Every so often, I pick up a book that I can't put down. "The Winter Soldier" by Daniel Mason is one of them. I hadn't heard of it until I came across it on a table of trade paperbacks at our local Barnes & Noble. The title grabbed me as did the cover art of a city that looked like it could be the Vienna of 1914.
The back cover blurb said it was about a Viennese nobleman and doctor who goes off to serve the empire during World War I. He falls in love with a nurse.
That's pretty much all I needed to know: medical personnel in WWI. I just finished a draft of a novel set after the war with medical personnel as main characters. Research! I didn't count on being drawn into a story that wouldn't let me put it down. But that's what happened.
In "The Winter Soldier," Lucius Krzelewski is about what you'd expect from a privileged product of the decaying Austria-Hungary empire. A talented but self-absorbed med student. He works hard to establish credentials that will lead to a cushy practice. He's an understudy to a prominent but old-fashioned professor. He prefers his books over contact with ill humans.
War comes. Lucius takes his time joining the army. He does, finally, and his father wants him to serve in the Austrian cavalry and his mother wants him safely in Vienna.
He joins the medical corps and is sent to a little army hospital tucked into the Carpathian mountains. When he arrives, he finds that he is the only doctor. He has never operated on a living human. He does not know the first thing about trauma medicine, amputation, or anything else. Head nurse Margarete, a nun, has to teach him about battlefield medicine. The nun may or may not be a nun. A soldier who arrives near-death in the midst of winter plays a key role.
That's the set-up. No spoilers here! I started to read it for background on war-time medical practices. But the human drama is what captured me. It's thrilling and worth the read.
The author is a medical doctor and this is his third book. I look forward to reading the others.
I read other books too. During the last four years, I've discovered some fine World War I books. I've read "A Farewell to Arms," "All Quiet on the Western Front," "Johnny Got His Gun." I've read "The Good Soldier Svejk" by Hungarian author Jaroslav Hasek several times. A novel of the absurdity of war and a precursor to "Catch-22." and other darkly humorous novels. "The Daughters of Mars" by Thomas Keneally tells of two Australian sisters who go off to war as nurses. Their trial by fire is the ill-fated Gallipoli invasion. And then they are off to France. Great novel.
What about women authors? Vera Brittain, another well-to-do Brit, signed up as a nurse. She witnessed lots of bloodshed and lost both her brother and her fiance. She wrote about her experiences in "Testament of Youth."
Another memoir, "Goodbye to All That," is by English poet and veteran Robert Graves. And speaking of poets, Siegfried Sassoon and Wilfred Owen wrote some devastating work, antidotes to some of the more celebratory verse from the war's early years.
Monty Python's grandfathers-in-humor found a printing press and published The Wipers Times on the Ypres (Wipers) front. The brass was not fond of their efforts. You can read some of the issues online and see the blokes in action in the film, "The Wipers Times."
There's an amazing amount of war-related work out there. It's even recreated in the Oscar-winning film "1917." After immersing myself on the subject for four years, I understand the era better. However, I'm not willing to forgive humankind for embarking on such a slaughter. That may be the key element of my book. Young people return from war as changed and damaged creatures. Yet, life goes on. Why and how? Can they forgive their elders for sending them off to the killing fields? That may be the most difficult task of all. What if war-making is not a forgivable crime? "Thou shalt not kill" is 10 percent of the Ten Commandments. So is "honor thy father and mother." What if they were the ones who sent you off to kill? Are they as guilty as the politicians for sending you to war? It's the worst kind of betrayal. It seems to be coded in our DNA, this sacrifice of our children for nebulous aims. It continues from generation to generation.
When all else fails, the arts serve to make sense of it.
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