Showing posts with label Scotland. Show all posts
Showing posts with label Scotland. Show all posts

Wednesday, January 31, 2018

Learning about Robert Burns and how plans gang aft agley

From the Poetry Foundation essay on Scottish poet Robert Burns:
Burns was identified as odd because he always carried a book. A countrywoman in Dunscore, who had seen Burns riding slowly among the hills reading, once remarked, "That's surely no a good man, for he has aye a book in his hand!" The woman no doubt assumed an oral norm, the medium of traditional culture.
Burns was an oddball for reading books at a time when the oral tradition was alive and well. He served as a bridge to the lake poets of the Romantic tradition, poets such as Wordsworth who "wandered lonely as a cloud" among the British Isles' natural wonders. He wrote his poems in the Scottish dialect which, in the late 18th century, was being supplanted by English. That's how many of us know Burns' poetry, through recitations of the original verse at Burns' suppers or at Celtic festivals. Some oft-used expressions in 2018 can be traced to Burns. Here is a stanza from the original "Address to a Haggis:"

Then, horn for horn, they stretch and strive:

Deil take the hindmost, on they drive
Till a' their weel-swall'd kytes belyve
Are bent like drums;
The auld Guidman, maist like to rive,
'Bethankkit' hums.

You see terms such as "devil take the hindmost" in modern parlance. And what about this one from "To a Mouse:"



But Mousie, thou art no thy-lane, 
In proving foresight may be vain: 
The best laid schemes o’ Mice an’ Men 
          Gang aft agley, 
An’ lea’e us nought but grief an’ pain, 
          For promis’d joy! 

You could say that "the best-laid schemes of mice and men often go awry." At least one American author made a career out of that line. You see it applied to everything from politicking to warmaking. Those who want to be cute or Celtic even use the phrase "gang aft agley" to show off their English major roots. Kind of like Burns walking around rural Scotland with book in hand.


I read up on Burns because I volunteered to read "Address to a Haggis" at a Burns supper.  I have a reputation as a good public speaker. I have served as emcee of public events because I speak loudly and enunciate clearly. I read, too, so my name comes up when poetry needs reading or reciting.


Burns wrote poems and songs, a lot of them, in his short 37 years. Politically he was outspoken, which didn't endear him to his English overlords or Scottish royalists. But salt-of-the-earth Scots loved him and still do. Burns suppers started five years after the author's death in 1796. They are alive and well in 2018 Wyoming. The event speaks to that thing that all of us miss in our lives, a sense of tradition, of ritual. The other day my daughter said that she wished she was Native American with all of its traditions. I told her that her own people have traditions. They gave up most of them when they moved to the U.S. due to starvation and political persecution. I challenged her to discover those Irish and Scottish and English traditions. We didn't just accidentally stumble into a wearin' o the green and step-dancing and getting blotto on March 17. 


Travel can broaden your cultural horizons. So can reading, which is less expensive, especially if you believe in that great American tradition of free public libraries. We can credit a robber baron Scotsman named Andrew Carnegie for really getting the library ball rolling. Carnegie background: 


I owe everything to the Irish and Scots who came to the U.S. I owe a lot to those who laid the groundwork for the diaspora but never left, such as Burns. Cheyenne erected a statue to the poet. It's a big statue, located in a pocket park an easy walk from my old Kendrick Building work place. I carried my lunch and a book. I read while eating ham sandwiches and chips. I never read any Burn poetry during these quiet sojourns. I knew nothing about Burns and thought my life would be perfectly fine without Burns poetry. He seemed a quaint figure in literature. Poetry recited by old guys in kilts but not a poet studied seriously in the academy. He belonged to an ancient world that existed before modernism, before global warfare and science and radical politics stuck a knife in the rhymed couplet.


But just for a moment, let's think about the lad who wandered the glens with book in hand. His own Scottish dialect preceded his love of books and that's the path he chose. He was the voice of the Scots at a time when that voice was being stamped out.  He wrote songs. He composed bawdy poems. Regular folks, even that countrywoman in Dunscore, knew his lines by heart. Many still do.

Pause a moment and consider one of Burns most famous lines referenced above:

The best laid schemes o’ Mice an’ Men 
          Gang aft agley, 

These lines sum up the current political situation in the U.S. I may start using the phrase in daily discourse. Despite owning a golf course in Scotland, I doubt that the president has read any work by the Scottish national poet. We also know that a countrywoman in Turnberry will never spot Trump with a book in hand. He doesn't read. He doesn't know history. Recite Burns' lines to him and watch the blank look on his face. "Gang aft agley" could be his motto. Alas, if only his scheme for taking over the presidency had gone awry. We're stuck with him now. 

Sunday, September 12, 2010

News from the front: Irish look on as Scots march on Estes Park

I have all sorts of feelings when I go to the Long's Peak Scottish-Irish Festival in Estes Park.

Questions, too. For instance, why do the Scots get top billing?

My wife Chris has a great insight into this: Who better to organize something than Scots?

Talk about your stereotypes. Scots are a no-nonsense, business-minded, well-organized race who can plan the heck out of any event.

The Irish, on the other hand, are Guinness-swilling layabouts who attend the Scottish-Irish Festival to swill Guinness and lay about watching Celtic fusion bands, most of whom are Scottish.

As a disorganized Irishman, I can't disagree. I would much rather have a Scotswoman such as Chris organizing a festival, a checkbook, a life. Of course, she is Scots-Irish by birth and German-Irish by upbringing (she was adopted). If you take all those pedigrees and put them into one person, you should have a well-organized beer-drinking lass who, when offended, will either cut off your head with a William Wallace-style sword or invade your country. Or both.

But she knows her birth mother’s name and that was Cummings and now she’s an officially enrolled member of the Cumming clan. Its crest has a lion and the motto “Courage.

I took photos as she marched in Saturday’s presentation of the clans. A strong military theme infuses the festival. Cannons sound in the distance. True, those cannons are shooting bowling balls into the reservoir, and one errant bowling ball even sank the green inflatable Loch Ness Monster that is a festival tradition (R.I.P. Nessie). A Colorado pilot did a flyover in a British jet trainer. The Canadian general who now runs NORAD in Colorado Springs was the keynoter at Saturday’s opening ceremonies. World War II vets of Iwo Jima were introduced in a celebration of the 75th anniversary of that World War II battle. Some young marines even recreated the flag-raising ceremony on Mount Suribachi. It wasn’t quite as impressive as the fake flag-raising that opens “Flags of Our Fathers,” but it was pretty good.

And the day included many references to the Sept. 11 anniversary, and the wars that followed.

As a lifelong civilian and peacenik, I look at these military traditions as part of the whole. This is much like the Boy Scouts, which drips with military-influenced traditions but is – at its core – a worthwhile organization for your sons. Unless they are openly gay. Which brings us back to the U.S. military and its don’t ask, don’t tell policy.

Pipe and drum bands have origins in war. I spotted one large bearded gentleman wearing a black T-shirt that had the “Black Watch World Tour” stops printed on the back. Quite a list, including gigs in Guadaloupe and then North America in the late 1700s (we know how that turned out), France in 1916, all the way to Iraq in 2003-2005.

The Black Watch is a famous British military unit and a famous pipe and drum band. My father played Black Watch records real loud on his home-built stereo, and he took my brother and me to see them perform. When they launched into “Scotland the Brave,” you could feel it in your gut.

At Saturday’s Estes Park ceremonies, the music opened with a performance by the Marine Band from Twenty-Nine Palms, California. That’s the desert training base that launches the Marines who fight in Iraq and Afghanistan. Many casualties over the past nine years. More to come, alas.

The Marine Band was comprised of men and women with lots of different ethnic groups represented. Like all marines, they are trained in combat weaponry. Unlike most marines, they play a mean tuba. The few, the proud, the tuba players. Trombone, too, and drums. Flute, even. Or “pipe,” as in pipe and drums.

The Marines were followed by the police pipe and drum band from Ottawa, Canada. Then came the massed pipe and drum corps from a bunch of different places, including Wyoming. When they marched into view, I got a glimpse of the amazing sight and sound that once confronted African and Indian tribesmen as they lined up to fight the British invaders.

There looked to be hundreds of pipers and drummers. They made that kind of sound.

After her clan march, Chris joined me in the stands. We watched the proceedings together. When it concluded, we were torn. Head over to the clan tents for a wee dram of single-malt Scotch? Or find the Guinness stand for a cold brew? We opted for the latter, and some food. No cultural differences here.

Sunday, September 07, 2008

Long's Peak Scottish-Irish Festival in Estes Park Sept. 7

Prickly Pair & The Cactus Chorale from Dubois traded western duds for Scottish tartans at the Scottish-Irish Festival in Estes Park. Les Hamilton (left) is a fourth-generation fiddler with Scottish roots from Wyoming's Big Horn Basin. His wife, Locke, plays guitar, sings and writes some of the songs, while Norman Winter plays bass. Sitting in with the group is Denis Sullivan from the Denver Celtic group Gobs o' Phun. Prickly Pair plays vintage Western, old-time fiddle and cowboy folk tunes. They also play -- and talk about -- the Celtic origins of early cowboy and fiddle tunes of the Northern Plains.


Prickly Pair plays a hybrid of country-western and traditional Scots-Irish folk songs. They performed a song about Irish and Scottish soldiers who fought (and died) with Custer's Seventh Cavalry, one about a Wyoming cowgirl and a Scottish bagpiper who meet and fall in love (based loosely on Les and Locke's own lives), a song by Lori Lewis from the point of view of a fiddle dreaming of his previous life as a tree, and a ballad about Scotsmen driving the last working team of Clydesdale horses across their land. According to Locke, some ranchers in the West still use these "gentle giants" on their spreads.


For more on Prickly Pair, go to http://www.thepricklypair.com/

A competitor "throws the weight" during the Highland Games at the Scottish-Irish Festival. The goal of this event seems to be two-fold: 1. Throw the 56-pound weight over the bar; 2. Try not to get conked on the head when the weight falls earthward.

Cheyenne Scot Ron McIntosh tosses the caber at Scottish-Irish festival. As for me, I could barely lift the caber much less toss it so it lands at 12 o'clock.

Haven't seen so many flag-waving white people in one place since the Republican Convention .

Pipers in the lead, Scottish-American regiments advance on ragged hordes of Celtic festival-goers.