Country Joe: Forget the F. Gimme a N-U-R-S-E!

Thank the nurse that’s nursing you

For saving your life.

For saving your life.

For saving your life.

That’s the end of “Thank the Nurse,” a song by Country Joe McDonald.

Yes, that Country Joe. “Give me an F.” That’s him. He was a hit at the original Woodstock, which, apparently, millions attended, and of the film that followed, which millions saw. Joe supported nurses but especially those who served in war zones, especially Vietnam. He was considered an expert on Florence Nightingale whom he also sang about.

He died on March 7 at his home in Berkeley, Calif. He was 84.

He was reaching retirement age when he toured Wyoming in June 2002 with poet and Musician M.L. Liebler of Detroit. They met in 1997 when M.L. was teaching poetry to Vietnam vets through the Detroit Y Writer’s Voice Project. The two were touring the country promoting their CD "Crossing Borders" that combines music and poetry. They performed in a Cheyenne park and dropped in on the “Smokin’ Poets” reading at Zen’s Bistro in Cheyenne.

"This place has a nice vibe to it,” Joe told a reporter from the Cheyenne paper. “The people who come here are intelligent, sophisticated and not yuppie."

At a later reception, Joe was OK with revisiting Woodstock but really lit up when talking about nurses. He knew a lot and I told him about my grandmother, an army nurse in France during World War 1. At that time, I was only thinking about writing about her experiences. And now I have done it.

Listen to “Thank the Nurse” on Spotify or over at YouTube. I’d provide links but links don’t last. But Joe’s F-I-S-H Cheer lives on. So does this:

When the orderly is sleeping

and the physician can’t be found

no need for apprehension

the nurse is making rounds.

Thank the nurse that’s nursing you

The one that nursed you through

Happy New Year: Fear and Loathing in 2025 America

A friend once asked me to name my favorite writers. It's a long, long list, but I gave him the top five: Joseph Heller, Kurt Vonnegut, Gabriel Garcia Marquez, Flannery O'Connor, and Hunter S. Thompson. Fine writers all.

My friend who shall remain nameless made an astute observation: "But you don't write like any of those authors." 

A fair point. I don't write like any of them. But how could I? These writers had their own styles that are much admired and frequently copied. That's what beginning writers do: imitate their maestros. But you eventually move on to find your own voice if you stick with it. I've stuck with it and crafted my own style and it apparently has few fans in the publishing world but that's life in the fast lane. 

I haven't given up and I'm called to write for a number of reasons that make up my 74 years. My parents read to me and I gobbled up Yertle the Turtle and Winnie-the-Pooh. I read cereal boxes at the breakfast table and billboards as I peered out those big windows in post-war automobiles. I wrote stories for my third-grade teacher Jean Sylling and she put one up on the bulletin board. It was about aliens in a flying saucer landing in my Denver backyard. I was embarrassed but also thought it a bit grand, a story I wrote put up for all my classmates to see. 

My father the accountant had a big library and I read through many of them without really understanding what was going on. My mother usually had a baby in one arm and a book in the other. That's who introduced me to "Catch-22." She read and laughed and I was curious but was only 11 and not interested enough until I was in high school and close to draft age and Heller's novel haunted me and made me laugh. I turned on my chums to the book and its hilarity resonated with them but we rarely talked about the war part. 

Strange happenings were all around and I soaked them in but did not write about them. My parents and eight brothers and sisters were all distinctive entities and I inherited their nuances. My forebears visited my dreams. I attended Catholic School and irony and metaphors surrounded me but I was not aware of it until later, much later. I watched "Get Smart," "The Monkees," and the evening news and they all kind of blended together. Sex was a puzzle that we Catholic teens were left to figure out on our own and it's still a work-in-progress. 

My childhood and teenhood were all precursors to hard lessons to come. I really thought I had it made at 18 and the world was my oyster although I'd never eaten an Atlantic Ocean oyster as I surfed in that salty sea whenever I didn't have to take care of my siblings or go to school or go to work to afford that school. I dated the most beautiful creatures on Planet Earth but they might as well have been the imaginary aliens that landed in my yard in my third-grade story. 

Speaking of alien life forms: I am no closer to understanding the human condition than I was in the third grade. I refer to recent happenings in the U.S. of A. It is past time to revisit Thompson's Fear & Loathing chronicles and Yossarian's naked self and Billy Pilgrim's time jumps and the residents of Macondo and O'Connor's Misfit. I may not fully understand them but they live inside me every second of every day.