If you don't know the 1941 movie, here's a synopsis. After the credits roll over scenes of Depression America, the film opens with a workman taking a jackhammer to a chiseled stone logo: "The Bulletin: A Free Press Means a Free People." It's replaced by a shiny new metal sign: "The New Bulletin: A Streamlined Paper for a Streamlined Era."
Cut to the newsroom. An officious young clerk strolls in, points at each expendable employee, whistles, makes the universal cutthroat sign across his neck, and clucks his tongue. The somber looks on faces reveals the awful truth -- that they are now cast loose into The Great Depression with no real safety net.
Mitchell is one of them. But she is not going to take this lying down. She marches into the editor's office and pleads for her job, saying she will take a pay cut from $30 to $20. Editor Henry Connell is a grizzled old school editor brought in to make the paper, now owned by millionaire businessman D.B. Norton, more exciting and more "streamlined." He has no patience and no job for Stanwyck and shoos her from the office, reminding her to write her final column before she leaves.
What comes next? It's a Capra-style exploration of celebrity, greed, patriotism and fascism. It was released in 1941, almost two years into the war and just a few months before Pearl Harbor. An unsettled time, maybe as angst-ridden as 2020. As the plot unfolds, I had Trump on my mind. Couldn't help it. And I kept contrasting Capra's worldview and the one that emerged after the 2016 presidential election.
In the movie, Mitchell's parting newspaper column is a fake letter from a John Doe who rails against society's ills and says he will make his point by jumping off the city hall building on Christmas Eve. An editor, who's also been fired, comes to Mitchell and says her column is two sticks short. She hands him to new column and he runs with it. When printed, the column causes an uproar. The competing newspaper calls it a fake. Mitchell is rehired at a higher salary and told to produce John Doe. She finds a washed-up pitcher named Long John Willoughby (Gary Cooper) who bums around the country with The Colonel (Walter Brennan). Mitchell persuades Willoughby to be Doe and the plot thickens.
Doe takes to the role. He eats regularly and has money. The Colonel warns him of "the heelots," those heels who just want your money. The Colonel is the voice of reason to Doe's aw-shucks naivite. He urges Doe to flee before it's too late. But Doe is stuck -- he likes the attention and having money ain't a bad thing either. Meanwhile, Norton gets his hooks into Mitchell as Doe warms to his role until a radio appearance pushes him over the edge and he flees with The Colonel. Doe is recognized at a diner and the crowds swarm to see him. He sees that he, as John Doe, has made an impact. He returns to the city and forms hundreds of John Doe Clubs, financed by Norton.
Norton is the stand-in for every fascist ascendant in the 1930s and 40s. He issues orders. He has his own paramilitary force (Norton's Troopers). He feels that the country is going to hell in a handbasket and needs a strong hand to restore order. His ultimate goal is to transform all those members of John Doe Clubs into compliant voters. But Doe, Mitchell and Connell rally to stymie Norton's plans. That's a spoiler but, if you know Capra films, that's how they end. Decent people win, the grifters lose.
Which brings us to the America in 2020. Decent people are everywhere. They heal the sick, feed the hungry, help their neighbors.
The indecent are always with us. Perhaps we just notice them more in our time of greatest need. Trump, of course, is Indecent American No. 1. Just the other day he was asked was about Rep. John Lewis's contributions to society. He replied that they weren't so great, that Lewis didn't show up for Trump's 2017 inauguration. He wasn't alone of course -- many thousands had something better to do on 1/20/17. Trump didn't even bother to attend Lewis's farewell at the Capitol Building Rotunda.
Everything is about Trump all of the time. He has his own band of Norton's Troopers. They were out in force the night that Trump decided to go to a church he had never attended to hold up a bible. Donald's Troopers tear-gassed and beat down peaceful protesters.Then Trump's Troopers traveled to Portland to do their dirty work.
In the years leading up to Pearl Harbor, the U.S. had its own problem with fascists. The German-American Bund (America's Nazi Party) had thousands of members. Some 20,000 of them showed up for a rally at Madison Square Garden on Feb. 20, 1939. Bund members battled with protesters outside the Garden. Trump's pop probably said "there was good people on both sides." The Bund supported Hitler and his thugs, possibly history's most indecent group although there are a lot of contenders.
We need decency in film. Not the National Legion of Decency version. The Catholic org rated films and condemned some, telling Catholics that seeing one was a mortal sin and would send you straight to H-E-L-L. To teens in the 1960s, it was a handy guide for those films we just had to see. Censorship tends to backfire on the censor. We youngsters were also keen on reading banned books. I'm no youngster now but I always check the banned books lists to make sure I've read them. It's the decent thing to do.
What comes next? It's a Capra-style exploration of celebrity, greed, patriotism and fascism. It was released in 1941, almost two years into the war and just a few months before Pearl Harbor. An unsettled time, maybe as angst-ridden as 2020. As the plot unfolds, I had Trump on my mind. Couldn't help it. And I kept contrasting Capra's worldview and the one that emerged after the 2016 presidential election.
In the movie, Mitchell's parting newspaper column is a fake letter from a John Doe who rails against society's ills and says he will make his point by jumping off the city hall building on Christmas Eve. An editor, who's also been fired, comes to Mitchell and says her column is two sticks short. She hands him to new column and he runs with it. When printed, the column causes an uproar. The competing newspaper calls it a fake. Mitchell is rehired at a higher salary and told to produce John Doe. She finds a washed-up pitcher named Long John Willoughby (Gary Cooper) who bums around the country with The Colonel (Walter Brennan). Mitchell persuades Willoughby to be Doe and the plot thickens.
Doe takes to the role. He eats regularly and has money. The Colonel warns him of "the heelots," those heels who just want your money. The Colonel is the voice of reason to Doe's aw-shucks naivite. He urges Doe to flee before it's too late. But Doe is stuck -- he likes the attention and having money ain't a bad thing either. Meanwhile, Norton gets his hooks into Mitchell as Doe warms to his role until a radio appearance pushes him over the edge and he flees with The Colonel. Doe is recognized at a diner and the crowds swarm to see him. He sees that he, as John Doe, has made an impact. He returns to the city and forms hundreds of John Doe Clubs, financed by Norton.
Norton is the stand-in for every fascist ascendant in the 1930s and 40s. He issues orders. He has his own paramilitary force (Norton's Troopers). He feels that the country is going to hell in a handbasket and needs a strong hand to restore order. His ultimate goal is to transform all those members of John Doe Clubs into compliant voters. But Doe, Mitchell and Connell rally to stymie Norton's plans. That's a spoiler but, if you know Capra films, that's how they end. Decent people win, the grifters lose.
Which brings us to the America in 2020. Decent people are everywhere. They heal the sick, feed the hungry, help their neighbors.
The indecent are always with us. Perhaps we just notice them more in our time of greatest need. Trump, of course, is Indecent American No. 1. Just the other day he was asked was about Rep. John Lewis's contributions to society. He replied that they weren't so great, that Lewis didn't show up for Trump's 2017 inauguration. He wasn't alone of course -- many thousands had something better to do on 1/20/17. Trump didn't even bother to attend Lewis's farewell at the Capitol Building Rotunda.
Everything is about Trump all of the time. He has his own band of Norton's Troopers. They were out in force the night that Trump decided to go to a church he had never attended to hold up a bible. Donald's Troopers tear-gassed and beat down peaceful protesters.Then Trump's Troopers traveled to Portland to do their dirty work.
In the years leading up to Pearl Harbor, the U.S. had its own problem with fascists. The German-American Bund (America's Nazi Party) had thousands of members. Some 20,000 of them showed up for a rally at Madison Square Garden on Feb. 20, 1939. Bund members battled with protesters outside the Garden. Trump's pop probably said "there was good people on both sides." The Bund supported Hitler and his thugs, possibly history's most indecent group although there are a lot of contenders.
We need decency in film. Not the National Legion of Decency version. The Catholic org rated films and condemned some, telling Catholics that seeing one was a mortal sin and would send you straight to H-E-L-L. To teens in the 1960s, it was a handy guide for those films we just had to see. Censorship tends to backfire on the censor. We youngsters were also keen on reading banned books. I'm no youngster now but I always check the banned books lists to make sure I've read them. It's the decent thing to do.
You can watch "Meet John Doe" on YouTube. For a story about pre-war conflicts between Nazis and protesters in New York City, read Irwin Shaw's short story "Sailor off the Bremen."
No comments:
Post a Comment