a.k.a. Wonder Woman, played by Gal Gadot)), the only child on the mysterious island of the Amazons, trains to be a warrior. No surprise, then, that she gets the call to save the world. The call comes in the form of an American spy (Capt. Steve Trevor, played by Chris Pine) who crashes a stolen German plane into the sea off the island. WW rescues him. Trevor has stolen the poison gas recipe book from the German mad scientist (Doctor Poison) who is managed by German General Ludendorff, one of the few historical figures portrayed in the movie. Ludendorff wants to keep Germany in the war during its waning days of November 1918, when an armistice is threatening to break out. The general commands his troops to find the spy and the stolen book. They follow the spy to the island and a battle ensues where WW discovers a hint of her superpowers.
That's a lot so far, but the action has barely begun. It's charming to think that the German mad scientist would have a poison gas recipe book. She wears a facial prosthetic due to a war wound, possibly damage from a gas attack. On the Allied side of the war, French artists made facial prosthetics for soldiers disfigured in battle. One can only assume that artists in other countries were doing the same. While the war's casualties were horrendous, modernized battlefield medicine saved many who would have died in previous wars. So we called on our artists for a solution.
I'm not going to tell you whether WW stops Ares' mad reign with her God Killer Sword, that World War I truly was the "war to end all wars." As we all know, the world is a wicked and warlike place. Ares himself tells us that it's not his fault that humans are so warlike. He just helps them along a little and they do the rest.
Taking a page from the book of Sisyphus, humankind replays its fate over and over again. If only we had one person to blame it all on.
Alas, war is hell, as WW sees. It also is forever. Zeus created humans and within us lies the seeds of our own destruction. If that's not a timely lesson, well, you haven't been paying attention.
P.S.: After I wrote this, I read other reviews of the movie, including one on Roger Ebert's web site, Vulture and in conservative National Review. The best was by Mark Hughes in the May 30 Forbes. It's a blend of industry forecast -- he predicts that "a $90 million domestic opening with a 3.2x multiplier would get it to a stateside cume about $288 million" -- and insight. And he shows some real insight.
Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts
Tuesday, July 18, 2017
Monday, July 03, 2017
Denver Comic Con -- an unexpected place to find some good advice on literary fiction
Chris and I accompanied our Millennial daughter Annie to Denver Comic Con on Saturday.
"Accompanied" might be a bit of a stretch, since she ditched her Boomer parents as soon as it was feasible. This wasn't too hard as she already had her entrance ID so just got into the line surging toward the Colorado Convention Center. Chris had to find a shady spot to test her blood glucose levels while I searched for the "will call" window. I was on a mission to trade in my paper tickets for entrance badges. I walked around the entire Con Center which looks a bit like a starship at rest, one with a gigantic blue bear staring inside. It could be an alien bear, an anime bear, a bear that is also a shapeshifter, a perfect disguise for an "Aliens"-style alien, or one from "The Predator" series, or those rapacious aliens in "Independence Day" or "War of the Worlds."
The heat may have been getting to me. I kept yearning to be in the AC with a cool Brewt, the official beer of Comic Con from Breckenridge Brewery. But first, I had to crack the code that would let me inside. I located various long lines, none of which were the correct ones. I finally found the "will call" line when I saw others of the dispossessed using their paper tickets as fans. The line moved fast as it was mostly in the shade of one of the DCC's giant wings. Twenty minutes later, I had our badges and eventually located Chris and we finally were admitted to the inner sanctum.
I was unofficially the oldest person in the building. Even veteran actor Kate Mulgrew, whom we heard speak in the BellCo Theatre, is younger than me by a few years, if my arithmetic is correct. Captain Janeway has transformed herself into the dastardly prison den mother in "Orange is the New Black." Her Russian accent is pretty good, which may hold her in good stead with our new Overlord, Vlad Putin. Mulgrew is the oldest of eight in an Irish-Catholic family (I am the oldest of nine). That wasn't the only thing we had in common. She said that reading is the basis for success. She is working on her second book while ensconced in her house in Galway reading through the Irish masters: Joyce, Trevor, O'Brien. This summer, she is even tackling Proust, which earns her major brownie points in the literary world.
Janeway is still the only female captain in the long-running "Star Trek" series. She hears rumors that one of the top-ranking officers in the latest series (set to debut this fall) is female. But she is not the captain. Mulgrew is a big Hillary fan which automatically makes her a big non-fan of whatever alien life form now occupies the White House. That's as close as she got to politicking which, she said, speakers were warned to steer clear of. As if....
People watching was the best use of my time. So many cosplayers from so many different books and TV shows and movies. One person was dressed as the Lego captain. He must have been hot in there. Princess Leia continues to be popular, as are various Trek characters. Annie is a big "Doctor Who" fan and there were plenty of doctors and even a few Daleks. One of my faves was a hoodie-wearing Donnie Darko and the Big Scary Rabbit that haunts his life in the movie. We ran into some theatre friends from Cheyenne all costumed up, including two female Ghostbusters.
We lunched on soggy overpriced sandwiches. We went to one of the NASA panels that addressed "The Science of Star Trek." The speakers quizzed us on the feasibility of Trek items, including communicators, transporters and artificial intelligence. Communicators were an obvious yes but a big no on the molecule-rearranging transporter ever seeing the light of day. This dooms my dream of someday avoiding the drive from Cheyenne to Denver. I would trade the possibility of misplaced molecules with driving I-25 any day.
My day ended with an authors' track panel entitled "Start Short, Get Good." The five published panelists spoke of writing short stories as a way to break into the sci-fi lit world. Catherynne M. Valente, author of "The Orphan's Tales," said this: "It's always been a hustle to get short fiction published." And this: "It's a struggle to get people to read short stories who also are not aspiring writers." As a test, she had audience members raise their hands who read short stories -- the majority of us complied. Then she asks for a show of hands of aspiring writers -- many raised hands. That got a laugh.
This continues a theme that I have heard for decades at everything from national AWP conferences to Wyoming Writers, Inc., conferences to book festivals. The question is: Are you buying and reading the work of the authors you like? That patronage is crucial to the survival of small presses and literary magazines.
Michael Poore ("Up Jumps the Devil") spoke up for the survival of these small markets. He said that he publishes some of his "character-driven stuff" in the literary markets.
"Genre fiction has lots of rules," Poore said. "In a literary story, you can get away with more. People tell me that they read my stories but don't like stories that don't end."
That sounds like a great description if literary fiction -- stories that don't end. I remember my insurance salesman uncle saying that he liked my first book of stories but was surprised that they had no end. Slice of life. Minimalism. Whatever term you use, it's shorthand for literary fiction which doesn't always coexist with genre fiction. Poore, on the other hand, seems to live in both worlds. He has published stories in some of the best litmags (Agni, Glimmer Train, Fiction) and sci-fi mags such as Asimov's. His story "The Street of the House of the Sun," was selected for The Year's Best Nonrequired Reading 2012, edited by Dave Eggers.
So, by the end of the day, I at last has found my tribe. These panelists face the same challenges I do, which warmed the cockles of my heart and made me very, very thirsty.
I went in search of Brewt.
"Accompanied" might be a bit of a stretch, since she ditched her Boomer parents as soon as it was feasible. This wasn't too hard as she already had her entrance ID so just got into the line surging toward the Colorado Convention Center. Chris had to find a shady spot to test her blood glucose levels while I searched for the "will call" window. I was on a mission to trade in my paper tickets for entrance badges. I walked around the entire Con Center which looks a bit like a starship at rest, one with a gigantic blue bear staring inside. It could be an alien bear, an anime bear, a bear that is also a shapeshifter, a perfect disguise for an "Aliens"-style alien, or one from "The Predator" series, or those rapacious aliens in "Independence Day" or "War of the Worlds."
The heat may have been getting to me. I kept yearning to be in the AC with a cool Brewt, the official beer of Comic Con from Breckenridge Brewery. But first, I had to crack the code that would let me inside. I located various long lines, none of which were the correct ones. I finally found the "will call" line when I saw others of the dispossessed using their paper tickets as fans. The line moved fast as it was mostly in the shade of one of the DCC's giant wings. Twenty minutes later, I had our badges and eventually located Chris and we finally were admitted to the inner sanctum.
I was unofficially the oldest person in the building. Even veteran actor Kate Mulgrew, whom we heard speak in the BellCo Theatre, is younger than me by a few years, if my arithmetic is correct. Captain Janeway has transformed herself into the dastardly prison den mother in "Orange is the New Black." Her Russian accent is pretty good, which may hold her in good stead with our new Overlord, Vlad Putin. Mulgrew is the oldest of eight in an Irish-Catholic family (I am the oldest of nine). That wasn't the only thing we had in common. She said that reading is the basis for success. She is working on her second book while ensconced in her house in Galway reading through the Irish masters: Joyce, Trevor, O'Brien. This summer, she is even tackling Proust, which earns her major brownie points in the literary world.
Janeway is still the only female captain in the long-running "Star Trek" series. She hears rumors that one of the top-ranking officers in the latest series (set to debut this fall) is female. But she is not the captain. Mulgrew is a big Hillary fan which automatically makes her a big non-fan of whatever alien life form now occupies the White House. That's as close as she got to politicking which, she said, speakers were warned to steer clear of. As if....
People watching was the best use of my time. So many cosplayers from so many different books and TV shows and movies. One person was dressed as the Lego captain. He must have been hot in there. Princess Leia continues to be popular, as are various Trek characters. Annie is a big "Doctor Who" fan and there were plenty of doctors and even a few Daleks. One of my faves was a hoodie-wearing Donnie Darko and the Big Scary Rabbit that haunts his life in the movie. We ran into some theatre friends from Cheyenne all costumed up, including two female Ghostbusters.
We lunched on soggy overpriced sandwiches. We went to one of the NASA panels that addressed "The Science of Star Trek." The speakers quizzed us on the feasibility of Trek items, including communicators, transporters and artificial intelligence. Communicators were an obvious yes but a big no on the molecule-rearranging transporter ever seeing the light of day. This dooms my dream of someday avoiding the drive from Cheyenne to Denver. I would trade the possibility of misplaced molecules with driving I-25 any day.
My day ended with an authors' track panel entitled "Start Short, Get Good." The five published panelists spoke of writing short stories as a way to break into the sci-fi lit world. Catherynne M. Valente, author of "The Orphan's Tales," said this: "It's always been a hustle to get short fiction published." And this: "It's a struggle to get people to read short stories who also are not aspiring writers." As a test, she had audience members raise their hands who read short stories -- the majority of us complied. Then she asks for a show of hands of aspiring writers -- many raised hands. That got a laugh.
This continues a theme that I have heard for decades at everything from national AWP conferences to Wyoming Writers, Inc., conferences to book festivals. The question is: Are you buying and reading the work of the authors you like? That patronage is crucial to the survival of small presses and literary magazines.
Michael Poore ("Up Jumps the Devil") spoke up for the survival of these small markets. He said that he publishes some of his "character-driven stuff" in the literary markets.
"Genre fiction has lots of rules," Poore said. "In a literary story, you can get away with more. People tell me that they read my stories but don't like stories that don't end."
That sounds like a great description if literary fiction -- stories that don't end. I remember my insurance salesman uncle saying that he liked my first book of stories but was surprised that they had no end. Slice of life. Minimalism. Whatever term you use, it's shorthand for literary fiction which doesn't always coexist with genre fiction. Poore, on the other hand, seems to live in both worlds. He has published stories in some of the best litmags (Agni, Glimmer Train, Fiction) and sci-fi mags such as Asimov's. His story "The Street of the House of the Sun," was selected for The Year's Best Nonrequired Reading 2012, edited by Dave Eggers.
So, by the end of the day, I at last has found my tribe. These panelists face the same challenges I do, which warmed the cockles of my heart and made me very, very thirsty.
I went in search of Brewt.
Monday, May 16, 2016
Cheyenne Comic Con leads to jam-up at Little America parking lot
You'd think that the sprawling parking lot at the Little America Conference Center would be spacious enough for all of the comic book geeks and gamers and cosplayers in Cheyenne.
Think again.
About noon on a gray May Saturday, Little America's lots were overflowing. As Chris and I left for lunch, a Cheyenne traffic cop blocked the entrance, sending Comic Con fans to the overflow lot at the events center on Lincolnway. As we drove away, we saw people parking at the old pancake house on the east side of I-25. Ghostbusters and star troopers and anime girls trudged through the rain for their date with destiny or at least their date with stars in the sci-fi/fantasy universe.
I'm a newbie (noob) to comic cons of all stripes. So, when I use a term such as "cosplay" or "anime," I may not know what I'm talking about. My kids do, but they're away in their own universes. But one thing was clear to me -- the first Cheyenne Comic Con was off to a good start. And I had to wonder -- how come we've never had this kind of parking crush at a poetry reading?
Chris, a long-time Star Trek fan, bought tickets for Cheyenne Comic Con (hereafter known as C3) when news first broke about the event. In the ensuing months, I had retired, collected Social Security, used my Medicare card several times and went under the knife for knee replacement surgery. Not your usual geek pastimes. However, it gave me a leg up (so to speak) at a Comic Con as I was one of the few attendees who was part robot. Not only do I have bionic knees but also an implantable cardioverter device (ICD) that beams signals about my heart condition to a telemetry lab and can shock me back to life should I descend into a fatal arrhythmia. Fatal Arrhythmia -- sounds like a comic book character's name, a villain, I would think.
Fatal Arrhythmia: Die, Captain Cardiac!
Captain Cardiac: Fie on you, Fatal Arrhythmia. I live many lives thanks to modern medical marvels.
F.A.: But I am a super-villain.
C.C.: And I am on Medicare!
Look for more adventures coming soon from You Kids Get Off My Lawn Comics.
At the Comic Con vendor fair, I bought a number of comics. I was curious about this industry which is gobbling up shelf space at all of my local bookstores. We also have several comic book stores in downtown Cheyenne. One of them, The Loft, was the impetus behind C3.
It's no news that comics are big. But I usually read books, such as the kind you find at the library. They are printed (usually without illustrations), bound and finished off with a nice cover. Some of them are several hundred thousand words long, which seems big unless you've read War and Peace.
But writers still write the stories featured in comics and graphic novels. Bob Salley is a graduate of the University of Pittsburgh M.F.A. program and studied with a novelist I admire, Lewis "Buddy" Nordan. He was a fan of comic books and entered that world in an attempt to make a living as a creative person, much as other MFAers such as yours truly got into the world of arts administration, while others enter education, cab driving and the lucrative food service industry.
Salley writes a series called The Salvagers. His is a collaborative process, unlike the act of writing your average literary novel. Illustrator at his Think Alike Productions is George Acevedo, colourist is DeSike and HdE does the lettering. They even designed a special giveaway comic for C3 which features The Salvagers in "The Wreck Raiders." If you bought one of the press's graphic novels, you received a signed copy of the comic. So that's what I did after a lively conversation with Salley. He saw my composition book and pulled his notebook out of a backpack. It was filled with ideas for new stories. I showed him some pages from my journal. They included everything from rough drafts of stories to to-do lists to notes from meetings and events such as C3. This is the kind of geeky stuff that writers do.
Salley and I talked about trading stories and staying in touch. I am fascinated by graphic novels. To belittle them is to negate the life experiences of a big chunk of America. Million read comics. Millions more watch sci-fi/fantasy.superhero movies. Others like to dress and act like Sailor Moon or Iron Man. Creative writing. Filmmaking. Theatre. All creative pursuits being practiced by the people attending any comic con.
I bring this up because the arts funding world has been slow to recognize what's happening all around us. All of these creatives are selling their wares and attempting to make a living. To that end, they travel the Comic Con circuit like bands of gypsies. Do any of them make a living? Some vendor booths are more crowded than others. Some, such as Cheyenne's Warehouse 21 and Winged Brew ("We make tea cool") sell products and services. Others, such as actors on popular cable shows and films, get paid to hobnob with the hoi polloi and charge for autographs and photos. Chris and I paid $60 for an autograph and photo with Ernie Hudson, best known as Winston Zeddimore in the first two "Ghostbusters" movies. He's a nice guy. We like him in the Netflix series "Grace and Frankie" where he plays Frankie's (Lily Tomlin's) love interest. They may have to kill him off as he's slated to be in a new futuristic cop drama called "APB." Hudson let slip later in a Q&A that he attended Yale Drama School with Sigourney Weaver and played boxer Jack Johnson on stage in "The Great White Hope." I was impressed. I am also impressed that Hudson was a Ghostbuster and has a cameo in the upcoming "Ghostbusters" sequel.
What impressed me most at C3? The size of the crowds. "This is better than the Fort Collins Con," said one vendor. This is especially impressive because Cheytown has an inferiority complex when it comes to out neighbor FoCo across the border, where everything is bigger and better and hipper. Except for Comic Con, it seems -- lots of those cars parked higgledy-piggledy in the parking lot bore Colorado plates.
Also, people had fun. Think about that next time you're at an arts event or a poetry reading or even one of my prose readings. Are you enjoying yourself? If the answer is "no," you may want to plan for C3 Part Deux set for May 2017. Or you can check out a con near you. Find out what floats your boat (or steers your starship) and get after it.
Think again.
About noon on a gray May Saturday, Little America's lots were overflowing. As Chris and I left for lunch, a Cheyenne traffic cop blocked the entrance, sending Comic Con fans to the overflow lot at the events center on Lincolnway. As we drove away, we saw people parking at the old pancake house on the east side of I-25. Ghostbusters and star troopers and anime girls trudged through the rain for their date with destiny or at least their date with stars in the sci-fi/fantasy universe.
I'm a newbie (noob) to comic cons of all stripes. So, when I use a term such as "cosplay" or "anime," I may not know what I'm talking about. My kids do, but they're away in their own universes. But one thing was clear to me -- the first Cheyenne Comic Con was off to a good start. And I had to wonder -- how come we've never had this kind of parking crush at a poetry reading?
Chris, a long-time Star Trek fan, bought tickets for Cheyenne Comic Con (hereafter known as C3) when news first broke about the event. In the ensuing months, I had retired, collected Social Security, used my Medicare card several times and went under the knife for knee replacement surgery. Not your usual geek pastimes. However, it gave me a leg up (so to speak) at a Comic Con as I was one of the few attendees who was part robot. Not only do I have bionic knees but also an implantable cardioverter device (ICD) that beams signals about my heart condition to a telemetry lab and can shock me back to life should I descend into a fatal arrhythmia. Fatal Arrhythmia -- sounds like a comic book character's name, a villain, I would think.
Fatal Arrhythmia: Die, Captain Cardiac!
Captain Cardiac: Fie on you, Fatal Arrhythmia. I live many lives thanks to modern medical marvels.
F.A.: But I am a super-villain.
C.C.: And I am on Medicare!
Look for more adventures coming soon from You Kids Get Off My Lawn Comics.
At the Comic Con vendor fair, I bought a number of comics. I was curious about this industry which is gobbling up shelf space at all of my local bookstores. We also have several comic book stores in downtown Cheyenne. One of them, The Loft, was the impetus behind C3.
It's no news that comics are big. But I usually read books, such as the kind you find at the library. They are printed (usually without illustrations), bound and finished off with a nice cover. Some of them are several hundred thousand words long, which seems big unless you've read War and Peace.
But writers still write the stories featured in comics and graphic novels. Bob Salley is a graduate of the University of Pittsburgh M.F.A. program and studied with a novelist I admire, Lewis "Buddy" Nordan. He was a fan of comic books and entered that world in an attempt to make a living as a creative person, much as other MFAers such as yours truly got into the world of arts administration, while others enter education, cab driving and the lucrative food service industry.
Salley writes a series called The Salvagers. His is a collaborative process, unlike the act of writing your average literary novel. Illustrator at his Think Alike Productions is George Acevedo, colourist is DeSike and HdE does the lettering. They even designed a special giveaway comic for C3 which features The Salvagers in "The Wreck Raiders." If you bought one of the press's graphic novels, you received a signed copy of the comic. So that's what I did after a lively conversation with Salley. He saw my composition book and pulled his notebook out of a backpack. It was filled with ideas for new stories. I showed him some pages from my journal. They included everything from rough drafts of stories to to-do lists to notes from meetings and events such as C3. This is the kind of geeky stuff that writers do.
Salley and I talked about trading stories and staying in touch. I am fascinated by graphic novels. To belittle them is to negate the life experiences of a big chunk of America. Million read comics. Millions more watch sci-fi/fantasy.superhero movies. Others like to dress and act like Sailor Moon or Iron Man. Creative writing. Filmmaking. Theatre. All creative pursuits being practiced by the people attending any comic con.
I bring this up because the arts funding world has been slow to recognize what's happening all around us. All of these creatives are selling their wares and attempting to make a living. To that end, they travel the Comic Con circuit like bands of gypsies. Do any of them make a living? Some vendor booths are more crowded than others. Some, such as Cheyenne's Warehouse 21 and Winged Brew ("We make tea cool") sell products and services. Others, such as actors on popular cable shows and films, get paid to hobnob with the hoi polloi and charge for autographs and photos. Chris and I paid $60 for an autograph and photo with Ernie Hudson, best known as Winston Zeddimore in the first two "Ghostbusters" movies. He's a nice guy. We like him in the Netflix series "Grace and Frankie" where he plays Frankie's (Lily Tomlin's) love interest. They may have to kill him off as he's slated to be in a new futuristic cop drama called "APB." Hudson let slip later in a Q&A that he attended Yale Drama School with Sigourney Weaver and played boxer Jack Johnson on stage in "The Great White Hope." I was impressed. I am also impressed that Hudson was a Ghostbuster and has a cameo in the upcoming "Ghostbusters" sequel.
 |
| Mike and Chris at Cheyenne Comic Con with Ernie Hudson. |
Also, people had fun. Think about that next time you're at an arts event or a poetry reading or even one of my prose readings. Are you enjoying yourself? If the answer is "no," you may want to plan for C3 Part Deux set for May 2017. Or you can check out a con near you. Find out what floats your boat (or steers your starship) and get after it.
Tuesday, September 17, 2013
Comic book writers are writers by any other name
I spent last weekend hobnobbing with writers and poets and editors.
One of the most intriguing ones was Kelly Sue DeConnick. She writes for Marvel Comics. Once upon a time I would have said that wasn't real writing. Comic books? Nah!
I've changed my mind. Not because I've read a bunch of recently-published comic books. I will, I swear, just as soon as I get over to the local comic book store. But it was DeConnick's talk at the Casper College Literary Conference that got me thinking about the comics and the literary world.
The literary world is M.F.A./fiction workshops/writers' retreats/coffee house poetry readings/small presses/chapbooks/NEA/grants/fellowships. Maybe some graphic novels based on cool books or short stories. But not comic books.
The non-literary world is blockbuster best-sellers/romance/hobby writers/agents/New York Times Book Review/hard-boiled mysteries/big publishers/Barnes & Noble/advertising/marketing/film rights. And comic books.
We turn comic book superheroes into special effects-laden films. Batman/Superman/Spiderman/Avengers/The Incredible Hulk. And so on.
Kelly Sue DeConnick told a literary conference audience on Friday that she got her first jobs in comic books "by being a loudmouth on social media."
DeConnick is not only is on Facebook and Twitter (with 20,000 followers). She has a cool Tumblr site at kellysue.tumblr.com and her stand-alone western, "Pretty Deadly," which is set for an Oct. 23 release, is at pretty-deadly.com.
DeConnick, 43, grew up on military bases. "Very much a part of military culture to have comic books," she said. "It makes sense that people who sign up to give their lives for their country might see themselves in the heroic themes of comic books."
She loved "Wonder Woman" comics, although she noted that "Wonder Woman spent a lot of time in chains in the '70s."
Which brings us to the gender issue. Male writers and illustrators might feel compelled to portray a female superhero in bondage. DeConnick, now a member of the Comic Book Boys Club, has no such inclinations.
She writes Captain Marvel and Avengers Assemble for Marvel Comics. The Captain is now a woman, Carol Danvers. DeConnick wanted Danvers to be a real woman, one with flaws and good female friends, one who could also set right the universe when necessary.
This Captain Marvel in a long line of Captain Marvels began to gain a following. A group of fans called the "Carol Corps" grew with each issue. They submitted fan art based on the character, and they began to send Carol Danvers stories to DeConnick.
Then came the merch, such a Carol hoodies and dogtags.
"I got a letter from a civil rights attorney who wears Captain Marvel dogtags under her clothes every time she goes to court," DeConnick said. "I've heard from a doctor who wears dogtags when she goes into surgery."
The Carol Corps raised $2,000 online for the Red Cross after Hurricane Sandy. And it appears that a CarolCon-style ComicCon is in the works.
Issue No. 15 is out and DeConnick is working on the next installments. "The Internet doesn't know this, but she [Carol Danvers] gets her first kiss in issue 17."
DeConnick said that she works hard to present real women in her comics. She tries to avoid the Smurfette Principle -- the lone female character must represent all female traits. To avoid stereotyping, she applies the Sexy Lamp Test to her stories: "If I can replace one of my female characters with a sexy lamp and the plot still functions, I might need another draft."
DeConnick seems to enjoy her role as one of the few female comic book writers. Of the top 300 books produced in June, 6 percent were produced by women. Some of them were written by the same women, so DeConnick estimates that women might make up 2 percent of her industry.
However, when Marvel Comics asked her in 2009 to write the next saga of Norman Osborn, a.k.a. the Green Goblin, she was "proud to have been asked to pitch on a boy book." The result was "Osborn: Evil Incarcerated."
Still, it gets a bit old always being asked the same question: "What does it feel like to be a woman writing in a man's field?"
"I used to joke -- 'I write through my vagina'."
She's married to another comic book writer, Matt Fraction. who's never asked similar questions.
"I don't want to be He-Hulk," she said, "I want to be She-Hulk."
As is the case with most writers, DeConnick wrote a lot before getting published. She said that she may leave the comic book world behind some day in favor of novel-writing.
She often gets letters from young writers who ask how to get started in the biz."I ask them what they're written and they'll say 'nothing.' Nobody is going to ask you to fix a sink if you've only washed your hands."
One of the most intriguing ones was Kelly Sue DeConnick. She writes for Marvel Comics. Once upon a time I would have said that wasn't real writing. Comic books? Nah!
I've changed my mind. Not because I've read a bunch of recently-published comic books. I will, I swear, just as soon as I get over to the local comic book store. But it was DeConnick's talk at the Casper College Literary Conference that got me thinking about the comics and the literary world.
The literary world is M.F.A./fiction workshops/writers' retreats/coffee house poetry readings/small presses/chapbooks/NEA/grants/fellowships. Maybe some graphic novels based on cool books or short stories. But not comic books.
The non-literary world is blockbuster best-sellers/romance/hobby writers/agents/New York Times Book Review/hard-boiled mysteries/big publishers/Barnes & Noble/advertising/marketing/film rights. And comic books.
We turn comic book superheroes into special effects-laden films. Batman/Superman/Spiderman/Avengers/The Incredible Hulk. And so on.
Kelly Sue DeConnick told a literary conference audience on Friday that she got her first jobs in comic books "by being a loudmouth on social media."
DeConnick is not only is on Facebook and Twitter (with 20,000 followers). She has a cool Tumblr site at kellysue.tumblr.com and her stand-alone western, "Pretty Deadly," which is set for an Oct. 23 release, is at pretty-deadly.com.
DeConnick, 43, grew up on military bases. "Very much a part of military culture to have comic books," she said. "It makes sense that people who sign up to give their lives for their country might see themselves in the heroic themes of comic books."
She loved "Wonder Woman" comics, although she noted that "Wonder Woman spent a lot of time in chains in the '70s."
Which brings us to the gender issue. Male writers and illustrators might feel compelled to portray a female superhero in bondage. DeConnick, now a member of the Comic Book Boys Club, has no such inclinations.
She writes Captain Marvel and Avengers Assemble for Marvel Comics. The Captain is now a woman, Carol Danvers. DeConnick wanted Danvers to be a real woman, one with flaws and good female friends, one who could also set right the universe when necessary.
This Captain Marvel in a long line of Captain Marvels began to gain a following. A group of fans called the "Carol Corps" grew with each issue. They submitted fan art based on the character, and they began to send Carol Danvers stories to DeConnick.
Then came the merch, such a Carol hoodies and dogtags.
"I got a letter from a civil rights attorney who wears Captain Marvel dogtags under her clothes every time she goes to court," DeConnick said. "I've heard from a doctor who wears dogtags when she goes into surgery."
The Carol Corps raised $2,000 online for the Red Cross after Hurricane Sandy. And it appears that a CarolCon-style ComicCon is in the works.
Issue No. 15 is out and DeConnick is working on the next installments. "The Internet doesn't know this, but she [Carol Danvers] gets her first kiss in issue 17."
DeConnick said that she works hard to present real women in her comics. She tries to avoid the Smurfette Principle -- the lone female character must represent all female traits. To avoid stereotyping, she applies the Sexy Lamp Test to her stories: "If I can replace one of my female characters with a sexy lamp and the plot still functions, I might need another draft."
DeConnick seems to enjoy her role as one of the few female comic book writers. Of the top 300 books produced in June, 6 percent were produced by women. Some of them were written by the same women, so DeConnick estimates that women might make up 2 percent of her industry.
However, when Marvel Comics asked her in 2009 to write the next saga of Norman Osborn, a.k.a. the Green Goblin, she was "proud to have been asked to pitch on a boy book." The result was "Osborn: Evil Incarcerated."
Still, it gets a bit old always being asked the same question: "What does it feel like to be a woman writing in a man's field?"
"I used to joke -- 'I write through my vagina'."
She's married to another comic book writer, Matt Fraction. who's never asked similar questions.
"I don't want to be He-Hulk," she said, "I want to be She-Hulk."
As is the case with most writers, DeConnick wrote a lot before getting published. She said that she may leave the comic book world behind some day in favor of novel-writing.
She often gets letters from young writers who ask how to get started in the biz."I ask them what they're written and they'll say 'nothing.' Nobody is going to ask you to fix a sink if you've only washed your hands."
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