Showing posts with label Americana. Show all posts
Showing posts with label Americana. Show all posts

Friday, May 30, 2025

Word Back: In America, We're All Bozos on This Red-White-And-Blue Bus

Part 2 of Word Back: America

I explore word choice in "Make America Great Again."

What was America like in my youth? Was it all fun and games?

Yes and no. 

The Wayback Machine takes us back to my collegiate years, 1969-1976. Yes, I was on the seven-year B.A. Plan. 

I remember the legendary Firesign "I Think We're All Bozos on this Bus" Theater perform at the UF Gator Growl in 1975? And wasn’t I there physically although my mind was wandering due to cannabis? I looked it up. Yes, Firesign Theater performed at the ’75 Growl. As I looked up the event's history at the HardyVision Institute of Pop Culture, I found this header: “Frequently Asked Questions: Gator Growl’s Stand-up Comedian History.”

Wow. That was my question. Thanks, WWW. Sometimes hummingbirdminds are glorious. I scrolled down to this:

When did Gator Growl start hiring big-name stand-up comedians?

In 1970, UF alumnus Buddy Ebsen (of “Beverly Hillbillies” fame) was invited to be the Gator Growl emcee. Of course, he’s not a stand-up comedian, but he did show up and lent a celebrity flair as he told showbiz stories and talked about how nice it was to be back.

In 1974, the musician Jim Stafford was the emcee. The Independent Florida Alligator reports that the Winter Haven native opened the show with his song “Wildwood Weed” blaring over the loudspeakers, and later in the show “he sang his big hit – ‘Spiders and Snakes,’ accompanied by six dancing girls.” 

In 1975, the show was emceed by the comedy duo of Phil Proctor and Peter Bergman of the Firesign Theater.

But it was Bob Hope in 1976 who was Gator Growl’s first nationally known stand-up comedian headliner. He would return to headline Gator Growl in 1979 and in 1983 at age 80.

I was right about Firesign! Jed Clampett was a UF grad – who knew? And Bob Hope hosted three times, once when I was allegedly in the crowd in ’76?

Instead of continuing my research into Firesign, which was the day’s assignment, I scrolled down to a video: “The Bob Hope Collection at the University of Florida.” Really? The Smathers Library has a huge Hope collection willed it by the Bob and Dolores Hope Foundation, most of it previously displayed at the World Golf Hall of Fame Museum at World Golf Village off I-95 west of Ponte Vedra Beach where they do a lot of golfing. The new World of Golf Museum is now in Pinehurst, N.C., near swanky Pinehurst C.C. Its largest display is a women’s locker room with more than 160 lockers of famous women golfers.

So comedian golfer Bob Hope’s collectibles are now at the UF Library? That is something. This is the same library where I spent hundreds of hours learning how to be a writer. I read through the reading list former radical Nelson Algren handed out in my creative writing class. I read Harry Crews' Esquire column because I couldn't afford my own subscription. I read it all. I wrote thousands of words in my journal. I wrote and wrote. 

And now I remember. In my youth, Bob Hope was my favorite comedian. And I wasn’t alone. As quoted in the 16-minute library video, Time Magazine’s Richard Schickel said he admired Hope’s “rapid-fire patter” and “as a kid growing up, I thought he was terribly funny as did most of the nation.” Me too. He and Bing Crosby were hilarious in their “Road” pictures. I loved how they broke the “fourth wall” to comment right at the camera, right at me sitting in suburbia. He had his own TV show. He traveled the world entertaining our troops fighting fascists and commies or just confused about why they were so far from home. He cracked me up. At one point, he was a starving artist in Vaudeville. The photo of that hopeful kid is in the UF collection.

I became a know-it-all college kid and Hope was out. He was part of the establishment. He was buds with Nixon and supported our foray into Southeast Asia. He was going to get us killed. He wasn’t funny anymore. I threw Bob Hope under the bus (the Bozo bus) because he was too establishment. 

Bob Hope tear-gassed me. Not him but him and his pals at Honor America Day on the National Mall on July 4, 1970. I return now to the American I was that day, a 19-year-old confused U.S. Navy midshipman on leave. I told the story in a 2019 blog post:

There were lots of fireworks at the July 4, 1970, event, not all of it in the sky. American Nazis attended to protest Vietnam War protesters and the Yippies staging a smoke-in at the Washington Monument. Police tried to maintain a DMZ between the protesters and Silent Majority picnickers. When that failed, park police fired tear gas at the rowdy hippies and gas clouds drifted over the multitudes. This led, as one reporter wrote, to a "mad stampede of weeping hippies and Middle Americans away from the fumes." At the same time, the U.S. Navy Band played the Star-Spangled Banner from the Lincoln Memorial stage.

I was in that mad stampede. I picnicked with my buddy Pat's family. When the fumes reached us, Pat and I scrambled to lead his grandmother and younger sisters to safety. Pat and I had been tear-gassed several times that spring at the University of South Carolina during protests of the Kent State killings. It was no fun for young people but could be dangerous for the elderly. We made it out of the gas cloud and, when the hubbub died down, we returned to our picnic. Later, we listened to Honor America Day jokes from Bob Hope and Jeannie C. Riley's version of Merle Haggard's "The Fightin' Side of Me." Then, despite the chaos or maybe because of it, we admired the bitchin' fireworks display. 

So this is America, all of it, all of us, me and Bob Hope and you. We're All Bozos on This Bus.

Wednesday, May 08, 2013

Ya'll come down to the ranch for a little Western Swing (we love you, Bob Wills)

Alicia Padilla with Wheel Ruts Productions and Ernie November are sponsoring another boffo local concert May 17 at Terry Bison Ranch south of Cheyenne. And we just heard that the Wyomericana Caravan will be coming to Terry Bison Ranch on June 9 to wrap of the four-state swing of three Wyoming bands. Things are looking up around here music-wise. Interesting thing about these concerts showcasing Americana music is that they are more country than the nouveau-country acts that are showcased at Cheyenne Frontier Days.

Wednesday, March 06, 2013

April 6 Bluegrass Hootenanny features Hillbenders, Blue Grama and BeatGrass

If you attended the Feb. 9 concert by the Jalan Crossland Band at Terry Bison Ranch, you know that Alicia Padilla knows how to put on a show. A great time was had by all on a snowy winter night. Alicia's Wagon Ruts Productions is staging another show at the ranch on April 6. She sent this info:
On April 6, we're having a Bluegrass Hootenanny featuring the Hillbenders with very special guests: 
Blue Grama -- the massively talented, 6-piece ensemble from Northern Colorado. Blue Grama draws from their Bluegrass heritage and breathes joy, fresh life and excitement into their amazing, rich melodies.
Wyoming's finest, BeatGrass. BeatGrass's diverse sound is an unprecedented coalescence between BlueGrass and innovative originals, jazz standards, Motown classics and covers of some of the more newfangled hits. Their impactful complexities have been packing the house (and the outdoors) since their formation in 2010 across Wyoming.

PRESENTING: From traditional roots, springs the high-octane, instrumental mastery of the HillBenders. Hailing from Springfield, Missouri, these boys have been tearing up the bluegrass circuit, leaving their audiences reeling. Winners of the Telluride BlueGrass Band Competition in 2009 and taking First in the National Single Microphone Championship in 2010, the HillBenders are a contemporary force to be reckoned with. Their latest album, Can You Hear Me?, is an eclectic, compelling rouse to the senses. The richness of their upbringings in traditional BlueGrass provides a foundation upon which they innovate a unique and unforgettable sound. Each member has a jaw-dropping mastery of their instruments, which will hoist you right out of your chair.
 
The quintet consists of Nolan Lawrence (Lead-singer/ Mandolinist), cousins Jim Rea and Gary Rea (Guitar and Bass), Mark Cassidy (Banjo), and Chad "Gravy Boat" Graves (Dobro). Their meticulous arrangements ripple into a cascade of improvisational brilliance. Experiencing the bands' skilled harmonies is comparable to drawing a five of a kind Aces, every hand.

TICKETS: $15 Presale, $17 Day of show at the door. $5 for Kids under age 12. Presale tickets available in Cheyenne at Ernie November (217 W. Lincolnway); Colorado presale: Attend one of Blue Grama's March concert dates for purchase. For dates: http://www.bluegramabluegrass.com/shows.html
PRESENTING: From traditional roots, springs the high-octane, instrumental mastery of the HillBenders. Hailing from Springfield, Missouri, these boys have been tearing up the bluegrass circuit, leaving their audiences reeling. Winners of the Telluride BlueGrass Band Competition in 2009 and taking First in the National Single Microphone Championship in 2010, the HillBenders are a contemporary force to be reckoned with. Their latest album, Can You Hear Me?, is an eclectic, compelling rouse to the senses. The richness of their upbringings in traditional BlueGrass provides a foundation upon which they innovate a unique and unforgettable sound. Each member has a jaw-dropping mastery of their instruments, which will hoist you right out of your chair. 
The quintet consists of Nolan Lawrence (Lead-singer/ Mandolinist), cousins Jim Rea and Gary Rea (Guitar and Bass), Mark Cassidy (Banjo), and Chad "Gravy Boat" Graves (Dobro). Their meticulous arrangements ripple into a cascade of improvisational brilliance. Experiencing the bands' skilled harmonies is comparable to drawing a five of a kind Aces, every hand.
TICKETS: $15 Presale, $17 Day of show at the door. $5 for Kids under age 12. Presale tickets available in Cheyenne at Ernie November (217 W. Lincolnway); Colorado presale: Attend one of Blue Grama's March concert dates for purchase. For dates: http://www.bluegramabluegrass.com/shows.html 
Terry Bison will be introducing their delicious Taco Bar Buffet for a steal at $8.95, in addition to regular menu items... They're ready for the PARTY! 
The venue has been designated NON-SMOKING FOR THE EVENING! I apologize for any inconvenience, but, smokers, please come and keep me company on the porch while I puff a couple down! Stay tuned to 103.3 The Range for contests and giveaways!

Wednesday, January 30, 2013

Ten Sleep's "Trailer Park Troubadour" performs in Cheyenne Feb. 9

Jalan Crossland
The Jalan Crossland Band will perform in concert on Saturday, Feb. 9, 7 p.m., at the Terry Bison Ranch just off of Terry Ranch Rd. on I-25 South. Exit before you get to to the Colorado border! Doors open at 6 p.m. Tickets are available at Ernie November in downtown Cheyenne. Tickets are $12 or $15 the day of the show.

This info comes from a press release:

If you've never experienced Jalan Crossland, you're in for a jaw-dropping experience. He has won many prestigious awards, including second in the National Fingerstyle Guitar Competion and first place in the state Flatpicking Contest. He has toured multiple times with Robert Earl Keen, and toured in Europe and Australia. He has been often showcased on NPR, made multiple TV appearances and been in the New York Times. Jalan is featured in a cover story in the winter issue of Wyoming Artscapes, the quarterly magazine of the Wyoming Arts Council.
The complexities of his combination of edgy, alt-country and traditional guitar and banjo picking seem effortless as he weaves tales of heartbreak, the sometimes-dark crevices of small town America, and most of all the joy, humor and love that can be found in every rusty-lining. 
Hell froze over and his band is back together. The massively talented duo of Shaun Kelley, who plays upright and electric bass and Andy Phreaner plays trapset, wackadoo, harmonica and percussion. You want a show? Well, folks, here's something you'll never forget. And don't taze him, bro! 
Jalan Crossland will receive a 2012 Governor's Arts Award Friday, Feb. 8, at the annual GAA Awards Gala at Little America in Cheyenne. He'll be performing a few of his trademark songs to wrap up the night's festivities. If you want more, and you probably will, catch Jalan and his band the next night in concert. Tickets are still available for the Governor's Arts Awards Gala Feb. 8, 6 p.m., at Little America. Call the Wyoming Arts Council at 307-777-7742.  

Friday, July 20, 2012

"American Exotic" films use magic realism to illuminate the fringes of American society

I like indie movies for the places and the characters that they portray.

They can be USA places, or somewhere far away, such as Bombay or a Ukrainian village or some remote Chinese outpost.

That’s probably the short story writer in me speaking aloud. My stories are set in a place, usually Wyoming or Colorado, and they are about the dilemmas of real people. There is not a single super-hero or mutant battleship-on-steroids in any of my stories. They are about real people. Period.

I am delighted to read this piece by Tom Shone on Slate. He has the same complaints about movies! They are planetized, bland entertainments. And boring as hell to anyone with half a brain or an ounce of empathy.
No longer the indigenous film industry of North America, Hollywood is now the world’s jukebox, pumping out what Michael Eisner once called “planetized entertainment.” It’s one reason the Oscars have turned into such a mad scramble of late, even fishing overseas for quality crowd-pleasers—The ArtistThe King’s SpeechSlumdog Millionaire—while reserving a spot on the nominations list for something flinty and home-spun from the indie world. Two years ago it was Winter’s Bone, which plunged audiences into the meth labs of the Ozarks. This year it is most likely to be Benh Zeitlin’s Beasts of the Southern Wild, which takes us deep into the swamplands of Louisiana. Together they almost amount to a new genre: the American Exotic, mixing myth and magic realism to trawl the furthermost reaches of the American disaster zone for wide-eyed urban audiences, the same way they used to trawl the Third World.
He then takes the next step. Many indie movies now employ the magic realism elements of the Latin American master novelists – Cortazar, Marquez, Borges, and the rest – to portray the fringes of American society, what he calls "American Exotic.” The hot new film, “Beasts of the Southern Wild,” fits in this category.
Even the genre is telling: Magic realism used to be the genre of South America, not North, the way storytellers make sense of the everyday absurdities and violent disparities of the developing world. That the genre has found any purchase on the northern American continent is a subtle but damning indictment, both of how broken down America has gotten around its edges, but also of just how foreign the country now seems, even to Americans. It’s a whole other world out there. Somebody really ought to make a movie about it.
What movies, large and small, actually rely on a real place and time and real people to make its point? I think of the films by Victor Nunez, who lives and works in Tallahassee, Fla. He made the great “Ulee’s Gold” and “Ruby in Paradise.” The latter film starred a young Ashley Judd and gave viewers a stark and strange and funny view of Panama City Beach during the off-season. “Little Miss Sunshine” portrayed a family full of exotic, down-on-their-luck Americans from Albuquerque who accompany their young one to southern Cal to compete in a beauty pageant. Albuquerque – you can’t get any more Americana than that. Just ask Walt in “Breaking Bad.”

Real people in real places in real situations. Is that too much to ask? He does finds some Hollywood exceptions:
Among their generation, maybe only the Coens are out there taking soil samples, dirtying their mud flaps in Mississippi in the 1930s (Oh Brother, Where Art Thou?), Arkansas in the 1880s (True Grit), LA in the 1940s (Barton Fink), Minnesota in the 1960s (A Serious Man),Texas in the 1980s (Blood Simple, No Country for Old Men), and—in their latest—the Greenwich Village folk scene of the 1960s (Inside Llewyn Davis).

Thursday, May 17, 2012

Jalan Crossland's "Portrait of a Fish" tour rolls into Cheyenne

Not a self-portrait of Jalan...
As he wrapped up last night's second set at the Historic Plains Hotel in Cheyenne, Jalan Crossland invited the audience to his hometown August hootenanny -- the NoWoodstock Festival in Ten Sleep.

"Did he say NoWoodstock?" my wife Chris asked.

I nodded. And tried to explain. NoWoodstock is not exactly the opposite of the legendary gathering. It is held outdoors, and sometimes it rains, but it's not likely to draw 500,000 retro-hippies for three days of peace and love and cause a blockbuster film and album (remember those?) to be made.

NoWoodstock is a bit like Jalan. A little bit country, a little bit folk, a little bit storytelling, with equal parts singing and picking the guitar and banjo. Throw in some food and drink, mosquitoes and sunburn, and there you have it.

But back to last night. Jalan's solo concert was arranged by the Cheyenne Guitar Society, its third event of the season. The series had a number of sponsors, including the Wyoming Arts Council and the LCCC Foundation. The performance was delayed by 20 minutes so that hotel staff could bring in more chairs. By the time Jalan took the stage, the room was packed and very warm. There was a long line at the ballroom bar.

Jalan writes and plays his own songs. Most come with a splash (sometimes a raging torrent) of humor. So when he said that this was the first time he'd played in Cheyenne outside of a couple of weddings, nobody knew if he was kidding. I didn't get to ask him, but it seems unlikely. In the past couple months, he's been to New Orleans and the annual songwriters' festival in Key West. His next stop is the Upper Meramac Flatpicking Guitar Camp & Americana Music Festival in Steelville, Mo. Then come stops in Nebraska and Iowa before a big concert June 1 at the WYO Theater in Sheridan. He arrives back in Ten Sleep August 12 for NoWoodstock. Get the full concert schedule at http://www.jalancrossland.com/concerts.htm

At the Plains, Jalan played some of his favorites, many of them shouted out from the audience. They included "Don't Taze Me Bro," "Trailer Park Fire," "The Little Girl & the Deadly Snake" and "The Loneliness of the Long-Distance, All-Night Chicken Trucker." We could almost smell the "Trailer Park Fire" -- open doors brought a whiff of wind-blown smoke from the wildland fires burning in northern Colorado. Jalan played some tunes from his new CD, "Portrait of a Fish," including a moving rendition of Gordon Lightfoot's "Don Quixote." He alternated between banjo and guitar. Some of the up-tempo numbers caused some impromptu dancing to break out at the front of the room.

The evening ended too soon. Judging by the crowd at the merchandise table, Jalan was selling a lot of T-shirts and signing scads of CDs and posters. Weddings are nice and all, but it seems odd that Jalan's public appearances in Cheyenne are so rare. But it is a long way from the wilds of Washakie County and NoWoodstock. That's not Jalan's next concert stop, but it may be ours.

Cross-posted to the Wyomingarts blog



Wednesday, March 07, 2012

Music on the wintry streets of Cheyenne


Homemade music video by hometown musician Reboot the Robot. Filmed in downtown Cheyenne. The city never looked so big-city gritty (and cold). Hummingbirdminds likes the song. Good job, R the R!

Friday, January 20, 2012

Okie from Muskogee will perform at Cheyenne Frontier Days

Here's some good news -- and get-well-soon wishes from fans in Cheyenne (from the Casper Star-Tribune):
Country music legend Merle Haggard plans to play Cheyenne Frontier Days this summer. 
Event organizers said Haggard would play July 22 with Chancey Williams and the Younger Brothers Band, of Wyoming, as the opening act. 
It will be the second time Haggard has played at Frontier Days. The first was in 1979. 
Tickets go on sale on Friday. 
Frontier Days runs from July 20-29. Other performers who are set to appear include Hank Williams Jr., Reba McEntire and the Zac Brown Band. 
On Wednesday, Haggard's publicist announced the singer is being treated for pneumonia in a Georgia hospital and has had to cancel the rest of his January concert dates. 
Read more: http://trib.com/news/state-and-regional/merle-haggard-to-perform-at-cheyenne-frontier-days/article_b58cfbf2-6373-57e5-9a80-

Monday, December 19, 2011

Roots band with Wyoming roots brings in the new year in Lander

The Patti Fiasco is a country-rock band with Wyoming roots now based in Fort Collins, Colo. I heard a very cool song from the band's new CD on "Morning Music" today on Wyoming Public Radio. It was “Wyoming is for Lovers.” Struck me as strange because that's Virginia's old state slogan. Anyway, a great attention-getting tune in the country-rock or Americana or roots music category -- I get confused by all the labels. Anyway, the Patti Fiasco plays New Year's Eve at the Lander Bar. Also performing at the University of Wyoming Union Ballroom in Laramie on Wednesday, Jan. 11, 8 p.m., at a WELCOME BACK UW STUDENTS FREE SHOW!