Thumbs up to new public art on National Mall

 

New sculpture on National Mall in D.C. This is the kind of public art
we want to see. 

It's official -- Happy Moon Landing Day, Wyoming

California-based filmmaker Steven Barber wants to put up a memorial to the Apollo 11 astronauts. He wants to place it in Wyoming because it's the only state in the U.S. to celebrate Moon Landing Day. State Senator Affie Ellis of Cheyenne brought this bill to the Legislature over the winter and now it's official. Nobody gets the day off and nobody is touting a Moon Landing Day Mattress Sale. But at least we remember a historic first. And in Wyoming. Barber wants to build a replica of the memorial at the Kennedy Space Center which features the three Apollo astronauts. It was created by Loveland, Colorado, artist George Lundeen. You can read more about it on Cowboy State Daily. 

Barber estimates he will need $750,000 for the monument:

“I’m going to do a replica there. Period,” he told the Daily. “This is real simple. I find a billionaire, he writes a check and I build it.”

Pandemic tip: You can view most Wyoming public art from the comfort and safety of your car

I was noodling around on my PC and I clicked on the Cheyenne Arts web site. I was pleased to see an upgraded site now includes a Cheyenne Arts Public Art Tour. Kudos to Bill Lindstrom and the tech-savvy people who compiled the tour. Open the site and find a portfolio of the 82 registered public artworks. Click on the photo to go to the page to find more photos and some background on the piece. Location is listed at the bottom of the page. There's a link to a Google Maps which takes you to the map and lists the public art's latitude and longitude. This assists those touring with the help of GPS and also geocaching aficionados. When I was at the Wyoming Arts Council, I was part of many discussions for online tours in Cheyenne, other communities, and statewide. Locally, it never happened until Arts Cheyenne took it on. 

Sheridan Public Arts has been around since 1992. Its permanent collection boasts 59 pieces. Artists and museums loan pieces to exhibit on Grinnell Plaza and downtown. One of the latest is a sculpture by the late Native American artist Allan Houser. No better way to spend a summer day -- tour the art and wrap it up at Black Tooth Brewing Company for craft beers and discussion. 

Not sure if Casper has an online public art tour but the city has many pieces of representational and non-representational artwork. One of my faves is on the Casper College campus. It's "Man and Energy" by Robert Russin. Its somber nature flashed me back to my duck-and-cover nuke drill days. The artist, who died in 2007 was a New York transplant who taught at UW for almost four decades. He is best known for his massive bronze Lincoln head perched at the top of Sherman Hill. Visit Casper is developing an Arts & Culture Pass. Not many offerings yet but these things take time. 

Russin also is known for the playful family sculpture installed in 1983 on UW's Prexy's Pasture. "The University Family" represents a nuclear family of three in white marble. Recently, it has been criticized because it doesn't represent a broader range of UW students and family. One proposal is to move it indoors to protect it and replace it with a more monumental sculpture, such as a bronze of graduating students or a bucking horse and rider. As if the UW campus doesn't already have bucking horses and riders aplenty.

Here's the thing about public art: it's easy to criticize because it's so public. In our bitterly divided country, artwork can be attacked from many sides. And is. The coal/oil/gas lobby that pours millions into UW objected to a public artwork called "Carbon Sink: What Goes Around Comes Around" by Chris Drury. UW decided to spirit it away in the dead of night and allegedly burned its beetle-killed logs and chunks of coal in the campus furnace. Many art students were kept warm that night by a funeral pyre of public art.

Russin's "Fountainhead" sculpture outside of the Casper City Hall came under fire for its water feature. The sculpture shows three stylized red oilfield workers surrounding a pole that represents an oil well. Water once shot out of the top to represent oil but had the bad manners to dampen city bureaucrats on Casper's many windy days. Now the water feature ponds peacefully below the artwork.   

Get more on the Casper arts scene via the ARTCORE site. 

The best-known public art program in Wyoming is in Jackson. 

When I started making work trips to Teton County in 1991, the town's library was in a log cabin. A sleek new library replaced it and is now home to a unique public artwork, "Filament Mind." It's indoors so it's a bit less visible than most public art. But it's worth a visit. A short description:

Installed in January 2013, the sculpture is visually arresting: nearly 1,000 thread-like filaments cascade from a mainframe column. Transcending its technological sophistication, the sculpture exudes a life-like aesthetic, at times resembling a bird in flight, a waterfall, a mountain, a crater, even the willows that whistle around the valley. Each filament flows from the column to the wall and an anchor point tagged by a Dewey Decimal System section title.

 

When a visitor begins a search on WyldCat – the online inventory of the library organized by the Dewey Decimal System – a LED light glows on the filament corresponding with that Dewey Decimal section title – say “International Relations” – and related topics glow as well – like “Political Science.”

 

Filament Mind is designed to be the visual brain of the library and by extension, the community.

Wyomingites from less scenic parts of the state pick on Jackson Hole for its chi-chi attributes. See "Billionaire Wilderness: The Ultra-Wealthy and the Remaking of the American West" by Justin Farrell and Tim Sandlin's "The Pyms: Unauthorized Tales of Jackson Hole." I've made my share of smart-ass remarks on the subject. 

But Teton County boosts Wyoming's stature as an arts-friendly state. Rich residents are arts patrons and assist arts orgs and facilities with generous donations. The annual Old Bill's Fun Run is a Teton County tradition and raises a ton of money for local orgs. Local, state, and federal funds are a part of the mix.

The Hole is home to the National Museum of Wildlife Art and its amazing collections. It hosts tours of its outdoor sculpture. Many artists and writers I know came to Jackson in the good ol' days of cheap, crowded housing (think ski bum) and many short-term service-industry jobs. Many fled as prices climbed but those creative people who stayed are a stubborn lot. 

For insight on the Teton County art scene, go to Tammy Christel's Jackson Hole Art Blog and Jackson Hole Public Art. 

The Wyoming Arts Council supervises the state's public art initiative. Go to https://wyoarts.state.wy.us for more info and calls for entries.

As the pandemic winds down (we hope), summer visitors may be feeling a bit skittish about touring Wyoming (see "Least Vaccinated U.S. Counties Have Something in Common: Trump Voters"). It may be tough to feel safe at a jam-packed music festival or brewfest. 

But no worries, as most public art can be viewed from the comfort and safety of your vehicle. My high-risk family and I cruised Cheyenne's Paint Slingers Art Festival last July. We watched many of the muralists at work, even shouted out questions to the artists and they shouted their answers. We also attended movies and concerts at the Terry Ranch's Chinook Drive-in. We viewed from our car and listened via a dedicated FM station. 

Covid-19 changed so much. We felt the absence of people gathering to enjoy music, dance, and theatre. It also showed us that creativity can bloom in hard times. 

The biggest surprise of Trump's presidency? Melania tends Michelle's garden

I strolled around the Clay Paper Scissors Gallery last week admiring the "In The Garden" exhibit. It's all about growing things, one of my favorite subjects. It is spring, after all, but the snow falling outside my window annoys me. April showers bring May and June flowers, so let it snow. I will get around to gardening eventually. The anticipation of planting is almost as good as the real thing. I am a spring and summer guy. The warmth is part of it. But I have come to believe that i revel in this act of creation that begins with warming days.

Is there a gardening gene? My father was a grower. He spent his last years tending the gardens at St. Brendan the Navigator Catholic Church in Ormond Beach, Fla., the church where Chris and I were married 36 years ago. His father grew on a farm and tended an impressive garden at his house in Denver's Park Hill. His specialties were roses and tomatoes. If he could have produced a tomato shaped like a rose, he would have been a happy man.

I thought of creation this morning when Venezuelan-born chef  Lorena Garcia was asked what person, living or dead, she would like to share a meal with. Michelle Obama was her answer, a woman who inspired her. I think of Michelle's White House Kitchen Garden. It was meant to be a creative place where Michelle educated children about healthy lifestyles. Veggies and herbs harvested from the garden went to the White House kitchen and local food banks. Grow your own food, eat your own food. The First Lady was a proponent of children's health. She wanted schools to stop serving junk in their cafeterias. She encouraged schools and communities to plant gardens. She wrote a book.

Most of us thought that our junk-food-eating president would rip out Michelle's garden when he took office. We wondered what might go in its place. An oil rig? Golf course? A McDonald's? Surprisingly, the garden remains. First Lady Melania Trump still oversees tending of the garden. School kids come in to help with the harvest. Surprised the hell out of me. It did not surprise me that Melania wore a $1,380 Balmain plaid shirt at a garden harvest last September. I guess you could say she also is growing the market for high-end gardening attire.

But I continue to hope that America's garden will not be destroyed during Trump's presidency. He has, however, done his best to roll back environmental regulations, cannibalize public education, and slash government programs that assist millions. He needs some gardening advice, although I doubt that he will listen.

When you plant a garden, you create new life from the ground up. When you paint a painting, you introduce the world to a new vision, your vision. Creative writing, song composition,  sculpture. All creative enterprises. It takes a long time to become adept in your chosen area. There is little monetary payoff along the way and maybe never. But still you create because that is what you are called upon to do.

In a time when every blessed thing is commodified, I find hope in Melania's garden. Seeds are sprouting today at 1600 Pennsylvania Avenue. Perhaps they will take root someday in the Oval Office, the entire West Wing, all over D.C.

This kind of creation keeps hope alive.

And get over to Clay Paper Scissors at 1513 Carey Avenue in downtown Cheyenne and view garden-themed artwork by artists Win Ratz, Lynn Newman, Wendy Bredehoft and many others. There is some neat mixed-media work by Gillette's Heidi Larsen and some unique felted flowers by Cheyenne's Melanie Shovelski. If you're in the market for a garden furniture, check out Gary Havener's native pine and willow benches. For more of Bredehoft's cut-paper-and-wood "Botanics," see her show at Cheyenne Botanic Gardens gallery.

What kind of horse gets depicted in public art -- and who decides?

Donal O'Toole wrote a fine piece for Studio Wyoming Review last week. It critiqued the public art on the University of Wyoming campus and found it wanting. Too many bucking broncos. I agree. Enough with the bucking broncos. Cowboys riding horses out of a rodeo chute is just one small aspect of Wyoming life (for a different look at rodeo, check out RoseMarie London's photographs). Almost every community has a rodeo. Fine. What other aspects of the rodeo can be depicted in public art? Rodeo has a history but I see few representations of that. What about the Hispanic roots of rodeo? Where are our vaquero statues? What about Native Americans on horseback? UW has one sculpture of Chief Washakie. What is that tradition? Hispanics and Native Americans have long histories with the horse.

The horse itself has a long history in Wyoming. I was amazed to learn that an ancient genus of horse, now labeled Haringtonhippus francisci, roamed Wyoming for thousands of years, until about 17,000 years ago. Then it disappeared from the fossil records. DNA extracted from bones at Wyoming's Natural Trap Cave have shown that this horse is a separate genus from Equus, the one that includes the horses depicted in UW sculptures. The line that includes the North American horse, also called the New World Stilt-legged horse, apparently diverged from Equus 4-6 million years ago, according to a 2017 article in Science Daily.  Here is an artist's rendering from phys.org:

This illustration depicts a family of stilt-legged horses (Haringtonhippus francisci) in Yukon, Canada, during the last ice age. Credit: Jorge Blanco.

As interesting as it would be to see these horses in the wild, it would still be interesting to see artistic renderings of this Ice Age creature on the UW campus. Our history as a geographic place predates the beginnings of cowboys and rodeos. Millions of years of history is explored in science courses at UW. Let's put some examples on display for all to see. There is a funky T-Rex in front of the UW Geology Building. That's so predictable, isn't it? But why not represent all of the flora and fauna that now exists as dirt and shards and fossils (and coal, oil, and gas) underneath our feet? In this era of Climate Change Deniers, wouldn't it be educational to see what sort of life forms led to the eons-long formation of coal deposits which we have burned for fuel which loaded up the atmosphere with CO2 and caused global warming which will melt the polar ice which will then cause the oceans to reclaim some of its ancient territory which includes Wyoming?

Perhaps that is too educational. Chris Drury's "Carbon Sink" at UW tried to represent this and look what happened to that. You have to believe in the values of education to actually make this work. Our current crop of Know Nothing Republicans in the legislature despise higher education because it offers more expansive views of the world than their narrow minds can cope with. These same people fear non-representational art for its ability to challenge assumptions about time and space and imagination.

A different look at a horse: Deborah Butterfield's "Billings" was part of the "Sculpture: A Wyoming Invitational" at UW. From the UW Art Museum blog.

One of my favorite public art installation at UW was the multi-year "Sculpture: A Wyoming Invitational" that began in 2008. UW Art Museum Susan Moldenhauer and staff decided to take art outside during the museum's interior renovation. UW hosted 17 works by 16 artists of international renown. Some were on the UW campus, others scattered around Laramie. I fondly recall walking the campus on a warm summer day to view the artwork and then tooling around town to see the rest. One of my favorites was Patrick Dougherty's "Shortcut," an assemblage of Wyoming sticks and branches that, over the course of several years, was allowed to change with the elements. Students helped the artist, which gave them some real-world experience in alternative sculpture. Then the wind and the rain and the snow took over.

We all learned a valuable lesson about power in Wyoming when energy interests persuaded UW leaders to dismantle and remove "Carbon Sink" on one dark and stormy night. Public art is OK, they seemed to say, as long as it doesn't interfere with the interests of international conglomerates that reap a bountiful harvest from Wyoming. That may be one of the reasons that public art at UW has become so predictable in the Trump era.

The artists continue to make relevant art and the combine, as Chief Broom might say in an inner dialogue, keeps churning along.

My latest art review appeared Friday in Wyofile's Studio Wyoming Review. Read "Worth a thousand words: the work of Laramie photographers."

Keep reading -- and keep making art.

Marcia Tatroe talks about "Embellishing the Garden with Art" April 20

Out with the old and in with the new at Southeast Wyoming Welcome Center

Columbian Mammoth cast at new welcome center

Chris and I took a Saturday afternoon drive out to the new Southeast Wyoming Welcome Center at the High Plains exit south in I-25. We missed yesterday afternoon's official dedication due to too many workplace meetings. But we did read about it on the front page of this morning's Wyoming Tribune-Eagle. You can also read an earlier article I wrote about it here.

The welcome center is part highway pit stop, Wyoming Travel & Tourism Department offices, and historic museum. Its top-notch exhibits and dioramas show the state's history through dinosaurs digs, water projects, transportation, energy and outdoor recreation. Sometimes you experience it in many dimensions. The sloped walkway that takes you from the mammoth skeleton to the transportation exhibit is all about water: lakes, dams, waterfalls and fishing streams. You can hear the rushing water, and lights glimmer off the floor, giving you the feeling that you may be walking on water. Hallelujah!

The grounds are criss-crossed with trails marked with historic markers explaining it all for you. Multitudes of native deciduous trees and bushes have been planted. in about ten years, the place will have plenty of shade. There's a fenced-in pet walk area and a wetlands that drains the run-off from the highway. Berms have been added from the dirt remaining from construction of the center and the highway overpass. Along the top of the main berm is a series of five wind generators which were spinning today, powering the indoor exhibits.

This place is all about alternative energy and is powered by wind, solar and geo-exchange sources. Interesting to note that state taxes on coal and oil and natural gas paid for the bulk of construction costs while its operation will be powered predominately by renewable energy. Out with the old and in with the new. We are not really finished with the old, but places like this illustrate what the future holds.

It's also true that this place would not exist without the arts of architecture, design, photography, videography, literature, music and sculpture. A word about the music: no Muzak for this center, but it features western, C&W and Americana tunes. While there today, I heard a cowboy song by Wyoming's own Chris LeDoux and "Somebody Robbed the Glendale Train" by New Riders of the Purple Sage. Nice mix.

Stan Dolega's "Wind Code" outdoor sculpture not only uses steel beams patterned to look like Wyoming's ubiquitous snow fences, but also includes native rocks and is built to remind of us of the mountains we can see in the distance. It was put in place through the state's Percent for Art program.

Take a jaunt out to the new welcome center. It's functional and educational and pretty and fun. Sounds are good too.

Rodger McDaniel: Welcome to UW, the un-university

Rodger McDaniel writes today about the un-University of Wyoming in Laramie, a place where academic freedom is only an afterthought (if that). Read Rodger's take on the "Carbon Sink" artwork debacle at http://blowinginthewyomingwind.blogspot.com/2012/08/uw-censorship-is-more-emblematic-of.html. And tune in tomorrow to his blog to read about UW's dark history of censorship.

Wyoming gets creative with its roadside public art

"Wind Code," Stan Dolega

Mountain range or snow fence or mountain range fashioned from snow fence building blocks: Stan Dolega's cool new sculpture, WIND CODE, will be installed at the Southeast Wyoming Welcome Center this coming Monday, July 16. The sculpture is composed of welded steel and natural rock, and resembles the classic and iconic Wyoming snow fence. The Welcome Center will be open to the public late this summer. This is a Wyoming 1 Percent for Art Project. The Welcome Center is a work of art in itself.

Southeast Wyoming Welcome Center, south of Cheyenne on I-25

"Carbon Sink" got all the headlines, but there was much more to Wyoming public art in 2011

The Wyomingarts blog reports that 2011 was a banner year for public art in Wyoming. One of the most notable was Chris Drury's environmental installation "Carbon Sink: What Goes Around, Comes Around." This commissioned piece, made from beetle-kill Wyoming trees and bona fide Wyoming coal, was installed last summer on the University of Wyoming campus and instantly earned the wrath of the state's energy moguls, who think that they own the place. To prove it, at least one Casper-based mogul withheld his annual contribution to the University of Wyoming. Art matters. Sometimes art can cause an entitled fat cat to withhold funding from his alma mater, even during a year when the football team has a winning record and goes to a bowl game! But there was much more to public art in Wyoming this year than "Carbon Sink." Take an art tour of Wyoming at http://wyomingarts.blogspot.com/2011/12/year-in-review-public-art-projects.html

Casper developer Steve Grimshaw recycles everything (including the kitchen sink) for new project

Casper developer Steve Grimshaw says that he just wants to be a "responsible builder." To that end, he hired contractor Pete Peterson to recycle whatever he could from the old KC Apartments that were being demolished to make way for the new Sunshine Apartments near downtown. Peterson was able to recycle 83 percent of the building. That included concrete that was crushed to go into the foundations of the new building. Also claw-foot bathtubs, cabinets, door locks and faucet handles. Also salvaged were old cement slabs (shown above) stamped with the date "1917" that will pave the new public arts space that is part of the project. A coalition of Casper organizations recently received a National Endowment for the Arts grant for the arts space. Photo by Dan Cepeda, Casper Star-Tribune. Read entire article at http://trib.com/news/local/casper/developer-recycles-notorious-casper-apartment/article_e504182e-4cd8-55b8-bf54-6d72b0b292a1.html#ixzz1h5EsEb00

Casper comes together to decide on "art space" details

When I was at the Casper College Literary Conference last month, I dropped by the Sunshine Apartments’ construction site across from the Nicolaysen Art Museum. This is one of the more interesting projects in the state. A years-long struggle over removing a slumlord’s run-down property has culminated in a community-wide effort to build affordable “green” housing with arts and education as its centerpiece.

The Nicolaysen Art Museum, in partnership with the Wyoming Community Development Authority, the city of Casper and Grimshaw Investments, received a $50,000 NEA grant to build an “art space” into the Sunshine II Apartments on the corner of Beech Street and Collins Drive.  

Now all the partners are coming together to decide the scope of the project. On Thursday, Oct. 27, 5:30-7 p.m., the public is invited to a town hall forum, “Creating Communities Through Art and Housing,” in the Nic lobby.

At Thursday’s forum, those attending will meet the three artist groups who were selected as finalists from 86 who submitted requests for credentials to a selection panel in the summer. The finalists are the pair of Gail Simpson and Aristotle Georgiades of Actual Size Artworks, Stoughton, Wis.; Sulkang Zhao of New York; and Matthew Dehaemers of Kansas City, Kan.

From yesterday's Casper Star-Tribune:

WCDA Director David Haney said roughly 30 days after the site visit and forum, the finalists will have mock-ups ready of their idea for Casper, based in part on the feedback they receive at the forum. 

“We want something interactive, multigenerational, something that reflects Wyoming culture and Casper’s character. We want it to be practical and educational and reflect sustainability. We don’t want something that isn’t going to reflect Wyoming values. Beyond that, we don’t know what we want, and that’s the purpose of Thursday,” Haney said. 

Those in attendance will be welcome to ask questions of the artist finalists as well as the project partners.

Interesting that so many entities have worked together to change this blighted piece of downtown real estate. It's only fitting that the public is being invited to decide on the next step. Casper's downtown seems to be changing faster than Cheyenne's. New streetscapes are already being built, and traffic rerouted. The Nic is one of the state's best art museums. But the affordable housing units and their art space tied it into the neighborhood. It works the other way too -- people who live in the development will be tied into the Nic and the city's arts community. That's how it should be. 

There some public/private efforts to turn Cheyenne's Hynds Building into a live/work space for artists. That would be a welcome addition to downtown. The big challenge is how to tie it all together -- live/work spaces. galleries, museums, retailers, performing venues, parking, etc. The community will have to meet on this just as they're doing in Casper. 

For more on this issue, go to Casper Star-Tribune Community News editor Sally Ann Shurmur’s blog at trib.com/dishin

Read more on the Oct. 27 meeting: http://trib.com/news/local/casper/nicolaysen-museum-hosts-town-hall-on-public-art-project/article_728ec980-dd09-513b-8e50-c85bf0da6710.html#ixzz1bsQIYqX9

Cheyenne artist takes many pieces and creates a work of peace

Cheyenne artist Forrest King took these items from Sept. 11 ceremony...

...and constructed this work of art seen in background at International
Day of Peace ceremony in Herschler Building.

Wyoming Gov. Matt Mead penned a proclamation marking Sept. 21 at the International Day of Peace. At today's lunchtime ceremony at the Herschler Building honoring this day of peace, the Rev. Rodger McDaniel read the proclamation because the Gov was busy with the "lying in state" events for the late U.S. Sen Malcolm Wallop.

Gov. Mead's proclamation mentioned the United Nations many times. The International Day of Peace originated in the U.N. in 1981 and was first celebrated on Sept. 21 in 2002. I couldn't help but wonder how nuts the proclamation would make Gov. Mead's U.N.-hating Tea Party followers. They'll never read it, of course. But if they did, heads would be exploding all over Wyoming.

Sen. Wallop was no fan of the U.N. or of peacenik ways. He was a Cold Warrior, one of Ronald Reagan's staunchest supporters.  I doubt if the International Day of Peace ever deserved a ceremony, much less a mention, at Sen. Wallop's digs in Sheridan County.

My thoughts were not in keeping with the peace and justice ways of today's ceremony. But that's how it goes when you've spent two decades as an outlier in the reddest of red states.

Cheyenne's International Day of Peace featured fine words by Christian, Jewish, Muslim and UU leaders. Music too. And a work of art by local artist Forrest King.

At the Sept. 11 commemoration at the State Capitol, Forrest collected mementos from different faith communities. These items represented the brokenness of 9/11. Forrest was charged with bringing a sense of hope to these materials via his art.

And he did. Forrest is sending more photos. For now, the above images show the items from the Sept. 11 ceremony and the sculpture fashioned by Forrest. I'll do a more complete description of the work in future posts.

I leave you with the words that Rev. McDaniel left us with: "All in Peace. Go in Peace. Create in Peace. Live in Peace."

Shalom

Public art innovator Walter Hood speaks in Jackson July 26

Speaking of public art projects...

Jackson Hole's Public Art Initiative is still young but has launched some neat projects, with more in the works. The program recently announced that "Sky Play" (see artist's rendering above), by Wisconsin artist Don Rambadt, will be featured in the bike path underpass at the National Museum of Wildlife Art site north of town.

Renowned landscape architect Walter Hood, designer of the National Museum of Wildlife Art ’s under-construction sculpture trail, will discuss “Art in Public Places” at 7 p.m. on Tuesday, July 26 at the museum in Jackson. The event is free and open to the public. Known for his innovative and people-friendly designs of such high-profile public spaces as the grounds for the De Young Museum in San Francisco’s Golden Gate Park, Hood is expected to "share insight into his philosophy about creating multitasking public spaces that are both respectful of the land and rooted in their communities."

Walter Hood

If you're in Jackson this summer, the museum offers "hard hat tours" of its sculpture trail daily at 10 a.m. and 2 p.m. through September. The new sculpture trail is set to open September 2012. The tours are free and open to the public and will meet in front of the Museum Shop.

Goal of the National Museum of Wildlife Art's new multimillion-dollar Sculpture Trail:

Further integrate the national museum’s collection with its natural Wyoming setting. The trail also will connect to a recently constructed Jackson-to-Grand Teton National Park pathway via a new underpass for easy biker and hiker access. 

Important sculptures planned for the new outdoor space include a casting of Simon Gudgeon’s streamlined bronze bird form “Isis” that was installed in London’s Hyde Park in 2009, a life-size elk bronze titled “Black Timber Bugler” by Tim Shinabarger, and eight larger-than-life bison in a sculpture by Richard Loffler called "Buffalo Trail" to be installed on the hillside with its own separate path.

Public art celebrates creativity and innovation and heritage and open minds

"Triangle" by Kirsten Kokkin in Loveland, Colo.

Public art can become a very personal thing.

I work in the arts, so know how one little statue can blow up into a huge controversy.

Today's Denver Post explored that city's public art program, and similar programs in Loveland, Colorado Springs and Grand Junction. The Denver percent for art program has been in place since 1977, which gives the city 34 years of perspective on art in the public eye. The most recent controversy raged around the bucking mustang sculpture with the crazy eyes that greets motorists at DIA. As many of you know, this is the sculpture that killed its creator. I'm not being facetious. The sculpture-in-progress fell on New Mexico artist Luis Jiminez and killed him. Now many Coloradans consider it cursed. Its nicknames include "Blucifer" and "Satan's Steed." The mustang is now legend.

To Denver's credit, its program mandates that an artwork stays up for five years once it's installed. The work passes through a review process before it's made and installed. It's not cheap to install a 32-foot horse along a public roadway. You don't want to take it down and put it back up every few months.

And then there's naked people. Loveland, epicenter of public sculpture, installed a bronze called "Triangle" by Kirsten Kokkin at a major intersection. It features three naked humans forming a triangle, thus the piece's name. My fear would have been that every teen boy in town would be climbing the sculpture searching for the naughty bits. But who needs sculpture when teen boys can prowl live sex sites via their home computer?

The "Triangle" artist has obviously studied the human form with the same attention to detail that motivated Michelangelo. I'm often amazed that people continue to care about putting sculptures in the parks and along their roads. But they do. And as in Michelangelo's time, public patrons provide the impetus and funding to do so. There may be some tussles along the way, but once a public work of art catches hold, it becomes a landmark. Witness downtown Denver's Big Blue Bear sculpture by Lawrence Argent. Witness the Lane Frost sculpture at Cheyenne's CFD Old West Museum. Witness the Chief Washakie sculpture in front of the Washakie Dining Hall at UW in Laramie. Witness Robert Russin's Abraham Lincoln head at welcome center on I-80 celebrating The Lincoln Highway. Witness the UW Art Museum and its "Sculpture: A Wyoming Invitational" with its many innovative works. Some of those sculptures were not meant to last, as in Patrick Dougherty's sculpture made of locally harvested saplings. Witness the entire city of Loveland, Colo., once a sleepy enclave between Denver and Fort Collins, home to commuters and retirees, to a lively city filled with sculptures and international sculpture shows (coming up in August).

Patrick Dougherty, "Short Cut," 2008

Many Wyoming cities have gone gaga over sculpture. Every corner in Sheridan's historic downtown features a work of art. Gillette has an Avenue of Sculpture. Cheyenne is planning the same thing along Capitol Avenue between the State Capitol and the Historic Train Depot. The newly renovated Capitol Plaza features statues of suffragist Esther Hobart Morris and Shoshone leader Chief Washakie. Across the street on the grounds of the Wyoming Arts Council, a sculpture of iconic Western artist William Gollings paints the scene (his painting of the Capitol is on the wall inside the building). At the other end of the street, a new sculpture of a pioneer woman carrying a valise and disembarking from a train celebrates Wyoming's "Equality State" moniker. In Wyoming, "Equality State" is always a work in progress.

That's also true for public art. Always a work in progress. New work goes up to admire and gawk at and maybe even complain about.

From May through October, tourist buses arrive daily in downtown Cheyenne. Groups of Japanese and Russians and Chinese tourists swarm over the Capitol grounds. They take each other's pictures by the Bison and by Esther and by the cowboy on the bucking bronco. They might go into the Capitol (if it's open) but time is short and they need some memories of their travels. Artwork on the Capitol grounds provides that.

Some of our legislators and public servants feel that art is a frill, that it provides no real benefit to Wyomingites and to the tourists that stoke the state's number two industry.

Buffalo soldier statue near Warren AFB in Cheyenne (USAF photo)

These people are short-sighted and possibly blinded by Tea Party rhetoric. The Governor of Kansas was so blinded by it that he eliminated the state arts council. Others, such as the Governor of Maine, banish works of art that they don't agree with. This negates one of the main goals of public art, which is to get the viewer to think about the site's culture and heritage. A mural of union workers can do that (although people in Maine have been spared that experience). A statue of a mountain lion can do that, as will the new sculpture at the Wyoming Vistitors' Center on I-90 near Hulett. The statue and commemorative plaques celebrating the buffalo soldier near Warren AFB's main gate opens up a new chapter in frontier and African-American history. Some of these soldiers came out West post-slavery to find more opportunities and less prejudice. It also brings up the fact that the U.S. military was officially desegregated by Pres. Truman in 1948, way before schools and businesses and transportation and your local Woolworth's counter.

It's tough to keep an open mind in these most close-minded of times. But our future depends on it.

Ganesha, remover of obstacles, please remove Kootenai Constitution Party from my sight

"Ganesha" by sculptor Rick Davis. Kathy Plonka photo. The Spokesman-Review. 

Today’s Wyoming Tribune-Eagle’s religion section features an article about a protest in Coeur d’Alene about a new public art display. I am always interested in protests against art displays because I work in the arts and it’s always intriguing to see what kind of art upsets which kind of people.

On Friday afternoon in Coeur d’Alene, the Kootenai County Constitution Party staged a protest at a statue entitled “Ganesha.” The statue, by Spokane metal artist Rick Davis, is one of 15 dedicated Friday as part of the city’s new “ArtCurrents” public art program

Artists own the sculptures, which remain in place for a year and are offered for sale. The city receives 25 percent of the proceeds of any sales. The sculptures are by artists in Idaho, Wyoming, Washington, Montana and Nebraska. Proposals were solicited from artists, and a citizens committee selected about half of the submissions. The artists received $500 stipends.

The program is based on one that has been in place in Sheridan, Wyo., for eight years. The Sheridan program has been wildly successful, with a variety of sculptures on downtown street corners. They bring ambience to an already lively downtown. The project adds money to the city coffers. The art also draws people downtown and they stay longer to see the artwork.

Davis’s Coeur d’Alene statue is of Hinduism’s Lord Ganesha, an elephant-headed, human-bodied “god of wisdom and remover of obstacles and that is often invoked before the beginning of any major undertaking,” according to a June 11 ANI article.

Any project that involves both government and the arts should welcome a god who is a remover of obstacles. Rajan Zed, president of Universal Society of Hinduism, was quoted in the ANI article: “What could be more auspicious for Coeur d'Alene than having a Ganesha statue in its downtown?”

Instead, the county’s Constitution Party sees it as an “abomination.”

The best coverage of this has been in the Irregular Times blog where jclifford asks this question:

Now, guess which statue from the 2011-2012 ArtCurrents Coeur D’Alene Public Art installation the group claims is unconstitutional. 

It’s not the statue of Rachel, a character from the Old Testament. 

It’s not the statue of St. Francis of Assisi, a figure of Christian devotion. 

No, the only religious statue that the Kootenai County Constitution Party rejects is the statue of Ganesha, a hindu deity. Isn’t that curious?

I join jclifford in finding it ironic that Rick Davis sculpted Ganesha and the statue of St. Francis of Assisi, one of the Catholicism’s major saints. The Prayer of St. Francis was one of the first I learned. My father, a major Catholic parent, coached my brother and me for hours and hours, drilling the prayer into our dense little heads. I am now writing this from memory:

Lord, make me an instrument of thy peace

Where there is doubt, let me sow faith

Where there is darkness, light

Where there is sadness, joy

Ours is not to be consoled as to console

Something, something.

Amen.

That’s all I recall. My memory is a sieve.

I could jog my brain cells if I was in downtown Coeur d’Alene, looking at the St. Francis statue. At the same time, if Constitution Party knuckleheads were on the scene, I might also pray to Ganesha to remove annoying human-like obstacles to my enjoyment of beautiful public art.

Here is the prayer in its current permutation (from http://www.catholic-forum.com/saints/pray0027.htm):

Lord, make me an instrument of your peace.

Where there is hatred, let me sow love.

Where there is injury, pardon.

Where there is doubt, faith.

Where there is despair, hope.

Where there is darkness, light.

Where there is sadness, joy.
O Divine Master,

grant that I may not so much seek to be consoled, as to console;

to be understood, as to understand;

to be loved, as to love.

For it is in giving that we receive.

It is in pardoning that we are pardoned,

and it is in dying that we are born to Eternal Life.

Amen.

Speaking of historic placemaking -- or lack of it

Maine artist Judy Taylor created the labor history mural that Gov. Paul LePage wants to remove the the state labor department building:

In the summer of 2007, I responded to a Call to Artists sponsored by the Maine Arts Commission. The call was to create an artwork depicting the " History of Labor in the State of Maine". After a reviewing process, I was selected to do the commission. Along the way, I met some wonderful, and dedicated people. I also got an excellent education in Maine History. Below, is the 11-panel mural that was painted on 4 x 8 sheets of specially prepared MDO board. The panels were applied to adjoining walls in the Dept. of Labor reception area. In total, the mural measures 36 feet in length, and is nearly 8 feet tall.

As a public service to artists everywhere, here are the mural panels. Find the descriptions at Judy's web site.

UPDATE: ThinkProgress reports that the Governor decided to remove the mural after receiving one anonymous. Later he admitted that it was an anonymous letter and not a fax. One anonymous fax/letter undoes years of hard work and erases a landmark? And why is the governor lying about it?