Mrs. P has a problem and needs some help

The opener for one of the stories in my collection, The Weight of a Body, now available as an e-book on Amazon. The story was inspired by a real incident, one that I've taken great care to turn into fiction. Poetry wiz and literary lion M.L. Liebler liked it enough to include it in the anthology, Working Words: Punching the Clock and Kicking Out the Jams, published by Coffee House Press. It features poetry, fiction, and nonfiction by and about America's working class. Contributors include Philip Levine, Diane di Prima, Willa Cather, Jack White, Quincy Troupe, Li-Young Lee and a host of others. Find a copy at your favorite bookstore. Read on...

The Problem with Mrs. P 

First problem: nobody was home to help. Not her two daughters, off to school. Not her husband Robbie, who hadn’t been home for weeks, probably right this minute at that whore Gloria’s house.

Second problem: she was seven months pregnant and bleeding like crazy. She pressed a cream-colored towel against her crotch; it bloomed with a red chrysanthemum of her own blood. She stood in the bathroom doorway, eyes sparking, knees shaking.

Third problem: her damn husband had the car. Not that she was in any shape to make the seven-mile drive into Cheyenne, a few more if you factored in the hospital which was downtown.

Fourth problem: the telephone was dead, thanks to Robbie not paying the bills like he was supposed to. She had her own cell phone with a few minutes still left on it. But it was downstairs on the kitchen table. Just the thought of negotiating the stairs brought a throbbing to her abdomen.

Fifth problem, or maybe it was the first: she and her baby boy might be dying.

To be continued...

In "Ridgeline," a Wyoming tale of Hubris vs. Nemesis

Casting about on the new book releases during the summer, I came across "Ridgeline," a new novel by Michael Punke. He's the author of "The Revenant," an historical novel about Hugh Glass, a bear attack in the wilderness, and Glass's long journey to get revenge to those in his hunting party who left him behind. Leonardo DiCaprio played Glass in the movie which did for grizzly bear attacks what Jaws did for swimming with sharks. Seemed like a realistic depiction of what was the western wilderness in the 1840s. 

In "Ridgeline," Punke tackles what's now called the Fetterman Fight at the foot of Wyoming's Bighorns. On Dec. 21, 1866, a contingent of warriors from Plains tribes, led by Crazy Horse and Red Cloud, lured a U.S. Cavalry contingent from their new fort and ambushed them. Indians died but so did Fetterman and his 81 troopers. Next Tuesday will mark the 155th anniversary of that day. The author depicts the battle so realistically that it's easy to feel the heat of battle on that first day of winter so long ago. Anyone who has visited Fort Phil Kearny, the Wagon Box Fight site, and any of these contested lands in what is now Johnson and Sheridan counties. At the end, I was able to revel in the Indians' victory while still feeling empathy for the soldiers. They were guilty of that classic trait of hubris. They considered the Indians ignorant savages and learned otherwise. Funny how history keeps repeating itself. 

I reviewed the book for WyoFile and you can read it at https://wyofile.com/punkes-new-novel-shines-light-on-fetterman-fight/. Punke is a Wyoming native who grew up in Torrington and served as a living history interpreter at Fort Laramie National Historic Site. He's a UW grad and served as a U.S. trade representative overseas before returning to the West and now lives in Missoula. 

Here's the review's opener:

A good historical novel should be a ripping yarn, one that keeps us turning pages long after bedtime. The writer makes this world so interesting that we want to dash off to the library or the Internet to find out more. The novel’s historical facts should also be solid. Nothing like sloppy research to ruin a good read.

It’s a lot to ask. And into this mix comes the red-hot topic of the year: Which history should we teach our kids? Conservatives wax apoplectic about the New York Times “1619 Project” and its stated goal to tell the real story about slavery. Many prefer the history we learned in fourth grade during simpler times, that America is the greatest nation on earth, by jiminy.

Enter Michael Punke’s new novel, “Ridgeline,” published by Henry Holt and Co. It’s a story about what is known as Red Cloud’s War, which began in 1866 along the Bozeman Trail in Wyoming’s Powder River Country. 

Humans -- can't live with 'em, can't live without 'em!

In the film "The Day the Earth Stood Still," versions one and two, an intergalactic diplomat comes to earth, tells humans they are a clear and present danger to the universe and must be destroyed. That gets put on hold once the space envoy experiences the kindness of its people. But it's only a temporary hold. As Michael Rennie (Klaatu) tells humankind at the end of the 1951 film: "Your choice is simple: join us and live in peace, or pursue your present course and face obliteration. We shall be waiting for your answer". Then he and his big-ass robot Gort fly off in their saucer. A similar warning is repeated by Keanu Reeves in the 2008 remake.

But in English author Matt Haig's 2013 novel, "The Humans," earthlings get still another chance. Hotshot Cambridge physicist Andrew Martin unlocks the secret of prime numbers, a discovery that will kick humanity's future into overdrive. The Vonnadorians find out about it and send an hitman from a galaxy far, far away to kill the scientist. Earthlings can't be trusted with big secrets, only small ones, such as nuclear fission and the formula for Kentucky Fried Chicken. If the prime number mystery gets solved and humankind experiences the Great Leap Forward, the universe is doomed. The Vonnadorians are an advanced peaceful race and kill only when necessary, much like Gort does when threatened by the U.S. Army. The alien replaces the scientist in his body. Also, he must eliminate anyone who knew anything about the discovery. That includes Martin's colleagues, beautiful wife, and troubled son.

At first, Martin thinks of the humans as hideous with grotesque features and habits. The more time he spends with them, the more he finds to appreciate: their dog Newton, Emily Dickinson's poetry, songs by David Bowie and the Beach Boys, love, and wine. Through his eyes, the reader gets a chance to see the world anew. It's funny at first -- must humans wear clothes? -- but grows more serious as Martin the Alien abandons his quest and goes over to the other side. There's a hefty Godfather-style price to pay and I won't spoil it by spooling it out in detail.

It's a wonderful novel. I was ready for something humorous and hopeful after reading a series of serious books. Make no mistake -- this is as serious as it gets. Who are we and why do we do what we do? 

Klaatu barada nikto! 

Klaatu issues these orders to Gort. As a kid, I thought it meant "If anything happens to me, kill the human scum." It really meant "if anything happens to me, come and retrieve me and I will decide what to do next." Gort does his duty and Klaatu is freed to issue his warming to Earth. Then they fly off.

Martin the Alien receives telepathic orders from Vonnadoria. He does eliminate the scientist's collaborator. It's just a simple matter of putting his hand on him to make his heart stop. In his left hand are "the gifts," those powers that allow him to travel and communicate vast distances, speak with animals, and accomplish his mission. He briefly contemplates killing the annoying teen son, Gulliver, but saves his life instead. He befriends the dog and takes a liking to Mrs. Martin. Then all hell breaks loose.

Haig caused this reader to look anew at my humanity. Strange creatures we are. Loveable and awful. But it's all we got. For now.

"The Weight of a Body" can be measured in stories

Opening of the first story in my collection, "The Weight of the Body," now available as an Amazon e-book. 

Roadkill

The shapes grew out of the smoke and fog -- three pronghorn antelope, running hard. Matthew Kincannon mashed the car’s brakes and swung the wheel hard left. He missed the first two, collided with the third on its white-tufted rump which rose like a balloon before its rear legs smacked the windshield, its hooves scraping the glass like sharpened fists.

Kincannon wrestled the car to a stop on the wrong side of the state highway. He had a vision of a huge logging truck red-balling down the road, smashing him like he’d smashed the antelope. Tapping the gas, he swerved back into the north-bound lane, and eased his car to a stop on the road’s shoulder.

Read more...

Welcome to e-book land w/update

Friend and writing colleague Liz Roadifer is my mentor to the e-book world.

She has formatted five of her titles and they are featured on Amazon. To access, write Liz's name in the Universe of Amazon search box and there you are. The books are in five different categories: suspense, fantasy and young adult. I have read them all in manuscript form because Liz and I are members of a local critique group, Cheyenne Area Writers Group or CAWG. You won't find a listing for us on or off the Internet. We're not so much a secret organization as a nondescript one. Members are five now and we meet via Zoom every two weeks to critique one another's fiction projects. Members have come and gone over the past 20 years. But all of us, past and present, are published thanks in part to the good graces and fine eyes of CAWGers.

Most of my colleagues write what's labeled as genre fiction, a category MFAers are taught to loathe. Silly MFA programs. I wrote a suspense novel back in the day which never sold even though I had an agent I met at a writing conference. It taught me a lot mainly that I wanted to be a better writer. So I left the corporate world for the academy and the rest is history. I now write better than I did in my 20s and 30s. How much of that is due to maturity and voracious reading and how much is due to writing workshops is hard to say. Let's say 50/50. 

So here I am, formatting my first book of stories for Kindle Direct Publishing. Rights for the book reverted back to me after my press folded. I have a few print copies flitting about but have resisted the e-book world. I have written another book of stories and a novel, still unpublished. I am putting them all online. I've been writing on Blogger for 16 years, having signed up on a whim in 2001. I've posted almost 3,600 blogs. I used to be part of Blogger's AdSense program but never made any money. It requires you to have ads on your site and I found some disturbing and others stupid. 

So now I am signing on to the largest corporation in the known universe, the people who gave us spaceships, delivery drones, and free shipping. The KDP program is easy to learn and widens the audience. What's not to like? I'm almost finished with the formatting stage and ready to release it into KDP's care. It would be wrapping it up right this very minute but I am blogging instead. I spend too much time on my blog but it does give me a platform for promotion that not everyone has. Platform, of course, is the thing that all writers must have these days. Writers you see on TV usually have a platform or they wouldn't be on TV. I saw an interview with George Saunders on Stephen Colbert a few years ago and went out and bought "Lincoln in the Bardo" and his wild story collection, "CivilWarLand in Bad Decline." I love those stories. It was fantastic to see a real author on the airwaves. We need more of that.

So back to e-booking. Kudos to Liz for her persistence and patience. The book should be available soon, just in time for Christmas and the next Covid lockdown. 

UPDATE 12/6/21: "The Weight of a Body" Kindle edition now available on Amazon.

In Memoriam: Stevon Lucero

Sad news arrived from Denver today. Stevon Lucero, the Chicano artists who I profiled in a Oct. 29  WyoFile story and linked here, passed away Nov. 28. He was 71. 

Lucero was a mentor to generations of Latino artists in Denver and around the West. He grew up in Laramie, attended UW, and then moved his family to Denver to pursue and art career. He helped found the Chicano Humanities and Arts Council in Denver. CHAC was instrumental in transforming Denver's Santa Fe Drive from a downtown shortcut into a certified Colorado Creative District lined with galleries, museums, and studios.

CBS Channel 4 noted Lucero's death with a feature today. In it, Arlette Lucero says this about the husband:

"He would take young artists under his wings and tell them the beautiful things about themselves, to bring them into the fold."

Poet and performer Adrian Molina (a.k.a. Molina Speaks), another Wyoming artist now living in Denver, teamed up with Lucero to build one of the immersive exhibits at the new Meow Wolf arts outpost in downtown Denver. Called the "Indigenous Futures Dreamscapes Lounge," it brought to life dreams and visions Lucero experienced over the years. Lucero painted the dreamscapes, and Molina recorded the soundscapes and videos. It fit right in with Meow Wolf Denver's theme of Convergence Station, "the convergence of four different dimensions." 

Family members have started a GoFundMe page to help defray funeral expenses.

Molina, quoted in the Channel 4 piece, said this: 

“Stevon became one of my best friends. A humble genius, a visionary. He’s an elder who’s deeply respected, and he taught me so much about life and about art over the last few years. His mission was to put God back into art, to bring the spirit and that was his meta-realism.

“It was a joy to paint with the master, and be in his presence every day."

R.I.P. Stevon.

Just what are the origins of that tuna casserole my Mom used to make?

CBS Sunday Morning was all about food and drink. An historic Mexican cafe in San Bernardino, a Yemini coffee speakeasy, the origin of Ranch dressing, the rise and fall of NYC Automats, the art of making Italian Orecchiette pasta, the refined tongues of taste testers, and so on.

It caused me to think about my food traditions. I have none. I cook Mexican enchiladas, Asian stir-fry, Kansas City-style barbecue, U.S.-style Thanksgiving dinner. Typical American diet, right -- a sampler of cuisine from elsewhere. Or a smorgasbord, a Swedish type of cafeteria that was a thing back in the 1950s. Because Americans come from everywhere, so does our food. 

I should have Irish-American foodways. If only I knew what those were. Corned beef and cabbage? Irish oatmeal? Irish Stew? Rashers? Soda bread? Guinness-infused desserts? Irish coffee? 

No idea. My mother passed along recipes for Jello molds and tuna casserole. My father made his Scots-Irish mother's spaghetti and meatballs. One could live off of that I suppose, but would you want to?

The anti-tuna-casserole stance involves a bit of food snobbery. I began to think of my Mom in the kitchen, faced with the hungry stares of her many children, and I realized that a couple cans of tuna, a can of cream of mushroom soup, a dash of milk, and a handful of corn flakes for crunchiness made dinner for eight for a few bucks. All she needed was a can opener and a stove (no microwaves yet). Many "homemakers" of the 1950s faced the same challenge. Bless you Mom. Sorry I made such a fuss. 

I Googled tuna casserole recipes and there are thousands. Still. Heather Arndt Anderson wrote a witty "Brief History of the Tuna Casserole" for Taste Magazine. In it, she traces the origins of the dish to a traditional German noodles and fish casserole. The first recipes in the U.S. show up in the 1930s. It started in the Pacific Northwest and then migrated to Middle America. Modern conveniences such as COMS and canned Charley the Tuna was all that was needed to feed hungry groups of fledgling Baby Boomers. That led eventually to Tuna Helper and a recipe for tuna casserole that's "not for wimps." 

As an American, I come from nowhere and I leave no food traditions for my offspring. A sad state of affairs. My daughter Annie will help me cook Thanksgiving dinner. The recipe is a 16-pound roasted turkey, mashed potatoes and turkey gravy, stuffing, green bean casserole, and pumpkin pie. I bought cranberry sauce but use it on my turkey sandwiches. I like sweet potatoes but the family does not. I have a childhood memory of my Aunt Ellen's sweet potato casserole topped with marshmallows. It was a revelation -- marshmallows on taters? What wondrous world is this? I brought the recipe home to my mom but she never made it. I never have either. 

My parents and my wife's parents were meat and potato people. Who could blame them? Growing up in the 1930s, they were lucky to eat regularly. The Depression cast a pall on my parents' generation. That's why food companies found a willing populace for beef roasts, hamburgers, hot dogs, and, eventually, TV dinners. What miracle is this, an entire meal in an aluminum tray? Mystery meat, whipped potatoes, green beans, and an apple crisp dessert hot enough to burn away the roof of your mouth. We loved them. Mostly, though, we lived on casseroles, macaroni/cheese, hot dogs and burgers. Cereal for breakfast. Baloney sandwiches for lunch. 

I continue these non-traditions. Sure, I try new things from other cultures but keep returning to the tried-and-true. We eat a lot of stews and chilis in the cold months, many kinds of salads in the summer. But if I was asked about traditional foods, I would draw a blank. Why do I cook chicken on the gas grill? Why do I use a certain marinade? When I make Irish stew, how Irish is it really? Research shows that stew is a catch-all for whatever you have around the house. Hobos cook Irish stew from veggies they scrounge in the fields. Who invented the chili  make and why? I cook Italian sausages made in Boulder, Colorado. How Italian are they anyway? The Tex-Mex dishes I make are not the same ones you find in El Paso and Mexico City. I do not like corned beef and cabbage and have no ideas about its origins. The most Irish thing I imbibe is beer, usually stouts like Guinness which is made in Dublin and now in a Baltimore brewery. 

Now I'm rambling. But the same question remains: what am I eating and why? One of the reports on CBS today was about the rise of plant-based diets. Vegan and vegetarian restaurants have been a thing for awhile but there's a rise in popularity. You can assemble a vegan meal at most restaurants in Cheyenne but there isn't an all-vegan one. Closest WYO vegetarian restaurant is Sweet Melissa's in Laramie and quite a few in Fort Collins.

I do not want to go vegan but I do grow vegetables and eat them. Fruits, too, but all of mine comes from Colorado, California, and Texas. I eat less red meat but I eat a lot of chicken. There's a company called Daring Foods making veggie-based chicken and I plan to try it if I can find it in Wyoming stores. Tabitha Brown grew up in the meatcentric South but now is vegan and wrote a vegan cookbook, "Feeding the Soul." Her reasons for changing her diet is to stop chronic pan and fatigue. A very good reason. My heart condition makes it crucial to cut down on bad cholesterol and its tendency to cause inflammation that upsets the heart. 

My goal is modest. Replace a few meat-based meals with plant-based. Some practice Meatless Mondays which sounds reasonable. Alliterative, too. I also want to track the origins of the food I eat. I like to lose myself in the maze of research. It's habit-forming. Like bacon.

India press picks up Ken Waldman's first novel

I received a head's up notice from friend and traveling writer/performer Ken Waldman. He has a new Kickstarter project for his 20th book, a first novel, "Now Entering Alaska Time." I will contribute, as I usually do, because Ken is a good guy and he always finds new and interesting ways to get his work into print. He also has been a burr under the very large saddle of Donald Trump since Inauguration Day, 2017. He is eight volumes into his "Trump Sonnets" series. Other writers have plagued Trump with poetry but none quite like Ken. See a sample and some performance videos here. 

As I wrote in 2019, the books are shelved in my presidential library. Ridgeway Press in Roseville, Michigan, printed all of the Trump Sonnets titles. 

What will future generations make of them and us?

Ken's novel is being published by Cyberwit.net Press located in Prayagraj in India. I checked out its web site and the press boasts a big stable of writers from all over the world. As far as I know, Ken has not yet traveled in India. But soon will, I expect.

The story of the dead sculptor's homecoming in Sand City, Kansas

Great article in the Nov. 12 edition of Flatwater Free Press: How a 101-year-old linked to Willa Cather altered a small town's future. Talks about Antonette "Toni" Willa Skupa Turner, a resident of Bladen, Nebraska, just down the road from Red Cloud. Toni Turner died at 101 in August. She was the granddaughter of Anna Pavelka, the real-life inspiration for Willa Cather's "My Antonia." Turner spent her life talking up Pavelka and Cather, a dynamo who helped turn Red Cloud into one of the most vibrant locations dedicated to any American author. More than 10,000 Cather fans journey to Red Cloud annually. Turner was the local literary celebrity everyone from Cather scholars to rabid readers wanted to meet. Cather based so many of her books and stories on Red Cloud and its people. Cavelka, a Czech immigrant, and Cather, intelligent girl of the town doctor, were from different worlds but forged a friendship that gave birth to a famous novel. 

My interest in Cather goes back to high school when I read "The Sculptor's Funeral" for American literature class. It was on of the classics in the typical 1960s lit anthology with all of the usual suspects: Hawthorne, Twain, Dickinson, Hemingway, Faulkner. Nary a writer of color in the batch. But Cather's story spoke to me. I couldn't pin a name to it. A famous sculptor's body is transported back to his Kansas small town on Sand City. Turns out the sculptor was a weird kid who got the hell out as soon as he could. He died young from TB and his final arrival causes much talk among the populace, most of it negative. Jim Laird, Harvey Merrick's childhood friend who is drunk, hears their snarky comments and confronts them:

Harvey Merrick wouldn't have given one sunset over your marshes for all you've got put together, and you know it.

Laird leaves in a huff. The final paragraph wraps things up:

The thing in him that Harvey Merrick had loved must have gone underground with Harvey Merrick's coffin; for it never spoke again, and Jim got the cold he died of driving across the Colorado mountains to defend one of Phelps's sons, who had got into trouble out there by cutting government timber.

It's a sad story. Lots of sadness in Cather's work and moments of triumph. She draws distinctive characters and it's hard not to be moved. When I read the story at 16, I knew something significant had happened but didn't exactly know what. Artists are different -- everybody knows that! -- and Merrick's differences made him an oddball in Sand City. Jim was an educated guy, a good guy who died helping out one of the town's worthless sons.

Why are all of these stories so damn sad? Cather's sculptor, Hemingway's soldier home from the war or the old man and his fish,  Algren's young punk who just wants a bottle of milk for mother, Dorothy Parker's big blonde. I thought I knew what sadness was but did not. I do now. I write sad stories because life is sad. The story is in the telling of the sadness lightened up with wit.

Cather changed her identity when she went off to the University of Nebraska. She dressed in men's clothes and went by Willie. She excelled in writing and journalism and worked her way out of Nebraska. But she escaped the sculptor's fate. She is celebrated in the town that inspired so much of her work. Not everyone is a fan. Her struggles with sexual identity make some Nebraskans nervous, even some of those in Red Cloud who reap economic benefits from the writer's legacy. 

I've read the novels but I keep returning to her stories especially the one about the dead sculptor coming home to a hometown that never knew him.  

Two Chicano artists from Wyoming tell their stories at Meow Wolf Denver

There's a story here.

That's what I said to myself when I found out that two Chicano artists with Wyoming roots were charged with installing their artwork in the trippy Meow Wolf Denver.

WyoFile agreed and published it today. Go read it here.

Adrian H. Molina (a.k.a. Molina Speaks) is "an artist, performer, master of ceremonies, and human bridge." He grew up in Rawlins, earned his undergrad and law degrees at UW, and then departed to Denver to pursue not law but art.

Visual artist Stevon Lucero grew up in Laramie, attended UW and, in 1976 departed for Denver with his young family in tow.

The two artists are members of the burgeoning Denver Latino arts community. They still maintain ties with Wyoming but their careers now radiate from the big city to the south.

Two more members of what Grady Kirkpatrick on Wyoming Public Radio refers to as "the Greater Wyoming Diaspora." Young people grow up here, attend UW, and then depart for greener pastures. Cities are magnets for creative people where they find encouragement and audiences. Disappointment, too, as artists from rural communities find they are competing with scores of equally talented people. That may beat them down or it may challenge them to excel. One never knows.

I've worked in the Wyoming arts scene for 30 years. Creativity prospers in the expected places and ones that surprise you. Sometimes artists become part of the Wyoming diaspora but you can see the place's influence in their work. That's true of Lucero's paintings at Meow Wolf inspired by lucid dreaming about an oddball Wyoming landmark. 

Meow Wolf Denver opened Sept. 17. Some interesting articles about it have appeared. Here's one. Molina is quoted therein. 

GoFundMe for my brother, Tim Shay

My brother Tim the postman/father/grandfather is undergoing radiation treatments at the Mayo Clinic Hospital in Jacksonville, Fla. The docs successfully operated on Tim a few years ago to remove a non-cancerous brain tumor. It grew back, this time with an unwelcome surprise of "atypical cells." Tim's large family depended on his paycheck but now he's on disability and things are a bit tight. If you've a mind to, please contribute to our family's GoFundMe site

I pray for Tim daily and keep sending him goofy cards to lift his spirits. 

Weekend Round-up: Wolf says Meow, gigantic garden seed pods, and Notre Dame Cathedral visits the West

The garden has been winterized and the bulbs are in the ground. A pretty good year for tomatoes and Purple Podded Pole Beans, which I keep getting from the library's seed library because I like the name. Sounds like a crop a Martian might grow. The vines took over my container garden. Not tasty raw but can grow to incredible lengths because the beans blend in with the purple stems. There are some big ones, too. Not "Invasion of the Body Snatchers" big, but they're scary. The bigger they are, the tougher they are. Tomato varieties: Gold Nugget and Baxter's Early Bush Cherries. 

Mystery foliage still thrives in my big front yard flower pot. Looks like parsley but at first I thought cilantro since I was throwing around cilantro seeds in the spring. I used Plant ID but came up with nothing. I'll take some leaves into the Botanic Gardens and ask the experts. 

My two crabapple trees seem to be taking hold. Planted by Rooted in Cheyenne in August, they're six-feet tall and the leaves are dropping with the seasons. Must remember to water them on a regular basis. Weather Channel has mega-storms hitting the West Coast but whether the moisture makes its way to the Interior West is yet to be seen. Forecast calls for hurricane-force winds and giant waves on the Washington coast and up to eight inches of rain in California and multiple feet of snow in the Sierras. Pray for snow! Fortunately, Halloween is nigh and we all know what Halloween usually looks like around here.

I finished an article for WyoFile this week and it should appear online mid-week. It features two Wyoming-bred artists now living in Denver who highlight their work at the new Meow Wolf Denver. The four-story art outpost, wedged between I-25 and Colfax Avenue, opened Sept, 17. More than 300 artists contributed to the immersive art exhibit called Convergence Station, “the convergence of four different dimensions.” Haven't seen it in person yet but traveled there virtually through the imaginations of the artists. Look for my byline this week.

I just read "The Lincoln Highway" by Amor Towles. Color me clueless but I had never heard of this writer who has written many books. I will read more now that I blew through the latest on Kindle. The title attracted me. I live along the Lincoln Highway which was Hwy. 30 until it was swallowed up by I-80. I've researched the origins of America's first transcontinental highway for my novel. Fascinating stuff. Billy, an eight-year-old Nebraska boy in Towles novel, is fascinated by it and wants to travel it. But wanting to travel it in 1954 as Kerouac did just a few years earlier is tougher than it seems and launches his 400-page adventure. Great read. 

I'm also reading the new book of poetry by Betsy Bernfeld of Jackson and Laramie. Betsy is not only an accomplished poet but also an attorney and former librarian. I still treasure the tour of the old Jackson library Betsy led me on when I first came to work at the Wyoming Arts Council. That was the old log cabin library that smelled of wood. The new library is a work of art. I visit it every time I'm in Teton County. Betsy's book, "The Cathedral is Burning," was published by the fine Finishing Line Press in Lexington, Kentucky. It's one of the small presses that keeps literature alive in the U.S. and around the world. The book's cover features "The Mothers: Las Madres Project. No Mas Lagrimas, a public artwork about migrants in the Arizona desert at Pima Community College in Tucson. 

The other day I was thinking: how come there aren't more movies about poets? There are a few big names who have made it to the screen: Dante Alighieri, Allen Ginsberg, Shakespeare, Sylvia Plath, Siegfried Sassoon, Wilfred Owen, Emily Dickinson. That's a pretty good start. 

Surfing the streaming channels, I came across a film on Netflix about John Keats. I know Keats as a suffering English poet of the Late Romantic Period who died young at 25. He excelled at odes -- you don't see to many of those these days. "Ode to a Nightingale," "Ode on a Grecian Urn," etc. I wasn't familiar with "Bright Star," a poem that speaks of mortality and youthful love. It's a beautiful poem that became the title of Jane Campion's movie, "Bright Star." Set in 1819 in a rural area just outside London, it tells the tale of a morose Keats and Fanny Brawne, a lively young woman was makes her own clothes and loves to dance. She is smitten with the scrawny poet. He eventually is smitten enough to write her several poems. His consumption gets supercharged after a night out in the rain. 

It's all over but the suffering. 

Thing is, Keats is doomed but the film is about Fanny's lovesickness. She is obsessed with Keats and she gets little in return. When he travels to London, she's in bed for five days, asking her mother why love hurts so bad. I kept hearing Nazareth's "Love Hurts" in my head. But her infatuation puts any pop song's lyrics to shame. She is physically ill when Keats goes to Rome to heal and won't take her along. She is torn asunder when word reaches her about the poet's death. They weren't married but were only informally engaged because her mother won't consent because she thinks her daughter is tetched and "people are talking." In mourning, she makes her own widow's weeds, cuts off her hair, and walks the heath for six years reciting her man's poems. That is worth a collection of odes right there. So sad to see her walking the heath reciting "Bright Star." She eventually marries and has three children but her future is also tied to Keats' gathering fame. 

Today I read a batch of Keats' poems and they are impressive. I also read some criticism that followed Keats post-mortem. I've always been more taken with Wordsworth and Coleridge and Blake of the Early Romantic Period. Later, Shelley was pretty cool although his wife was more cool. Lord Byron dies the true Romantic's death when he leaves poesy to fight a war that had nothing to do with him. Strange thing is, it seems as if Keats has a stronger legacy as the suffering creative genius. He was poor and unknown in his time. But the poet who suffers is still with us. And the poet's betrothed is the one whose suffering I felt most. 

Where does one get Micro Kale and Wasabi Arugula in the midst of ski season?

We move our lives indoors as frost and snow shuts down another outdoor growing season in Cheyenne. Yesterday, I plucked all of my tomatoes and brought them inside to finish ripening. I found some purple pod beans lurking in the foliage. I snipped off my basil, oregano, and rosemary and stored them in the freezer. I'll use them in sauces throughout the winter. 

This is usually a somber day for me. Winter is coming! October through March is when I spend more time thinking about gardening than actually gardening. What grew well this year and what am I going to tackle in 2022? Thing is, much growing has moved inside. Locals have built small backyard greenhouses. Some of us take advantage of big south-facing windows to continue the process during the dreary months, just as our rooftop solar panels reach out to the sun dipping into the southern latitudes.

Just read an Inc. Magazine article about vertical farming operations around the U.S. Former industrial sites in New Jersey and Pennsylvania have been transformed into hydroponic farms. Vertical Harvest in Jackson grows greens and tomatoes year-round in its three-story farm built on a strip of land adjacent to the city parking garage. Teton County visionaries found this unused bit of land, a rarity in Jackson, and then planned, funded, and built VH. Now, according to the Inc. article, it's going nationwide with facilities planned for Westbrook, Maine, and North Philadelphia, Penn. VH's mission from its early days was to employ people with developmental disabilities, which they are doing, a mission VH promotes on its packaged produce: "Sustainably produced by community members with different abilities." 

This fascinates me. I am a gardener and cook. My daughter has "different abilities." I volunteer at the Cheyenne Botanic Gardens. Botany is not my trade -- writing is -- but I've always been interested in growing things. I'm moderately tech-savvy but am intrigued with ways that tech can change ways we grow our food. Computers, efficient L.E.D. lights, and robotics are feeding what Inc. calls "the future of the $5 trillion agriculture industry." Outdoor gardening has its thrills but also drawbacks in hail, pests, and diseases. So-called urban farming impacts all of this. It also addresses climate change variables: hurricanes, deluges, drought, massive wildfires. In southeast Wyoming, we look forward to this week's snow because the summer and early fall have been so dry. Meanwhile, Northern Italy last week was swamped with almost 30 inches of rain in a 12-hour storm. 

The Inc. article wraps with mention of a book by botanist Stefano Mancuso, "The Revolutionary Genius of Plants." Mancuso posits that not only have humans been nurturing plants for some 10,000 years, but "plants have brought us along on their evolutionary journey, employing us as a means of transportation." Now we bring them inside, away from most of their pests and plagues, and refine them along the way. A photo in the article shows Irving Fain, Bowery Farms founder, behind a crop of wasabi arugula. Some diners already consider arugula pungent, but a wasabi mix? Holy moly. Some crops are brand new and some are being resurrected from the dustbin of history. 

Tech and business brainiacs are in the mix with Micro Kale and Beet Greens. Lots of start-up dough is going into these projects. "Geeks and quants" are involved, says Inc., and I think I know a geek when I see one but a quant? That's what the Internet is for. According to Investopedia, it comes from "quantitative (quant) trading" which "involves the use of algorithms and programs to identify and capitalize on available trading opportunities." Quants do this. They read pubs such as Poets and Quants which, as far as I can tell, has more to do with the latter than the former. Bowery's Fain might be a quant as he says this: "The question for me is, can tech generate scalable opportunities and an exponential increase in outcomes." 

It's a good question. There's another way to put it:

Salad on table/Where to find arugula/That inflames the tongue

Just asking for a poet friend.

Book banning in Gillette: A Wyoming story

The American Library Association wrapped up Banned Books Week and now there are no banned books in the land.

Wishful thinking. Know Nothings keep intruding into our book-reading lives. The most recent and newsworthy attempt comes from Gillette in Campbell County. The first salvo came when a few crackpots decided that the library should disinvite an LGBTQ author slated to give a children's workshop. The library received threats. The author received threats. For safety's sake, the author cancelled her appearance and the library moved on to other things. That included fielding challenges for various books, most with LGBTQ subject matter. As staff sorted through the complaints from a cabal of Christian Nationalist zealots, they celebrated Banned Books Week. The county commission held a hearing in which the following exchange occurred (as noted in an Oct. 4 Casper Star-Trib article):

On Sept. 27, during a meeting between the library board and commissioners, Commissioner Del Shelstad suggested cutting the library’s funding.

He said the library shouldn’t come asking the county for more money because in his opinion, “we shouldn’t fund you at all.”

Commissioner D.G. Reardon, who had called into the meeting, asked if he’d heard Shelstad correctly, and if Shelstad meant he wanted to close down the library.

Shelstad said he wanted to cut funding to the library, and ”if that means closing it, then we close it.”

Shelstad received a salvo of complaints and a few days later he back-tracked, sort of:

“I didn’t mean 100% of their funding,” he said. “I said cut their funding. That comes in a lot of shapes and sizes.”

A threat is a threat. He obviously supports and/or is threatened by the naysayers in the county. We know who those people are. Trumpsters. People who go to extremes to “own the libs.” The see any diversity initiative as a threat to their ignorance, which it is. There is a voting bloc of these people and their influence is felt every day at the library, in the media, county commission meetings, and at the polls.

Gillette parent Matt Heath, who spoke up for the library at the commission meeting, summed it up: "hypocrites and bullies need to be stood up against."

Amen, brother. These dogged bullies have always been with us. Trump unleashed them. It is too much to hope they go back into their hidey-holes. We must out-vote and out-talk them. Support your local library. Read a banned book today. And vote, as our complacency as people who value democratic principles have allowed this to happen. Far-right politicians and legislative bodies continue to suppress voting rights and gerrymander the hell out of our states. Misinformation spreads freely.

So get out there, go do that voodoo that you do so well. 

Custer's ghost asks: Where have all the flowers gone?

Last week, the Wyoming Public Media page featured an article by Kamila Kudelska about a new book, Wyoming History in Art, compiled by the Wyoming State Historical Society. The book showcases paintings by Osage, Wyo., native Dave Paulley, who passed away in 2020. The paintings were commissioned in 1989 to celebrate the state's centennial. Historian Jeremy Johnston wrote the narratives that accompany the paintings. To buy a book, send an email to linda@wyshs.org

The WPM feature story showed one of the paintings, "Custer's Troops in Floral Valley, 1874." It shows troopers picking flowers and making bouquets. In the background, a wagon train rolls. At first, I thought it was a fanciful scene. "How interesting. The troopers killed at the Little Bighorn are picking flowers." I thought it might be some metaphor to what was to come two years later in another valley.

I hadn't yet read the book so I didn't know that it was a recreation of an historical scene. The soldiers are some of the 1,000-some that made up Custer's Black Hills Expedition. More than 100 wagons hauled supplies from Fort Abraham Lincoln near present-day Bismarck, N.D., down through northeast Wyoming and into the Black Hills. They encountered a flowered valley along the way. After weeks of barreling through the treeless plains of N.D., they were entranced by the wildflowers and stopped to pick them, make bouquets, and fashion wreaths for their mounts. 

I've lived in Wyoming 30 years and never heard this wonderful story. History is so filled with oddities. We see the echoes of those events down through our times. Custer was charged with exploring the area that hadn't yet been properly mapped by white folks. As an aside, Pres. Grant's staff mentioned that if he finds any gold, be sure to let The Great White Father know before telling anyone else.

Custer found gold among the wildflowers and all hell broke loose. A gold rush commenced and lands sacred to Lakota and other Plains tribes were invaded by rough men with demonic gleams in their eyes. Treaties had insured that the Black Hills wound remain in Indian hands. The Plains War erupted in earnest. It led to the pillaging of the Black Hills and the enmity of the tribes. Some 200 of the flower gatherers followed Custer into an ambush at what Native Americans call the Battle of Greasy Grass. 

It eventually led to the killing and atrocities that culminated at Wounded Knee. And the beat goes on.

The painting deserved a poem. So I wrote one, a prose poem. It was be a prose poem or it may be flash fiction. There doesn't seem to be a clear dividing line and maybe that's a good thing. 

Custer Botanicals

Custer’s Troops in Floral Valley, July 1874. It’s beautiful this painting by David Paulley. Oil on canvas, 24 by 16 inches. Mounted troopers on the Black Hill Expedition pick wildflowers under an azure sky of a Dakota Territory summer. A bearded trooper on a black horse clutches a bouquet of Goldenrod, Blackeyed Susan, blue flax. He looks behind him, over his bedroll, sees his young love back home run to him through Floral Valley. She wears a yellow dress, looks just as she did when her lover left for the West’s Indian Wars. She wants to send him away with a final kiss. She smiles, tears streak her skin. The sun dodges behind a cloud and when it reappears two years on, his love’s shining face is replaced by the paint-streaked dusk of a Lakota Sioux warrior. He wields a stone war club and runs to the fight. A revolver replaces the flowers in the soldier’s hand. The warrior charges. The soldier fires. The warrior falls, face pressed into the field of mashed flowers. The soldier looks up and more Lakota and Cheyenne and Arapaho charge him. They scream. Why are they screaming? Seemed like only moments ago he picked flowers in a valley, surrounded by fellow flower-mad troopers. In the distance, wagons rolled north, loaded with guns and butter, trinkets and liquor to becalm the natives. “It was a strange sight,” Custer reported to Congress in 1875, “my men with beautiful bouquets in their hands, while the head-gear of the horses was decorated with wreaths of flowers fit to crown the queen of May.” In Montana, 2021, Custer’s soldiers lie beneath the prairie, reach out for the roots of tickseed and yarrow, sunflower and beardtongue. Tell us your flower secrets. Tell us what it feels like among the bees and butterflies and sweet summer rain. Let us hold you again, wreathe our horses with you, inhale the blossoms of Floral Valley on this slow march to Valhalla.

Jackson Hole Art Blog keeps me posted about arts events in Teton County and beyond

I spent two hours this morning reading Tammy Christel’s Jackson Hole Art Blog and 12 days of posts on Tammy’s Facebook page about the fall arts festival. Wonderful blog post about David Brookover’s photo techniques and the methods he uses to visualize the Tetons and valley wildlife. Great detail about the various papers he uses. I learned so much about silver prints and platinums and photogravures.  

Tammy FB-tracked the busy 12 days in Jackson with the fall arts festival. An arts extravaganza for what may be the most beautiful month in The Hole. Funny to note the clothing choices of artists painting en plein air. At the Quick Draw, artist Jason Borbet, clad in sweat shirt and bright-red mittens, paints the Tetons/Snake River vista made famous by Ansel Adams. Emily Boespflug decked out for a run down the slopes with gloves, three layers of jackets, a red scarf and wool cap. She’s putting the finishing touches on a painting while onlookers in stocking caps observe her progress. Fall in Jackson – winter one day, summer the next.

Tammy kept track of the many events and also logged in some of the accompanying fun things – Sunday Brunch Gallery Walk with gigantic Bloody Marys topped off with onion rings and the many studio open houses, including Laurie Thal’s cool glass-blowing workplace in Wilson. Tammy also logs in some of the prices paid for artwork. For the casual arts buyer, the prices are astounding. Someone paid $1.2 million for Howard Terpning’s “Vanishing Pony Tracks” oil (writes Tammy: “Wowza!”) and $65,000 for Gary Lynn Roberts Quick Draw painting of a winter day at the Wort Hotel in days gone by.

Impressive numbers. But not unusual for a noted arts town such as Jackson. It was ranked the number one small community on the list of The Most Vibrant Arts Communities in America 2020. That’s from the National Center for Arts Research at Southern Methodist University in Dallas.

The top five were all in the Mountain West. Along with Jackson (which includes Wilson and Teton Village, Wyo., and Victor and Driggs, Idaho just over Teton Pass) were Steamboat Springs, Colo.; Heber, Utah; Hailey, Idaho; and Glenwood Springs, Colo. All of these places are within a day’s drive from my house. At 677 miles, Hailey would be a bit of a stretch, although Chris and I have logged one-day drives of 995 miles from our son’s place in Tucson. Long-distance driving skills are a necessity in our part of the world. It’s also good to note that three of the arts towns on the list of medium-sized communities are Boulder, Colo. (100 miles), Santa Fe, N.M.. (492 miles) and Bozeman, Mont. (595 miles). Note that Steamboat, Glenwood and Boulder are closer to me than Jackson, a mere 432 miles away, about the same distance as Heber City and Santa Fe.

As you can see, I live in the orbit of some of our country’s artsiest towns. Cheyenne is not in the SMU top ten. That’s OK – our arts scene is growing and we are very close to Denver and other pretty darn good arts town along the Front Range. Fort Collins has a multitude of outdoor music events promoted by the zillion craft brewers in town. I also like to browse the CSU Arts Center in the Old Fort Collins H.S. (Go Lambkins!). During the warmer months, you can find me outside perusing CSU Ag’s beautiful test garden and its large Xeriscape garden. Loveland is sculpture town. Visit and of the city parks to find an array of sculpture, from the representational to the avant-garde. I like the Chapungu African Sculpture Park east of the sprawling Centerra Center at I-25 and Hwy. 34. It features 82 hard-carved stone sculptures in a park with 600 trees of 20 species along with natïve shrubs and grasses. Wild Wonderful Weekend takes place there this weekend with a Saturday evening concert by American Authors who are actually American rockers.

As is true for many Cheyennites, we spend a lot of time at Colorado venues. We also support local arts. You can do both.

The top-five small arts communities mentioned above are all destination resorts for summer and winter sports. The rich have gravitated to these places so they can brag about swapping tall tales with real local cowboys at the Million Dollar Cowboy Bar. They also like the views or viewsheds as realtors call them. It’s easy to be snarky about the scene and the outrageous prices paid for some art. Local writers have had some fun poking fun at the migratory riche, nouveau or otherwise (I’m looking at you Tim Sandlin). 

But I always loved traveling to Jackson for arts events and get there as often as I can. At all other times, I depend on Tammy’s blog and Facebook posts to transport me to its arts happenings.  

A prelude to fall this weekend at Cheyenne Botanic Gardens Harvest Festival

I'm volunteering Saturday afternoon at the Cheyenne Botanic Gardens front desk. The place will be hopping with the annual Heirlooms and Blooms Harvest Market from 10 a.m.-5 p.m. (noon to 4 on Sunday). This is the Gardens' first big event since the advent of Covid. Supposed to be a nice day. The farmers' market and the Shawn Dubie Memorial Rodeo happens Saturday at Frontier Park so it should be a lively day in the neighborhood. Drop by the front desk between noon and 3 and say hi. 

From the CBG press release:

CHEYENNE – Don’t wait for the chill of the holiday season to start shopping for your loved ones or yourself! 

Join the Cheyenne Botanic Gardens, 710 S. Lions Park Dr., for an expanded indoor/outdoor harvest market at the most bountiful and beautiful time of year at the Gardens! This two-day event, on Saturday, Sept. 11, from 10 a.m. to 5 p.m. and Sunday, Sept. 12 from 12 p.m. to 4 p.m., will have a variety of regionally made gifts from artists and craftsmen selling everything from home decor, woodworking, art and jewelry, dog treats, baked goods, apparel, and so much more! 

Make it an outing for the whole family and enjoy some delicious food from our food vendors, and activities for the kids! Admission is free, so come and enjoy the lush surroundings of the Gardens as you get ahead of your Fall decorating and Holiday shopping! 

Additional free parking is available across the street in Frontier Days Lot C. 

FMI: Aaron Summers, 307-637-6458.

P.S. Cheyenne writer Barb Gorges will be on hand from 11 a.m.-1 p.m. Saturday and noon-4 p.m. Sunday to sign her books, "Cheyenne Garden Gossip" and "Cheyenne Birds by the Month."

Latest WyoFile review features biography of Marjorie Kinnan Rawlings by Ann McCutchan

Check out my latest book review on WyoFile: "In new biography, Laramie writer McCutchan examines a different frontier."

Ann McCutchan's new book is The Life She Wished to Live: A Biography of Marjorie Kinnan Rawlings, Author of The Yearling. Ann told me about the upcoming book when we met for coffee when she was contemplating a move back to Laramie. I was fascinated by the story behind Ann's choice in bio subjects and her return to the state. She grew up on Florida's Atlantic coast not far from where I came of age. We both had similar nostalgic memories of life on and near the beach. We both landed in Wyoming as adults and shared a bit of surprise that this is where we spent so much of our lives. No beaches within miles, unless you count Garth Brooks' "The Beaches of Cheyenne."

WyoFile's articles can now be heard via audio from Ad Auris. They've been doing this for awhile but just noticed it when the site published my latest review. I listened to it and it's quite good. Tune in at the above link.

Boring old college lecturer responds to "The Chair"

Watched the last episode of "The Chair" this week. I laughed, I cried. Various faculty and administrators and students pissed me off.  All in all, a good investment of six Netflix hours. 

I have never served time on a college faculty and I've been an adjunct at community colleges. I was an undergrad English major at one community college and a land-grant university in the Palm Tree South and a grad student at a land-grant university in the Rocky Mountain West. I never got within spitting distance of a small liberal arts college such as Pembroke. 

But Pembroke's people seemed familiar. As a grad student T.A., I experienced some of the same frustrations of Pembroke faculty, those f*cking f*cks referenced in The Chair's (F*cker In Charge) desk sign. Some faculty members were old and stuck in their ways. The Literature, Composition and ESL faculty didn't like creative writing faculty and vice versa. The administration was always targeting the English Department for cuts due to the fact that we all speak English so why in the f*cking f*ck do we need an English Department? Shouldn't it be the  'Merican Department since we all speak 'Merican here? 

All an MFA grad student could do was teach our two sections of comp, keep our heads down and write a lot. We had regular classes to attend on top of writing workshops. And, in my case and some others, I had a family to support. 

One of my favorite aspects of "The Chair" are insights into faculty's families. Dr. Ji-Joon Kim has a daughter who is as argumentative as faculty ("You're not my real mom"). Dobson's wife died and his only daughter went off to college. No matter he gets stoned before and after class, and sometimes doesn't show up at all. Dr. Joan Hambling gave up her personal life and career advancement to prop of the fragile egos of male colleagues. She is working on a relationship with a college IT guy who is as much as a wise-ass as she is. Dr. Rentz (Bob Balaban) chats with his wife before a college event and we find out that she gave up her academic career to raise three kids. "Someone had to cook dinner," she says as she urges her aging husband to wear his Depends.

My daughter, an English major, is watching "The Chair" but I don't think she's finished. After a couple episodes she was angry at the students, which I thought was interesting since she is a student and a Millennial. I was angry at the students too but possibly for a different reason. They didn't want to learn Chaucer and Melville? I fondly recall my red-haired prof at UF who taught us Chaucer in Middle English. She spoke it like a native and there were times I imagined her as The Wyf of Bathe. 

The Pembroke students just didn't want to learn it the old-fashioned boring Boomer lecture way. They liked the way Moby Dick was taught by Dr. Yaz, a Millennial who approached it in a new way. By the end of the final episode, I was depressed about the state of academia. No surprise -- I was a boring old lecturer and probably still am. Back in my day, etc., etc., and so on. 

That summer day in Wyoming, that was some wonderful day

One of my favorite loop tours for visitors is Cheyenne to Saratoga via the Snow Range. And then back again. For me, this 300-mile round-trip is no big deal. During summer, the obstacles on this route are construction, poky RVers, and hailstorms. During winter, you have to add in "slick in spots" hazards along I-80s Elk Mountain route. 

My wife Chris and sister Eileen joined me in my car. Brother-in-law Brian, daughter Annie and sister Mary rode in the rental. We first drove to Laramie. Annie wanted to show off her future campus. We parked in the War Memorial Stadium lot. Our visitors were impressed with the "breaking through" monumental sculpture and the big motto writ on across the stadium wall: "The world needs more cowboys." I really didn't want to get into some of the blowback the phrase caused. What about cowgirls?  Will this turn off Native American and other minority students? And what cowboys, exactly, are you speaking of? Cowboy Joe? John Wayne? The drovers in "Lonesome Dove?" The thousands of UW grads who couldn't find jobs in their home state and fled to non-cowboy states such as Illinois and Florida? Who? What?

We toured the big welcome center named for a rich donor. This is how it is on college campuses and I have no problems with it. Inside, I saw names of patrons who also support the arts and that made me happy as UW has great arts facilities and faculty. 

I noticed the library in the fireplace room and settled in to read through some of the old UW annuals. I was taken with the 1954 volume. Its first eight pages were photos of campus and Wyoming scenes that looked like blueline prints of 3D film. There is a pocket in the book's inside front cover that once held 3D glasses. How fun is that? 3D movies had hit the market in the early 1950s and they were all the rage when UW students assembled the annual in 1954. "It Came from Outer Space" (1953) and "Creature from the Black Lagoon" (1954). I was also surprised by some of the other 3D titles listed on IMBD, "Kiss Me Kate" and "Hondo" among them. I don't have a real good feeling about Richard Burton/Elizabeth Taylor and The Duke coming at me in three dimensions. "They called him Hondo -- hot-blooded as the Plains that bred him. silent as gunsmoke, a stranger to all but the surly dog at his side." OK by me, but the dog better not die.

We ate lunch under the trees and toured the UW Art Museum, one of my favorite places. Some exhibits were closing down to make room for the fall crop of artists. But the ones still up were fascinating. I really got a kick out of  David Bradley's 2001 panoramic and satiric painting of the Santa Fe Indian Market (going on now). I was entranced by Collin Parson's "Light Ellipse" at the entrance to the galleries. The 12-feet-high ellipse is made of PVC panel and backlit by LED lights and changes colors as you watch. Parson's exhibit is one of the museum's fall highlights which includes visits and talks by the Denver artist. "Blind" by Holly Roberts was part of the museum's horse exhibit. This was one of the more experimental works in "The West on Horseback" exhibit that included paintings by Hans Klieber and black-and-white ranch photos by Elsa Spear Byron.  

After a quick tour of downtown we headed for the mountains along Route 130 through Centennial. The high prairie seemed very green for the first week in August. It's usually lightly-browned as beach sand, sometimes as brown as the Wyoming Brown you see all across the UW campus. A summer squall cut into our sightseeing. Also, there was that brown cloud that has found its way here from Oregon and California. The rain let up when we reached Lake Marie so we released our visitors into the wild, now with that fresh post-rainstorm scent. Lake Marie probably one of the most photographed site in Wyoming outside our national parks and the country's first national monument. Sometimes you can catch it as still and mirror-lake and, if the light is just right, you can shoot a fit-for-framing reflection of the surrounding mountains. Laramie's Doc Thissen once showed me such a photo, one of his.

On the way downhill we passed Brush Creek Ranch and I thought about C.J. Box's novel "The Disappeared" in which some nefarious goings-on happen at a guest ranch eerily similar to Brush Creek. Other fictional nogoodniks are haunting the Wolf Hotel in downtown Saratoga, a place where Game Warden/Sleuth Joe Pickett bellies up to the bar on a frigid winter evening and sips a Black Tooth Saddle Bronc Ale. Eileen, Brian, and Mary toured the Wolf and the rest of the town. 

"So who lives here?" I've asked myself that question many times, usually when passing places such as Hanna and  Jeffrey City. I know writers from Hanna and people in Jeffrey City who kept its arts council alive even when the town was dying. These towns also house coal-miners, wind-farm workers, retirees and meth heads. Just like any place in the Rocky Mountain West. As I drive back to Cheyenne, I look out on the landscape and marvel that anyone can make a living in this place. It inspires -- I think of Linda Lillegraven's wonderful landscape paintings -- and it also causes people to lose their minds, as happens in real life and in Annie Proulx's short stories (Proulx spent many years in WYO and once lived in Centennial). 

The setting sun ignites the clouds over the Laramie Range as we drive the last miles to home. It occurs to me that nobody in our two-car caravan sees Wyoming as I do. We all see and experience life differently. Some of us translate it (or try to) in the work we do. For others, it is memories and stories, a photograph that they unearth decades later and remember that August day in Wyoming spent with family. 

That was some day.